| Minutes Watched | Title | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched |
| | | | | | | | | | |
| 155,191.40 | Total Minutes Viewed (1191 Titles) | 6,661.20 | 2,600.20 | 9,130.20 | 53,809.50 | 2,219.70 | 39,448.70 | 3,385.30 | 20,108.30 | 19,194.70 |
| 4,145.20 | This Stolen Country of Mine (w/ Fernando Villavicencio) | 231.5 | 8.7 | 215 | 2,086.00 | 76.7 | 1,688.50 | 185.5 | 687.3 | 332.3 |
| 4,673.30 | Arsène Lupin | 280.7 | 59.7 | 256.2 | 1,250.80 | 112.2 | 1,706.70 | 0 | 495.8 | 511.3 |
| 4,217.70 | Fire Will Come (Oliver Laxe) | 97.2 | 0.5 | 296.2 | 1,239.20 | 104 | 1,583.70 | 142.2 | 436.7 | 318.2 |
| 2,896.80 | I Am Become Death: They Made the Bomb | 206.2 | 60.5 | 55.7 | 1,165.80 | 37.8 | 880.5 | 8.3 | 368.2 | 113.8 |
| 2,300.30 | Seraphine (Martin Provost) | 18.7 | 0 | 282.3 | 892.2 | 0.7 | 547.7 | 0 | 181 | 377.8 |
| 2,208.20 | The Libertine | 7 | 0.7 | 200.3 | 517.8 | 149.3 | 865.7 | 99.8 | 367.3 | 0.2 |
| 2,100.80 | Scrap | 168.2 | 65.7 | 159 | 314.8 | 17.5 | 751 | 85.8 | 432.8 | 106 |
| 1,887.50 | Harry Dean Stanton - Partly Fiction | 64.8 | 0.5 | 27.7 | 198.8 | 0 | 777 | 80.7 | 505.8 | 232.2 |
| 1,711.30 | Obscene | 0 | 85.3 | 90 | 534.7 | 0 | 493.3 | 0 | 311 | 197 |
| 1,657.30 | The Lover | 164.7 | 13 | 47.7 | 573.3 | 21 | 246.2 | 0 | 7.2 | 584.3 |
| 1,563.70 | Eastern Front | 100.5 | 17.2 | 11.5 | 485.8 | 0 | 309.3 | 21.5 | 319.2 | 298.7 |
| 1,476.50 | Hal (a film about Hal Ashby) | 32 | 1.2 | 4.7 | 22.2 | 8.8 | 811.5 | 0 | 327.2 | 269 |
| 1,372.30 | So Late So Soon | 72.7 | 0 | 3 | 352.2 | 7.3 | 341.7 | 227.7 | 210.5 | 157.3 |
| 1,297.80 | Jean-Michel Basquiat: The Radiant Child | 38.5 | 0.3 | 7.3 | 634.2 | 0.8 | 323.8 | 0 | 198.2 | 94.7 |
| 1,295.80 | Pulp: A Film About Life, Death & Supermarkets | 136 | 90.3 | 50.5 | 194.8 | 6.3 | 451 | 64.2 | 176.7 | 126 |
| 1,284.20 | Lolita (Adrian Lyne) | 2.5 | 89.8 | 134.2 | 180.5 | 29.7 | 242.2 | 16.2 | 27 | 562.2 |
| 1,245.70 | How to be a Good Wife | 0.3 | 0 | 11 | 660.5 | 0 | 278.2 | 48.5 | 0.2 | 247 |
| 1,121.70 | Devil in the Flesh (Marco Bellocchio) | 0.3 | 5.5 | 55.3 | 188.7 | 48.2 | 204.8 | 0 | 117 | 501.8 |
| 1,066.20 | Tell Them Anything You Want (with Maurice Sendak) | 73.3 | 41 | 42.3 | 369 | 0 | 247.5 | 0 | 167.3 | 125.7 |
| 986.5 | White Balls on Walls | 19.5 | 16.3 | 91.7 | 236 | 9 | 263.2 | 0 | 146.2 | 204.7 |
| 959 | November | 5.5 | 0 | 27.8 | 336.2 | 5.2 | 219 | 0 | 208.2 | 157.2 |
| 956.5 | A Grin Without a Cat | 0 | 0 | 185.8 | 368.8 | 0 | 401.8 | 0 | 0 | 0 |
| 946.2 | The Celluloid Bordello | 32.7 | 88.7 | 40.5 | 194.8 | 173.7 | 256.7 | 0 | 72.2 | 87 |
| 943.8 | Secret Museums | 21.7 | 0 | 124.3 | 192.3 | 0.2 | 339 | 0 | 78 | 188.3 |
| 935.7 | Dachra | 52.8 | 2.8 | 2 | 69.8 | 2 | 288.2 | 0 | 168.8 | 349.2 |
| 932.7 | Chicago Boys | 0 | 0 | 0.2 | 468.5 | 8 | 315.8 | 0 | 98.5 | 41.7 |
| 928.5 | Shortbus (John Cameron Mitchell) | 99.2 | 10 | 59.8 | 292.3 | 0 | 101.7 | 0 | 189.5 | 176 |
| 892.2 | Matter Out of Place | 21.2 | 0 | 13.5 | 224.5 | 0 | 192 | 0 | 342.3 | 98.7 |
| 859.8 | The Last Bolshevik | 1.2 | 125.5 | 6.8 | 285.7 | 138.8 | 147.5 | 0 | 154.3 | 0 |
| 851.5 | Nomad: In the Footsteps of Bruce Chatwin (Werner Herzog) | 0 | 0 | 0.7 | 203.2 | 0.2 | 272.2 | 0 | 186.5 | 188.8 |
| 781.7 | The Wonders (Alice Rohrwacher) | 16.7 | 0 | 6.2 | 232.2 | 3.7 | 162.8 | 0 | 108.5 | 251.7 |
| 774.5 | Double Life, a Short History of Sex in the USSR | 55.7 | 55.2 | 9.8 | 167.2 | 0 | 186.5 | 23.3 | 51.2 | 225.7 |
| 766.3 | The Pencil | 0.5 | 95.5 | 96.5 | 26.7 | 0.2 | 288.7 | 0 | 107.2 | 151.2 |
| 760.8 | Father | 0.3 | 0.3 | 118.5 | 243.3 | 0 | 65.8 | 0 | 210.5 | 122 |
| 756.2 | Sediments | 93.2 | 0 | 2.3 | 562.3 | 0.3 | 8.2 | 89.8 | 0 | 0 |
| 743.5 | The Hitler Chronicles - Blueprint for Dictators - Part 1 | 0 | 0 | 148 | 397.7 | 0 | 136.5 | 4.3 | 53.7 | 3.3 |
| 742.5 | River of Grass (Kelly Reichardt) | 0.8 | 0.3 | 181.3 | 132.2 | 0.5 | 248.3 | 11.5 | 14.7 | 152.8 |
| 699.5 | No Ordinary Man | 87 | 2.5 | 0.8 | 205.3 | 0.2 | 390.8 | 6.7 | 0.2 | 6 |
| 683.2 | Air Doll (Hirokazu Kore-eda) | 0 | 0 | 127.8 | 118.2 | 0 | 268.2 | 1.2 | 38.5 | 129.3 |
| 679 | A Life's Work | 11.7 | 3.3 | 6.8 | 90.7 | 0 | 291.2 | 0 | 92.3 | 183 |
| 676.3 | Red Hollywood | 0 | 0 | 56.7 | 111.8 | 31.2 | 121.7 | 0 | 355 | 0 |
| 644.3 | Sex in the Comix | 24.8 | 57.8 | 166.7 | 123.8 | 0 | 64.8 | 2.2 | 68.7 | 135.5 |
| 625.2 | When I Was Dead | 0 | 17 | 32.3 | 103.5 | 0 | 305.2 | 0 | 54.2 | 113 |
| 588.5 | Fonko - Episode 1: South Africa + Nigeria | 0 | 0 | 55 | 247.5 | 0 | 157.7 | 0 | 128.3 | 0 |
| 567 | Sex, Lies and Tabloids! | 0 | 137.9 | 56.2 | 46.3 | 1.2 | 165.8 | 13.3 | 92.3 | 54 |
| 558.5 | Adam Smith, The Birth of the Free Market | 0.7 | 0 | 36 | 57.3 | 57 | 166.8 | 79.7 | 94 | 67 |
| 540.2 | Good Manners | 0 | 0 | 0 | 24.8 | 0.3 | 151.3 | 159.3 | 159.8 | 44.5 |
| 537.5 | The Migrumpies | 0 | 0 | 5.3 | 210 | 0.5 | 138.8 | 74.2 | 108.7 | 0 |
| 530.3 | Sex and Broadcasting | 1 | 14.5 | 17.5 | 203.8 | 0.3 | 103.7 | 0 | 29 | 160.5 |
| 521.8 | Augustine (Alice Winocour) | 24.8 | 4.7 | 135.8 | 100.5 | 0 | 117 | 46.7 | 92.3 | 0 |
| 517 | As I Open My Eyes | 0 | 0 | 0.7 | 207.2 | 0 | 106.8 | 0 | 99.5 | 102.8 |
| 510.5 | Maborosi | 7.2 | 0 | 93 | 366.5 | 0 | 41.3 | 0 | 2.5 | 0 |
| 503.3 | The Seduction of Mimi | 0 | 0 | 1 | 366.2 | 0 | 2.5 | 0 | 11.8 | 121.8 |
| 496 | Sexy Baby | 51.8 | 0 | 1.8 | 230.5 | 0 | 116.5 | 0 | 1.7 | 93.7 |
| 495.3 | One Step From Glory | 60.2 | 0 | 47.3 | 13 | 0 | 217.3 | 52.7 | 0 | 104.8 |
| 479 | O Amor Natural | 78 | 71.3 | 9.5 | 76.7 | 0 | 88 | 0 | 0 | 155.5 |
| 452.3 | Shall We Kiss? | 0 | 0 | 109.8 | 0.2 | 0 | 314.2 | 0 | 28.2 | 0 |
| 451 | Summer of Dolphins | 83 | 0 | 1 | 103.3 | 5.8 | 167 | 2.7 | 4.8 | 83.3 |
| 444.3 | The Hitler Chronicles - Blueprint for Dictators - Part 2 | 0 | 0 | 79.7 | 258.3 | 0 | 53.5 | 0 | 52.8 | 0 |
| 437.8 | Wild | 0.2 | 0 | 12.3 | 2.3 | 0 | 92 | 0 | 24.7 | 306.3 |
| 435.2 | The Decline of the American Empire | 0.3 | 0.2 | 0.7 | 20.2 | 0 | 122 | 0 | 59.2 | 232.7 |
| 424.8 | Creepy | 0 | 0 | 4.2 | 1.3 | 0.7 | 269.7 | 5.3 | 143.7 | 0 |
| 422.3 | American Socialist: Eugene Debs | 63.2 | 0 | 0 | 311.5 | 0 | 47.3 | 0 | 0.3 | 0 |
| 417.8 | Sex & Lucía | 0.5 | 0 | 3 | 144.2 | 0.2 | 0.8 | 0 | 3.2 | 266 |
| 408 | Putin's Witnesses | 199.7 | 0 | 0.7 | 0.2 | 8.5 | 95.2 | 0 | 103.8 | 0 |
| 406 | No Gods, No Masters - Pt. II | 0 | 2.2 | 53 | 154 | 0 | 107.2 | 0 | 37.2 | 52.5 |
| 399.3 | Almost Friends | 126.2 | 0 | 0.2 | 4.3 | 10 | 156.2 | 0 | 102.5 | 0 |
| 396 | Althusser, an Intellectual Adventure | 0 | 11.2 | 1 | 248.8 | 0.8 | 12.7 | 0 | 121.5 | 0 |
| 395 | Oxhide II | 0 | 0 | 0 | 395 | 0 | 0 | 0 | 0 | 0 |
| 393.5 | South | 0 | 3.3 | 17.3 | 149.7 | 8 | 169.8 | 0 | 45.3 | 0 |
| 392.8 | Alena | 2.5 | 0 | 0.3 | 116.2 | 0.3 | 101.3 | 172 | 0.2 | 0 |
| 390.8 | Memoir of War | 0 | 0 | 0.5 | 384.7 | 0 | 5 | 0 | 0.7 | 0 |
| 387.5 | The Hitler Chronicles - Blueprint for Dictators - Part 4 | 0 | 0 | 107.5 | 108 | 0 | 119.5 | 0 | 52.5 | 0 |
| 386.2 | No Gods, No Masters - Pt. I | 0 | 48 | 60.5 | 54.5 | 0 | 13.2 | 0 | 105.3 | 104.7 |
| 385.3 | Nostalgia for the Light | 0 | 90 | 0 | 0.2 | 0 | 117.8 | 0 | 88.7 | 88.7 |
| 382.2 | Django | 0 | 0 | 0 | 378.8 | 0 | 0 | 0 | 0 | 3.3 |
| 380.5 | The New Americans - Episode 5 | 0 | 0 | 50.7 | 218.2 | 0 | 55.5 | 0 | 56.2 | 0 |
| 380.3 | Into The Night (Part 1) | 0 | 0 | 0 | 378.8 | 0 | 1.5 | 0 | 0 | 0 |
| 380.3 | Power to Heal | 0.2 | 0 | 0 | 318.8 | 0 | 61.3 | 0 | 0 | 0 |
| 367 | The County | 0 | 0 | 7.2 | 0 | 0 | 212.8 | 0 | 89.2 | 57.8 |
| 363.2 | Our Time | 0 | 0 | 0 | 0 | 0 | 360.7 | 0 | 2.5 | 0 |
| 361.8 | Westwood: Punk. Icon. Activist. | 5.5 | 0 | 0 | 302 | 0 | 15.3 | 0 | 39 | 0 |
| 359.2 | The Hitler Chronicles - Blueprint for Dictators - Part 3 | 0 | 0 | 36.3 | 165 | 0 | 105.3 | 0 | 52.5 | 0 |
| 355.5 | Marguerite as She Was | 0.8 | 0 | 0 | 203 | 0 | 86.8 | 0 | 64.8 | 0 |
| 351.5 | Into The Night (Part 2) | 0 | 0 | 0 | 351.5 | 0 | 0 | 0 | 0 | 0 |
| 350.8 | Howard Zinn: A People's History of the United States | 0 | 0 | 2.2 | 119.5 | 0 | 207.2 | 0 | 0.2 | 21.8 |
| 349.2 | I, Anna | 0 | 0.5 | 0 | 169.5 | 0 | 2.7 | 86.7 | 0.8 | 89 |
| 342.3 | The Tiniest Place | 108.5 | 0 | 0 | 233.8 | 0 | 0 | 0 | 0 | 0 |
| 340.3 | The New Americans - Episode 3 | 0 | 0 | 55.8 | 192.7 | 0 | 91.8 | 0 | 0 | 0 |
| 338.2 | The Booksellers | 0 | 0 | 0 | 100.3 | 0 | 176.8 | 0 | 0 | 61 |
| 334.8 | Algren | 2 | 0 | 2.5 | 3 | 0 | 233.7 | 0 | 93.7 | 0 |
| 331 | The Wealth of Nations: A New Gospel? | 0 | 0 | 0 | 146.7 | 52.2 | 120.3 | 0 | 0 | 11.8 |
| 330 | 20 Farmers Hit Fame - No Business Like Show Business | 0 | 0 | 0 | 52.7 | 0 | 91.3 | 0 | 92.8 | 93.2 |
| 328 | Maidentrip | 0 | 162.1 | 80 | 0 | 0 | 3.5 | 0 | 82.3 | 0 |
| 327 | Time Regained | 162.2 | 0 | 0 | 164.2 | 0 | 0 | 0 | 0.7 | 0 |
| 324.5 | The Midnight Swim | 1 | 0 | 0 | 93.7 | 21.8 | 119.2 | 0 | 0 | 88.8 |
| 324.2 | Riders of the Purple Sage: The Making of a Western Opera | 42.5 | 6.2 | 0.2 | 0.3 | 0.2 | 29.8 | 0 | 81.8 | 163.2 |
| 321.7 | Remembrance of Things to Come | 0 | 0 | 0.3 | 140.8 | 0 | 87.2 | 0 | 85.5 | 7.8 |
| 318.5 | Datsche | 0 | 0 | 0.2 | 0 | 0 | 128 | 96.2 | 94.2 | 0 |
| 314 | From The East | 0 | 0 | 0 | 229.8 | 0 | 0 | 0 | 0 | 84.2 |
| 313.8 | The New Americans - Episode 1 | 0 | 0 | 61.3 | 196.5 | 0 | 56 | 0 | 0 | 0 |
| 310.7 | Murder in the Cathedral | 0 | 0 | 0.8 | 227.2 | 0 | 0.7 | 0 | 0 | 82 |
| 310.5 | We Intend to Cause Havoc | 74.7 | 0 | 0 | 0 | 0 | 0 | 0 | 235.8 | 0 |
| 309.2 | Route One/USA (part 1) | 0 | 0 | 0 | 0 | 0 | 309.2 | 0 | 0 | 0 |
| 307.5 | Summer White | 0 | 0 | 11.3 | 3.7 | 0 | 148.2 | 4.5 | 86.7 | 53.2 |
| 306.2 | The New Americans - Episode 2 | 0 | 0 | 55.7 | 193.2 | 0 | 57.3 | 0 | 0 | 0 |
| 301.8 | An Injury To One | 54.2 | 54.2 | 0.5 | 132.7 | 0 | 7.5 | 0 | 0 | 52.8 |
| 301.7 | Detention | 43.3 | 0 | 51 | 0.3 | 0 | 103 | 0 | 0 | 104 |
| 299.3 | Bedevil | 0 | 0 | 35.3 | 264 | 0 | 0 | 0 | 0 | 0 |
| 299.2 | Long Day's Journey Into Night | 0 | 0 | 0 | 299.2 | 0 | 0 | 0 | 0 | 0 |
| 294.8 | Do Communists Have Better Sex? | 55.5 | 1.7 | 55.2 | 78.7 | 0 | 86.3 | 0 | 17.5 | 0 |
| 293.5 | The Vow from Hiroshima | 0 | 0 | 0 | 213.8 | 0 | 0 | 0 | 79.7 | 0 |
| 293.2 | Riddles of the Sphinx | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 292.5 |
| 291.7 | Propaganda: The Manufacture of Consent | 0 | 0 | 0.2 | 116.2 | 0 | 0 | 6.7 | 168.7 | 0 |
| 287 | Kehinde Wiley: An Economy of Grace | 0 | 1.7 | 0.7 | 0 | 0 | 80.2 | 0 | 40.2 | 164.3 |
| 286.5 | And Then We Danced (Levan Akin) | 0 | 0 | 0.5 | 109 | 0 | 60.8 | 0 | 6.7 | 109.5 |
| 286.3 | Antisemitism | 0 | 0 | 8.5 | 119.7 | 0 | 155.7 | 0 | 2.5 | 0 |
| 283.8 | The Red Soul | 90.2 | 0.2 | 1.5 | 21.2 | 0 | 60.7 | 0 | 0 | 110.2 |
| 282.7 | Lake Los Angeles | 0 | 0 | 0 | 0 | 0 | 111.8 | 0 | 0 | 170.8 |
| 282.5 | Before Stonewall: Restored Edition | 0 | 0 | 15 | 87.8 | 0 | 90.7 | 0 | 89 | 0 |
| 282.3 | The New Americans - Episode 4 | 0 | 0 | 56.7 | 170.2 | 0 | 55.5 | 0 | 0 | 0 |
| 279.8 | The Children of 209 Saint-Maur Street | 0.5 | 0 | 3.2 | 50.8 | 0 | 207 | 0 | 18.3 | 0 |
| 278 | And There Was Israel | 12.5 | 0 | 0 | 109.5 | 0 | 0 | 0 | 86.2 | 69.8 |
| 277.7 | Inside Her Sex | 0 | 0.8 | 47.2 | 32.5 | 0 | 54.2 | 0 | 32.2 | 110.8 |
| 274.5 | If A Tree Falls | 85.8 | 0 | 0.7 | 103.2 | 0 | 84.8 | 0 | 0 | 0 |
| 273.7 | Master of the Universe | 0 | 0 | 0.3 | 0 | 0 | 102.7 | 0 | 122 | 48.7 |
| 273.3 | Nowhere in Africa | 0.2 | 0 | 0 | 273.2 | 0 | 0 | 0 | 0 | 0 |
| 272.7 | Suzanna Andler | 0 | 0 | 7 | 177.7 | 0 | 49.3 | 0 | 0 | 38.7 |
| 270.7 | Ethnic Notions | 0 | 0 | 0 | 270.7 | 0 | 0 | 0 | 0 | 0 |
| 269.8 | Sherman's March | 0 | 110.8 | 0.3 | 158.7 | 0 | 0 | 0 | 0 | 0 |
| 267.5 | Life to Come | 0 | 0 | 0.3 | 0 | 0 | 147.5 | 0 | 75.3 | 44.3 |
| 265.3 | Cane River | 5.2 | 0 | 7 | 0 | 0 | 122 | 104.3 | 0 | 26.8 |
| 265.2 | Barber Shop - Ep 1: Clacton-on-Sea / UK | 24.7 | 0 | 0 | 83.5 | 37.3 | 84.5 | 0.8 | 30.5 | 3.8 |
| 264.5 | Sacco & Vanzetti | 0 | 0 | 0 | 0 | 0 | 29.7 | 0 | 0.2 | 234.7 |
| 262.5 | The New Americans - Episode 7 | 0 | 0 | 0 | 207 | 0 | 55.5 | 0 | 0 | 0 |
| 261.2 | Presumed Guilty | 0 | 0 | 0 | 173.7 | 0 | 0 | 0 | 87.5 | 0 |
| 260.7 | Class of Struggle | 0 | 0 | 40.5 | 96 | 46.8 | 66.2 | 0 | 11.2 | 0 |
| 258.2 | An Encounter with Simone Weil | 0 | 0 | 1.2 | 215.2 | 0 | 41.8 | 0 | 0 | 0 |
| 257.8 | The Bomb | 0 | 0 | 0 | 201.8 | 0 | 0 | 0 | 56 | 0 |
| 257 | In the Soup | 0.2 | 0 | 0.2 | 160.5 | 0 | 0 | 96.2 | 0 | 0 |
| 255.5 | Pony Boys | 0 | 0 | 0 | 98.3 | 0 | 68.5 | 45 | 43.7 | 0 |
| 252.8 | Martin Roumagnac | 24.2 | 0 | 0 | 0 | 0 | 112.7 | 109 | 0.2 | 6.8 |
| 252.3 | Olivia | 0.3 | 0 | 0.2 | 194.3 | 0 | 15.7 | 0 | 0 | 41.8 |
| 252.2 | 900 Days | 77.5 | 0 | 0 | 0 | 0 | 94.5 | 0 | 80.2 | 0 |
| 252.2 | Come Undone | 99.2 | 0 | 0 | 37 | 0 | 0.2 | 0 | 20 | 95.8 |
| 250 | Roque Dalton | 86.8 | 0 | 0 | 97.2 | 0 | 66 | 0 | 0 | 0 |
| 249.7 | Swept Away | 0.7 | 0 | 0 | 114.8 | 0 | 18.7 | 0 | 115.5 | 0 |
| 249.3 | Level Five | 0 | 0 | 111.7 | 111.3 | 0 | 11 | 0 | 12.3 | 3 |
| 246.8 | A Bread Factory - Part 1 | 0 | 0 | 0.3 | 0 | 0 | 246.5 | 0 | 0 | 0 |
| 236 | Ghosthunter | 0 | 0 | 0 | 98 | 0 | 0 | 0 | 120.3 | 17.7 |
| 235.2 | Waiting for the Carnival | 0 | 0 | 0 | 235.2 | 0 | 0 | 0 | 0 | 0 |
| 233.8 | School of Life | 0 | 0 | 0 | 117 | 0 | 0 | 0 | 0 | 116.8 |
| 231.2 | They Are We | 0 | 0 | 0 | 231.2 | 0 | 0 | 0 | 0 | 0 |
| 230.2 | Sophie Scholl: The Final Days | 0 | 0 | 0 | 230.2 | 0 | 0 | 0 | 0 | 0 |
| 229.8 | Metamorphoses | 0.5 | 0 | 0.7 | 104.7 | 0 | 114 | 0 | 10 | 0 |
| 229.2 | You Go to My Head | 0 | 0 | 0.2 | 115 | 0 | 0 | 0 | 114 | 0 |
| 229.2 | Education and Nationalism | 5.8 | 0 | 1 | 82.3 | 0 | 28.7 | 0 | 111.3 | 0 |
| 228.5 | My Imaginary Country | 0 | 0 | 37.3 | 68 | 0 | 123.2 | 0 | 0 | 0 |
| 227.5 | The Wobblies | 60 | 0 | 0 | 116.7 | 0 | 14 | 0 | 36.8 | 0 |
| 227.2 | With God On Our Side - Episode 6 | 0 | 0 | 0 | 56.2 | 0 | 115 | 0 | 0 | 56 |
| 225.8 | With God On Our Side - Episode 5 | 0 | 0 | 0 | 56.3 | 0 | 112 | 0 | 0 | 57.5 |
| 224.7 | The Underground Orchestra | 112.3 | 0 | 0 | 0.2 | 0 | 112.2 | 0 | 0 | 0 |
| 224.3 | Thinking Existenz - Ep 01 - Eduardo Galeano | 16.2 | 0 | 0 | 64.7 | 0 | 98 | 0 | 14.5 | 31 |
| 222.8 | Far from Vietnam | 0 | 0 | 117.8 | 0 | 0 | 105 | 0 | 0 | 0 |
| 222.7 | Fonko - Episode 2: Francophone West Africa | 0 | 0 | 0 | 60.2 | 0 | 53.3 | 0 | 109.2 | 0 |
| 220.5 | Six O Clock News | 0 | 0.3 | 0.2 | 112.8 | 0 | 107.2 | 0 | 0 | 0 |
| 220.3 | Cholesterol, the Great Bluff | 0 | 0 | 2 | 0 | 0 | 132.8 | 0 | 85.5 | 0 |
| 219.3 | The Maids | 2 | 0 | 2.7 | 110.2 | 0 | 0 | 0 | 1 | 103.5 |
| 219 | Phil Ochs: There But For Fortune | 1.3 | 0 | 0 | 0 | 0 | 198.5 | 0 | 0 | 19.2 |
| 218.7 | Oxhide | 0 | 0 | 0 | 218.7 | 0 | 0 | 0 | 0 | 0 |
| 216.8 | Waiting for Fidel | 0 | 0 | 59.2 | 58.2 | 0 | 0 | 0 | 1.3 | 98.2 |
| 213.7 | Foucault Against Himself | 0 | 9 | 30.3 | 52.5 | 0 | 54.5 | 0 | 54.3 | 13 |
| 208.8 | The Sixth Side of the Pentagon | 0 | 0 | 71.3 | 26 | 0.2 | 64.2 | 0 | 41.5 | 5.7 |
| 207.2 | Transit | 0 | 0 | 0.8 | 103.2 | 0 | 12 | 0 | 0 | 91.2 |
| 207.2 | The New Americans - Episode 6 | 0 | 0 | 0 | 152.5 | 0 | 54.7 | 0 | 0 | 0 |
| 206.7 | Keep An Eye Out | 0 | 0 | 68.3 | 56.7 | 0 | 69.2 | 0 | 12.5 | 0 |
| 205.7 | Neon Heart | 0 | 0 | 18.2 | 143.7 | 0 | 23.8 | 0 | 12.5 | 7.5 |
| 204.2 | Bright Future | 0 | 0 | 0 | 54.5 | 1.3 | 0.5 | 13.7 | 122.5 | 11.7 |
| 203.8 | The Passion of Augustine | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 203.8 | 0 |
| 203 | Barber Shop - Ep 3: Detroit / USA | 0 | 0 | 0 | 31.7 | 28.3 | 91.5 | 0 | 51.5 | 0 |
| 202 | Sunrise/Sunset | 0 | 0 | 0 | 0 | 0 | 147.5 | 0 | 0 | 54.5 |
| 201.3 | Le Navire Night | 0 | 0 | 0 | 181.5 | 0 | 19.8 | 0 | 0 | 0 |
| 201.2 | One Big Home | 0 | 0 | 0.3 | 8.8 | 0 | 89.2 | 0 | 54.3 | 48.5 |
| 199.7 | The Machine Which Makes Everything Disappear | 0 | 0 | 0 | 199.7 | 0 | 0 | 0 | 0 | 0 |
| 199.5 | A History of the European Working Class - Episode 1 | 0 | 0 | 56.2 | 142.8 | 0 | 0 | 0 | 0.5 | 0 |
| 198 | The Deep Blue Sea | 0 | 0 | 0.2 | 0 | 0 | 97.8 | 0 | 0 | 100 |
| 197.7 | Mali Blues | 0 | 0 | 0 | 197.7 | 0 | 0 | 0 | 0 | 0 |
| 195.7 | Blue Island | 0 | 0 | 0.5 | 194.8 | 0 | 0 | 0 | 0.3 | 0 |
| 195.7 | One Day in the Life of Andrei Arsenevich | 1 | 0 | 0 | 76.3 | 0 | 118.3 | 0 | 0 | 0 |
| 194.2 | OSS 117: Cairo, Nest of Spies | 43 | 0 | 2 | 3.2 | 0.2 | 142.3 | 0 | 3.5 | 0 |
| 192.2 | Parting Glances | 0 | 0 | 0 | 186 | 0 | 6.2 | 0 | 0 | 0 |
| 191.3 | Black is... Black Ain't | 0 | 0 | 87.5 | 103.7 | 0 | 0.2 | 0 | 0 | 0 |
| 190.5 | No Gods, No Masters - Pt. III | 0 | 30.8 | 53.7 | 53.2 | 0 | 0.8 | 0 | 0 | 52 |
| 189.5 | Maguy Marin | 0 | 0 | 0 | 108.7 | 0 | 0 | 0 | 0 | 80.8 |
| 189 | Dead Souls - Part I | 0 | 0 | 0 | 164.2 | 0 | 24.8 | 0 | 0 | 0 |
| 187.7 | Gabo: The Creation of Gabriel Garcia Marquez | 0 | 0 | 0 | 96.7 | 0 | 91 | 0 | 0 | 0 |
| 187.5 | "I Do Not Care if We Go Down in History as Barbarians" | 0 | 4.2 | 0.2 | 141.3 | 0 | 0 | 0 | 41.8 | 0 |
| 187.5 | Elsewhere Part I | 0 | 2.8 | 0.3 | 0 | 0 | 118.2 | 0 | 66.2 | 0 |
| 187.2 | A History of the European Working Class - Episode 2 | 0 | 0 | 53.8 | 109 | 0 | 0 | 0 | 0 | 24.3 |
| 186.8 | Through the Mirror of Chess: A Cultural Exploration Ep 1 | 18.3 | 0 | 0 | 72.2 | 0 | 56.2 | 0 | 40 | 0.2 |
| 184.8 | The Trials of Henry Kissinger | 78.3 | 0 | 2.7 | 0 | 0 | 0 | 0 | 103.8 | 0 |
| 182.7 | Maison Close - Episode 1 | 16.5 | 0 | 0 | 36.8 | 16.7 | 110.8 | 0 | 1.8 | 0 |
| 181.7 | Ricardo and Malthus: Did You Say Freedom? | 0 | 0 | 0 | 27.7 | 21 | 133 | 0 | 0 | 0 |
| 181.2 | Aya of Yop City | 0 | 0 | 0 | 87.8 | 0 | 90.7 | 0 | 2.7 | 0 |
| 180.8 | The Revisionaries | 0 | 0 | 1.7 | 0 | 0 | 167.3 | 0 | 9 | 2.8 |
| 180.5 | From The Other Side | 0 | 0 | 0 | 180.5 | 0 | 0 | 0 | 0 | 0 |
| 180.3 | Bright Leaves | 0 | 0 | 0 | 71.7 | 0 | 108.7 | 0 | 0 | 0 |
| 180.2 | With God On Our Side - Episode 4 | 0 | 0 | 0 | 64.2 | 0 | 57.3 | 0 | 0 | 58.7 |
| 180 | Taming The Garden | 0 | 0 | 0.5 | 0 | 0 | 38.8 | 0 | 125 | 15.7 |
| 178.3 | The Art of Yodeling | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 59.8 | 118.5 |
| 177.2 | Olafur Eliasson: Space is Process | 0 | 0 | 0 | 0 | 0 | 77.5 | 0 | 1 | 98.7 |
| 176.7 | Dead Souls - Part III | 0 | 0 | 0 | 176.7 | 0 | 0 | 0 | 0 | 0 |
| 176.2 | Frenemies | 0 | 0 | 0 | 176.2 | 0 | 0 | 0 | 0 | 0 |
| 176 | Gabi on the Roof in July | 0 | 0 | 75.7 | 3.7 | 0.2 | 80.5 | 0 | 0 | 16 |
| 175.5 | La Commune (Paris 1871) Part 2 | 0 | 0 | 0 | 175.5 | 0 | 0 | 0 | 0 | 0 |
| 174.5 | Queen of Condoms | 0 | 0 | 1.8 | 0 | 0 | 86.8 | 0 | 2.7 | 83.2 |
| 173.2 | A Game for Six Lovers (L’eau à la bouche) | 0 | 0 | 0.7 | 172.5 | 0 | 0 | 0 | 0 | 0 |
| 172.7 | The Pinochet Case | 172.5 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 172.3 | Trouble Sleep | 0 | 0 | 2.7 | 83.2 | 0 | 3.8 | 0 | 0.5 | 82.2 |
| 171.8 | Barber Shop - Ep 2: India | 0 | 0 | 0 | 72.3 | 44.5 | 52.8 | 0 | 2.2 | 0 |
| 171.5 | Penance: Episode 1 | 0 | 0 | 0 | 9.3 | 0 | 152.8 | 0 | 5 | 4.3 |
| 170.5 | Aboriginal Architecture | 0 | 0 | 0 | 94.3 | 0 | 0 | 0 | 74.7 | 1.5 |
| 169.7 | When Jews Were Funny | 0 | 0 | 0 | 33.3 | 0 | 97 | 0 | 38.2 | 1.2 |
| 169.5 | The Salt Mines | 45.3 | 0 | 68.8 | 8.5 | 1.5 | 0 | 0 | 0 | 45.3 |
| 169 | Dries | 0 | 0 | 0 | 169 | 0 | 0 | 0 | 0 | 0 |
| 168.7 | Embrace of the Serpent | 0.2 | 0 | 0 | 168.5 | 0 | 0 | 0 | 0 | 0 |
| 167.8 | Codebreaker | 0 | 0 | 2.2 | 81.5 | 0 | 84.2 | 0 | 0 | 0 |
| 167.8 | The Chef's Wife | 0 | 0 | 0 | 167.8 | 0 | 0 | 0 | 0 | 0 |
| 167.8 | Marx Reloaded | 0 | 0 | 0 | 0 | 0 | 142 | 0 | 0 | 25.8 |
| 166.2 | Lomax the Songhunter | 0 | 40.2 | 0 | 4.2 | 0 | 50.2 | 0 | 0 | 71.7 |
| 166 | A History of the European Working Class - Episode 4 | 0 | 0 | 55.8 | 110.2 | 0 | 0 | 0 | 0 | 0 |
| 165.3 | Do You Remember Vietnam? | 0 | 0 | 111.2 | 0 | 0 | 54.2 | 0 | 0 | 0 |
| 165.2 | A Teacher | 0 | 0 | 0.5 | 131.7 | 0 | 0 | 0 | 33 | 0 |
| 165 | Three Sisters | 0 | 0 | 0 | 165 | 0 | 0 | 0 | 0 | 0 |
| 165 | The Great Game | 0 | 0 | 0 | 95.2 | 0 | 69.8 | 0 | 0 | 0 |
| 164.7 | The Exiles | 0 | 64.5 | 0.5 | 0 | 0 | 74.8 | 24.8 | 0 | 0 |
| 163.7 | Dead Souls - Part II | 0 | 0 | 0 | 163.7 | 0 | 0 | 0 | 0 | 0 |
| 163.7 | La Commune (Paris 1871) Part 1 | 0 | 0 | 0 | 163.7 | 0 | 0 | 0 | 0 | 0 |
| 163.5 | Rocky Road to Dublin | 0 | 0.8 | 0 | 23 | 0 | 139.7 | 0 | 0 | 0 |
| 163.2 | Wendy and Lucy | 0 | 81.5 | 0.2 | 0 | 0 | 0 | 0 | 0 | 81.5 |
| 162.3 | Trust Me | 0 | 1 | 0.2 | 0 | 0 | 90.5 | 0 | 0 | 70.7 |
| 161.8 | Artists & Love: Lee Miller and Man Ray | 0 | 83.5 | 0 | 0.2 | 0.2 | 78 | 0 | 0 | 0 |
| 161.7 | Zone of Silence | 0 | 0 | 0 | 78.8 | 0 | 0 | 0 | 80.3 | 2.5 |
| 161.3 | The Son (inside the Russian army) | 0 | 0 | 0.5 | 0.5 | 1 | 159.3 | 0 | 0 | 0 |
| 160.5 | Fonko - Episode 3: Angola + Ghana | 0 | 0 | 0 | 53.2 | 0 | 0 | 0 | 107.3 | 0 |
| 160.2 | Sol LeWitt | 0 | 0 | 0 | 44 | 0 | 73 | 0 | 0 | 43.2 |
| 159.7 | Under the Sun | 0 | 0 | 0 | 159.5 | 0.2 | 0 | 0 | 0 | 0 |
| 159.3 | Viktoria | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 159.3 | 0 |
| 158.5 | Bitter Money | 0 | 0 | 0 | 158.5 | 0 | 0 | 0 | 0 | 0 |
| 158.3 | Le Joli Mai | 0.3 | 0 | 0 | 0.3 | 0 | 157.7 | 0 | 0 | 0 |
| 158.2 | Sacco and Vanzetti | 0 | 76.3 | 0 | 0 | 0 | 0 | 0 | 0 | 81.8 |
| 157.3 | Diabetes: A Heavy Cost | 0 | 0 | 0.2 | 0 | 0 | 91.8 | 0 | 65.3 | 0 |
| 156.5 | A Bit of Scarlet | 0 | 0 | 0 | 87.2 | 0 | 0 | 0 | 69.3 | 0 |
| 156.2 | Carmen and Geoffrey | 0 | 0 | 0 | 78.3 | 0 | 0 | 0 | 77.8 | 0 |
| 156 | Cooked | 0 | 0 | 0 | 0 | 0 | 78.8 | 77.2 | 0 | 0 |
| 155.7 | Love & Diane | 0 | 0 | 0 | 0 | 0 | 0 | 155.7 | 0 | 0 |
| 155 | Vampire Clay | 0 | 0 | 0 | 0 | 0.5 | 0 | 0 | 154.5 | 0 |
| 154.5 | With God On Our Side - Episode 2 | 0 | 0 | 0 | 0 | 0 | 57.3 | 0 | 0 | 97.2 |
| 152.5 | The Case of the Grinning Cat | 0 | 0 | 0.2 | 58 | 0 | 0.3 | 0 | 94 | 0 |
| 152.3 | Searching Eva | 0 | 0 | 0.3 | 98.8 | 0 | 53.2 | 0 | 0 | 0 |
| 149.7 | Kate Bornstein is a Queer & Pleasant Danger | 0 | 74.7 | 0 | 75 | 0 | 0 | 0 | 0 | 0 |
| 148.2 | One Bright Shining Moment | 0 | 0 | 0 | 148.2 | 0 | 0 | 0 | 0 | 0 |
| 146 | Ta'ang | 0.2 | 0 | 0 | 96.8 | 0 | 0 | 0 | 0 | 49 |
| 145.2 | Confounding Father - Episode 1 | 0 | 0 | 51.3 | 27 | 0 | 34.8 | 0 | 0 | 32 |
| 144.8 | Happy People: A Year in the Taiga | 0 | 0 | 49.2 | 95.7 | 0 | 0 | 0 | 0 | 0 |
| 144.8 | Last Summer Won't Happen | 3.7 | 0 | 0 | 80.5 | 0 | 0 | 0 | 0 | 60.7 |
| 144.8 | The Pearl Button | 0 | 0 | 0 | 114 | 0 | 0 | 0 | 30.8 | 0 |
| 144.7 | Lumumba | 0 | 0 | 0 | 29.5 | 0 | 115.2 | 0 | 0 | 0 |
| 143.8 | Mrs. B., A North Korean Woman | 0 | 0 | 0 | 90.3 | 0 | 0 | 0 | 0 | 53.5 |
| 143 | Combat Obscura | 73.5 | 0 | 0.5 | 63.7 | 0 | 0 | 0 | 0 | 5.3 |
| 141.7 | Mercedes Sosa: The Voice of Latin America | 0 | 0 | 0 | 95.8 | 0 | 45.8 | 0 | 0 | 0 |
| 141.5 | The Time of Forests | 0.3 | 0 | 0 | 141.2 | 0 | 0 | 0 | 0 | 0 |
| 141.3 | Dark Star: H. R. Giger's World | 0 | 0 | 0 | 1.3 | 8.2 | 94.7 | 0 | 37.2 | 0 |
| 141.3 | Alleluia | 0 | 0 | 0 | 90.8 | 0 | 50.3 | 0 | 0.2 | 0 |
| 139.8 | For the Love of Movies | 0 | 0 | 0 | 139.8 | 0 | 0 | 0 | 0 | 0 |
| 139.5 | Kochuu | 0 | 0 | 0 | 139.2 | 0 | 0 | 0 | 0.3 | 0 |
| 139.5 | By the Grace of God | 0 | 0 | 0 | 139.5 | 0 | 0 | 0 | 0 | 0 |
| 137.5 | Generation War Episode 1 | 0 | 0 | 0 | 33.2 | 0 | 7.7 | 0 | 0 | 96.7 |
| 135.3 | Tell No One | 0 | 0 | 0 | 0 | 0 | 130.2 | 0 | 5.2 | 0 |
| 135 | The Mafia Kills Only in Summer | 0 | 0 | 0 | 135 | 0 | 0 | 0 | 0 | 0 |
| 135 | The Way Things Go | 0 | 0 | 0.3 | 30.8 | 26.5 | 44.5 | 0 | 0.3 | 32.5 |
| 134.5 | The Enemy Within | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 134.3 | 0 |
| 134.3 | Shit Year | 0 | 0 | 0 | 96.2 | 0.2 | 0 | 0 | 0 | 38 |
| 134 | The Two Sights | 0 | 0.7 | 0 | 15.3 | 0 | 1 | 0 | 117 | 0 |
| 133.2 | Echoes of the Invisible | 4.7 | 0 | 0 | 0 | 0 | 4.2 | 0 | 105 | 19.3 |
| 132.7 | Elles | 10.7 | 0 | 0 | 119.7 | 0 | 2.3 | 0 | 0 | 0 |
| 132.7 | The Clearstream Affair | 0 | 0 | 99 | 0 | 0 | 33.7 | 0 | 0 | 0 |
| 132.7 | We Are Little Zombies | 0 | 0 | 18.8 | 0 | 0 | 0 | 0 | 113.8 | 0 |
| 131.7 | The German Neighbor | 0 | 0 | 0.2 | 0 | 0 | 89.8 | 41.7 | 0 | 0 |
| 131.5 | Revenge of the Mekons | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 131.5 | 0 |
| 130.7 | Leaving Home, Coming Home: A Portrait of Robert Frank | 0 | 0 | 0.7 | 19.3 | 0 | 88 | 0 | 0 | 22.7 |
| 130.3 | A History of the European Working Class - Episode 3 | 0 | 0 | 57.2 | 73.2 | 0 | 0 | 0 | 0 | 0 |
| 129.2 | Fool's Mate (Le Coup du Berger) | 0 | 0 | 3.5 | 66.2 | 29.5 | 4.7 | 0 | 25.3 | 0 |
| 129.2 | With God On Our Side - Episode 1 | 0 | 0 | 0 | 3 | 0 | 55.3 | 0 | 13.7 | 57.2 |
| 128.8 | Our Time Will Come | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 128.8 | 0 |
| 128.7 | Take Me Somewhere Nice | 0.3 | 0 | 0.3 | 2.7 | 0.7 | 35 | 0 | 0 | 89.7 |
| 128.3 | Confounding Father - Episode 2 | 0 | 0 | 62 | 0.5 | 0 | 33.3 | 0 | 0 | 32.5 |
| 127.7 | Dawson City: Frozen Time | 0 | 0 | 0.2 | 71.2 | 0 | 38.8 | 0 | 17.5 | 0 |
| 127.5 | A Five Star Life | 0 | 0 | 44.3 | 0 | 0 | 0 | 0 | 0 | 83.2 |
| 126.7 | Artists & Love: Gerda Taro and Robert Capa | 0 | 26.8 | 0 | 0.5 | 29.8 | 69.5 | 0 | 0 | 0 |
| 126 | The Rape of Europa | 0 | 0 | 0 | 0 | 0 | 122.5 | 0 | 3.5 | 0 |
| 125.8 | Chantal Akerman's Down There | 0 | 0 | 0 | 115.5 | 0 | 0 | 0 | 0 | 10.3 |
| 125 | Beanpole | 0 | 56 | 0 | 0 | 0 | 0 | 0 | 0 | 69 |
| 124.7 | Koshien: Japan's Field of Dreams | 29.3 | 0 | 94.8 | 0.5 | 0 | 0 | 0 | 0 | 0 |
| 124.3 | Almayer's Folly | 0 | 0 | 0 | 124.3 | 0 | 0 | 0 | 0 | 0 |
| 123.8 | Aimée and Jaguar | 0 | 0 | 0 | 123.8 | 0 | 0 | 0 | 0 | 0 |
| 123.5 | One Day Pina Asked... | 0 | 0 | 0 | 123.2 | 0 | 0.3 | 0 | 0 | 0 |
| 122.5 | Every Day Except Christmas (Lindsay Anderson) | 0 | 0 | 0.2 | 76.2 | 0 | 46.2 | 0 | 0 | 0 |
| 122 | Trespassing Bergman | 0 | 17.7 | 43.8 | 0 | 0 | 60.5 | 0 | 0 | 0 |
| 122 | A Bread Factory - Part 2 | 0 | 0 | 0.7 | 0 | 0 | 121.3 | 0 | 0 | 0 |
| 121.3 | Artists & Love: Jeanne Hébuterne and Amedeo Modigliani | 16.5 | 8.5 | 0 | 0 | 43.7 | 52.7 | 0 | 0 | 0 |
| 121.3 | 108 (Cuchillo de Palo) | 0 | 0 | 113.3 | 0 | 0 | 8 | 0 | 0 | 0 |
| 120.5 | Casa Grande | 0 | 0 | 0 | 119.7 | 0 | 0 | 0 | 0.8 | 0 |
| 120.5 | Johnnie To's Office | 0 | 0 | 0 | 3.5 | 0 | 0 | 0 | 0 | 117 |
| 120.3 | Beautiful Losers | 0 | 0 | 0 | 28 | 0 | 0 | 0 | 0 | 92.3 |
| 120 | Just a Sigh | 0 | 0 | 106 | 0 | 0 | 14 | 0 | 0 | 0 |
| 119.8 | American Feud | 0 | 0 | 0 | 119.8 | 0 | 0 | 0 | 0 | 0 |
| 119.5 | Advise & Dissent: Where the Supreme Court and Politics Collide | 0 | 0 | 86.7 | 0 | 0 | 0 | 0 | 32.8 | 0 |
| 119 | Marie Curie: The Courage of Knowledge | 0.2 | 0 | 0 | 101.5 | 0 | 17.3 | 0 | 0 | 0 |
| 118.7 | A Dangerous Idea: Eugenics, Genetics and the American Dream | 0 | 0 | 0 | 118.7 | 0 | 0 | 0 | 0 | 0 |
| 117.7 | 4 Days in France | 0.3 | 0 | 26.2 | 88.7 | 0 | 2.5 | 0 | 0 | 0 |
| 117.7 | Disorder | 0 | 0 | 0 | 59.3 | 0 | 58 | 0 | 0.3 | 0 |
| 117.5 | With God On Our Side - Episode 3 | 0 | 0 | 0 | 0 | 0 | 58.3 | 0 | 0 | 59.2 |
| 117.5 | Libby, Montana | 0 | 0 | 0 | 117.5 | 0 | 0 | 0 | 0 | 0 |
| 117 | Elsewhere Part II | 0 | 0 | 1.3 | 0 | 0 | 115.7 | 0 | 0 | 0 |
| 116.7 | Alice | 1 | 0 | 6.2 | 3.2 | 0 | 106.3 | 0 | 0 | 0 |
| 116.2 | Thunderbolt | 0 | 0 | 0 | 0 | 105 | 11.2 | 0 | 0 | 0 |
| 115.7 | Winter Brothers | 0 | 0 | 0 | 17.2 | 0 | 0 | 0 | 98.5 | 0 |
| 115.7 | Gett: The Trial of Viviane Amsalem | 0 | 0 | 115.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 115.5 | Violeta Went to Heaven | 0 | 0 | 0 | 115.5 | 0 | 0 | 0 | 0 | 0 |
| 114.8 | Ursula von Rydingsvard: Into Her Own | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 56.3 | 58.5 |
| 114.8 | How He Fell in Love | 0 | 0 | 0 | 7.5 | 0 | 0 | 107.3 | 0 | 0 |
| 114.7 | Faust | 0 | 0 | 0 | 6 | 0 | 10.7 | 0 | 92.2 | 5.8 |
| 114.3 | Beauty in Trouble | 0 | 0 | 2.5 | 111.8 | 0 | 0 | 0 | 0 | 0 |
| 114.2 | Nobody From Nowhere | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 114.2 | 0 |
| 114.2 | To Tell the Truth: Working for Change | 56 | 0 | 58.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 113.5 | Berkeley in the Sixties | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 113.5 | 0 |
| 112.5 | Polina | 0.3 | 0 | 0.5 | 0 | 0.3 | 0.5 | 0 | 110.8 | 0 |
| 112.2 | Barber Shop - Ep 6: Pretoria West / South Africa | 0 | 0 | 0 | 3.2 | 26.2 | 0 | 0 | 26.7 | 56.2 |
| 112 | Aferim! | 0 | 0 | 0 | 107 | 0 | 0 | 0 | 5 | 0 |
| 111.8 | The Bridesmaid | 0 | 0 | 0 | 6.8 | 0 | 0 | 0 | 105 | 0 |
| 111.7 | Until the Birds Return | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 111.7 | 0 |
| 111.7 | Crimson Gold (Jafar Panahi & Abbas Kiarostami) | 0 | 0 | 0 | 0 | 0.3 | 109 | 0 | 2.3 | 0 |
| 111.3 | Last Letter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 111.3 | 0 |
| 111.3 | Arguing the World | 0 | 0 | 0 | 111.3 | 0 | 0 | 0 | 0 | 0 |
| 111 | Whatever Lola Wants | 0 | 0 | 0 | 111 | 0 | 0 | 0 | 0 | 0 |
| 111 | The Enigma of Arrival | 0 | 0 | 0 | 0 | 111 | 0 | 0 | 0 | 0 |
| 110.5 | Rem Koolhaas: A Kind of Architect | 0 | 2.2 | 0.5 | 102.5 | 0.2 | 5.2 | 0 | 0 | 0 |
| 110.5 | La Dénonciation (The Immoral Moment) | 7.5 | 0 | 0.3 | 0.2 | 0 | 0 | 0 | 0 | 102.5 |
| 109.5 | Dark Diamond | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 | 108.8 | 0 |
| 109.2 | Thinking Existenz - Ep 02 - Laurie Anderson | 0 | 0 | 0 | 34.2 | 0 | 55.5 | 0 | 1.5 | 18 |
| 108.7 | Pripyat | 0 | 0 | 0 | 0 | 0 | 8.8 | 0 | 99.8 | 0 |
| 108.5 | Generation War Episode 2 | 0 | 0 | 0 | 16.7 | 0 | 0 | 0 | 0 | 91.8 |
| 108.3 | Love the One You Love | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 108.2 |
| 108.2 | What If Marx Was Right? | 0 | 0 | 0 | 0 | 0 | 108.2 | 0 | 0 | 0 |
| 108.2 | Food Coop | 0 | 0 | 0 | 10.2 | 0 | 98 | 0 | 0 | 0 |
| 107.8 | Ricordi? | 0 | 0 | 0 | 107.8 | 0 | 0 | 0 | 0 | 0 |
| 107.2 | What's the Economy for, Anyway? | 0 | 0 | 0 | 0 | 10.2 | 0 | 0 | 97 | 0 |
| 107 | Ronnie's | 0 | 0 | 0.2 | 1.3 | 0 | 0 | 0 | 0 | 105.5 |
| 106.8 | Terribly Happy | 0 | 0 | 2 | 104.8 | 0 | 0 | 0 | 0 | 0 |
| 106.7 | Lore | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 106.5 |
| 106.7 | Jesus Politics | 0 | 0 | 0 | 93 | 0 | 0 | 0 | 13.7 | 0 |
| 106.3 | Starlet | 0.5 | 0 | 0.2 | 0 | 0 | 0.8 | 0 | 104.8 | 0 |
| 106 | Artists & Love: Georgia O’Keeffe and Alfred Stieglitz | 0 | 26.2 | 0 | 0 | 0 | 79.8 | 0 | 0 | 0 |
| 105.8 | The Apology | 0 | 0 | 0 | 105.8 | 0 | 0 | 0 | 0 | 0 |
| 105.5 | My Fuhrer | 0.7 | 0 | 0.2 | 0 | 0 | 104.7 | 0 | 0 | 0 |
| 105.3 | Seven Songs for Malcolm X | 0 | 0 | 0 | 105.3 | 0 | 0 | 0 | 0 | 0 |
| 105.2 | Nelson Algren: The End is Nothing, The Road is All | 0 | 0 | 0.2 | 0 | 0 | 86.3 | 0 | 0 | 18.7 |
| 105.2 | An Eye for Beauty | 0 | 0 | 103.8 | 0 | 0 | 1.3 | 0 | 0 | 0 |
| 104.8 | Keynes vs Hayek: A Fake Debate? | 0 | 0 | 0 | 29.2 | 0 | 75.7 | 0 | 0 | 0 |
| 104.7 | Generation War Episode 3 | 0 | 0 | 0 | 10.5 | 0 | 0 | 0 | 0 | 94.2 |
| 104.5 | By the Time It Gets Dark | 0 | 0 | 0 | 104.5 | 0 | 0 | 0 | 0 | 0 |
| 104 | Quest | 0 | 0 | 0 | 104 | 0 | 0 | 0 | 0 | 0 |
| 104 | Paths of the Soul | 0 | 0 | 0 | 104 | 0 | 0 | 0 | 0 | 0 |
| 103.8 | Wim Wenders' Story of His Early Years | 0 | 0 | 103.8 | 0 | 0 | 0 | 0 | 0 | 0 |
| 103.5 | A Tale of Love and Desire | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 101.5 | 0 |
| 103.3 | Attila Marcel | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 102.8 |
| 102.8 | Fifi Howls from Happiness | 0 | 0 | 0 | 102.8 | 0 | 0 | 0 | 0 | 0 |
| 102.5 | Wrinkles | 0 | 0 | 0 | 102.5 | 0 | 0 | 0 | 0 | 0 |
| 102.5 | The Immaculate Conception of Little Dizzle | 0 | 0 | 0 | 0 | 0.2 | 0 | 102.3 | 0 | 0 |
| 102.5 | Carmo Hit the Road | 0 | 0 | 95.5 | 0 | 0 | 7 | 0 | 0 | 0 |
| 102.3 | Vicenta | 0 | 0 | 0 | 102.3 | 0 | 0 | 0 | 0 | 0 |
| 102.2 | Perfumes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 102.2 |
| 102 | The Transformation | 0 | 0 | 49.5 | 52.5 | 0 | 0 | 0 | 0 | 0 |
| 101.7 | Mothers' Instinct | 0 | 0 | 0 | 0 | 0 | 1.8 | 0 | 0 | 99.8 |
| 101.3 | Amira | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 101.2 |
| 100.3 | The Student and Mr Henri | 0 | 0 | 0 | 0 | 0 | 0.2 | 100.2 | 0 | 0 |
| 100.2 | If The Dancer Dances | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 12 | 88 |
| 100 | Blue | 0 | 0 | 0 | 95.8 | 0 | 0 | 0 | 4.2 | 0 |
| 99.7 | Too Late to Die Young | 0 | 0 | 0 | 96.2 | 0 | 0 | 0 | 3.5 | 0 |
| 99.5 | The Naked Screen | 0 | 0 | 0.8 | 3.7 | 0 | 95 | 0 | 0 | 0 |
| 99.5 | Chavela | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 99.3 |
| 99.3 | Abendland | 0 | 0 | 0 | 7.7 | 0 | 0 | 0 | 91.7 | 0 |
| 99.2 | Red Squad | 0 | 0 | 0 | 17.7 | 0 | 39.7 | 0 | 0 | 41.8 |
| 98.7 | Rock Hudson's Home Movies | 0 | 0 | 0.2 | 65.8 | 0 | 0 | 0 | 0 | 32.7 |
| 98.5 | We Are the Lambeth Boys (Karel Reisz) | 0 | 0 | 0 | 49.2 | 0 | 49.3 | 0 | 0 | 0 |
| 98.3 | Notes on Marie Menken | 0 | 0 | 0.8 | 97.5 | 0 | 0 | 0 | 0 | 0 |
| 98.2 | The Seasons in Quincy: Four Portraits of John Berger | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8.5 | 89.7 |
| 98 | Searching for Ingmar Bergman | 0 | 0 | 0 | 0 | 0 | 98 | 0 | 0 | 0 |
| 98 | Vic + Flo Saw a Bear | 0 | 0 | 0 | 0 | 0 | 98 | 0 | 0 | 0 |
| 97.2 | A German Youth | 0 | 0 | 4 | 93.2 | 0 | 0 | 0 | 0 | 0 |
| 97 | Araby | 0 | 0 | 97 | 0 | 0 | 0 | 0 | 0 | 0 |
| 96.5 | The Second Mother | 0 | 0 | 0 | 0 | 0 | 0 | 96.5 | 0 | 0 |
| 96.3 | Black Out | 0 | 0 | 0.2 | 94.8 | 0.2 | 1.2 | 0 | 0 | 0 |
| 96.3 | Vito | 0 | 0 | 0 | 96.3 | 0 | 0 | 0 | 0 | 0 |
| 96 | Tony Manero | 0 | 0 | 0 | 1 | 0 | 0 | 95 | 0 | 0 |
| 96 | Secundaria | 0 | 0 | 0 | 96 | 0 | 0 | 0 | 0 | 0 |
| 95.5 | Restless Creature: Wendy Whelan | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 95.5 | 0 |
| 95.3 | Julietta | 0 | 0 | 0 | 95.3 | 0 | 0 | 0 | 0 | 0 |
| 95.2 | Blue Black Permanent | 0 | 0 | 0 | 86.2 | 0.2 | 8.8 | 0 | 0 | 0 |
| 94.5 | Red Persimmons | 0.2 | 0 | 0 | 94.3 | 0 | 0 | 0 | 0 | 0 |
| 94.3 | Red Like the Sky | 0 | 0.2 | 0 | 0 | 0.2 | 0 | 0 | 94 | 0 |
| 94.3 | Family Practice | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 | 93.5 |
| 94 | School for Love | 0 | 0 | 0 | 94 | 0 | 0 | 0 | 0 | 0 |
| 94 | Mademoiselle Paradis | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 94 | 0 |
| 93.7 | Dancing Dreams | 0 | 0 | 90.5 | 3.2 | 0 | 0 | 0 | 0 | 0 |
| 93.5 | Will You Marry Us? | 0 | 0 | 0.3 | 0 | 0 | 0 | 93 | 0.2 | 0 |
| 93.2 | Sebastiane | 0.7 | 0 | 20.8 | 60.5 | 0 | 11.2 | 0 | 0 | 0 |
| 93 | How Putin Came to Power | 93 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 93 | Momma Don't Allow (Karl Reisz & Tony Richardson) | 0 | 0 | 19.8 | 62.3 | 0 | 10.8 | 0 | 0 | 0 |
| 92.5 | Big Sonia | 0 | 0 | 0.3 | 92.2 | 0 | 0 | 0 | 0 | 0 |
| 92.3 | Voices from the Front | 0 | 0 | 0 | 0 | 26 | 66.3 | 0 | 0 | 0 |
| 92.2 | Ghosts of Attica | 0 | 0 | 92.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 91.8 | Dance Camera West 2023 | 0 | 0 | 0 | 77.3 | 0 | 0 | 0 | 0 | 14.5 |
| 91.8 | Delphine's Prayers | 0 | 0 | 0 | 91.8 | 0 | 0 | 0 | 0 | 0 |
| 91.7 | Bikes vs Cars | 38 | 0 | 0 | 0 | 0 | 53.7 | 0 | 0 | 0 |
| 91.5 | We Need to Talk About Kevin | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 91.2 |
| 91.5 | Penance: Episode 2 | 0 | 0 | 0 | 0 | 0 | 91.5 | 0 | 0 | 0 |
| 91.3 | Jane Campion: A Girl's Own Story | 0 | 0 | 0 | 22.2 | 0 | 0 | 0 | 0 | 69.2 |
| 91.2 | The Metal Stork | 82.5 | 0 | 0 | 0 | 0 | 8.7 | 0 | 0 | 0 |
| 91 | Escapes: The Life of Actor and Screenwriter, Hampton Fancher | 0 | 0 | 0 | 91 | 0 | 0 | 0 | 0 | 0 |
| 90.8 | Today | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 90.2 |
| 90.8 | Psychobitch | 0 | 0 | 5.7 | 40.5 | 0.8 | 43.8 | 0 | 0 | 0 |
| 90.7 | From Mao to Mozart: Isaac Stern in China | 0 | 0 | 0 | 5.7 | 0 | 0 | 0 | 85 | 0 |
| 90.5 | December Days | 0 | 0 | 0 | 90.5 | 0 | 0 | 0 | 0 | 0 |
| 90.3 | The Good War and Those Who Refused to Fight It | 0 | 0 | 90.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 90.2 | Golub: Late Works Are the Catastrophes | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 89 | 0 |
| 90.2 | Thank You for the Rain | 0 | 0 | 0 | 90.2 | 0 | 0 | 0 | 0 | 0 |
| 89.7 | Expedition Content | 2 | 0 | 0 | 2.8 | 0.7 | 0 | 0 | 84.2 | 0 |
| 89.5 | The Assistant | 0 | 0 | 89.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 88.5 | Buddy | 0 | 0 | 0 | 0 | 0 | 88.5 | 0 | 0 | 0 |
| 88.5 | School of Babel | 0 | 0 | 0 | 86.7 | 0 | 0 | 0 | 0 | 1.8 |
| 88.3 | Confounding Father - Episode 3 | 0 | 0 | 30.2 | 0 | 0 | 27.5 | 0 | 0 | 30.7 |
| 88 | Fasten Your Seatbelts | 0 | 0 | 0.3 | 0 | 0 | 87.7 | 0 | 0 | 0 |
| 88 | Free Lunch Society | 0 | 0 | 0 | 0 | 0 | 85.3 | 0 | 2.7 | 0 |
| 87.8 | Elena | 83.2 | 0 | 0 | 0 | 0 | 4.7 | 0 | 0 | 0 |
| 87.5 | Unfinished Spaces | 0 | 0 | 0 | 87.5 | 0 | 0 | 0 | 0 | 0 |
| 87.3 | Disturbing the Peace | 0 | 0 | 0 | 87.3 | 0 | 0 | 0 | 0 | 0 |
| 87.2 | Barber Shop - Ep 4: Rio De Janeiro / Brazil | 0 | 0 | 0.2 | 0 | 31.2 | 7.3 | 0 | 48.5 | 0 |
| 86.8 | The Armor of Light | 0 | 0 | 0 | 86.8 | 0 | 0 | 0 | 0 | 0 |
| 86.7 | Bless Their Little Hearts | 86.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 86.3 | After Tiller | 0 | 0 | 0 | 86.3 | 0 | 0 | 0 | 0 | 0 |
| 86.3 | Natural Life | 0 | 0 | 0 | 79.5 | 0 | 0 | 0 | 0 | 6.8 |
| 86.2 | Karmen Gei | 0 | 0 | 0 | 86.2 | 0 | 0 | 0 | 0 | 0 |
| 86.2 | Demons | 85.8 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 |
| 85.8 | Kimjongilia | 0 | 0 | 0.3 | 76.3 | 0 | 9.2 | 0 | 0 | 0 |
| 85.8 | Diplomacy | 0 | 0 | 0 | 85.8 | 0 | 0 | 0 | 0 | 0 |
| 85.7 | Tongues Untied | 0 | 0 | 30.2 | 0.2 | 55.3 | 0 | 0 | 0 | 0 |
| 85.7 | The Marquis of Wavrin | 0.2 | 0 | 0 | 85.5 | 0 | 0 | 0 | 0 | 0 |
| 85.2 | The Test | 0 | 0 | 0 | 85.2 | 0 | 0 | 0 | 0 | 0 |
| 84.8 | Footnotes | 0 | 0 | 0 | 0 | 0 | 0 | 84.8 | 0 | 0 |
| 84.7 | The Pirates of Bubuan | 0 | 0 | 0 | 84.7 | 0 | 0 | 0 | 0 | 0 |
| 84.3 | In the Steps of Trisha Brown | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 84.3 |
| 84.2 | Naples '44 | 0 | 0 | 0 | 84.2 | 0 | 0 | 0 | 0 | 0 |
| 84.2 | Another Paradise | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 83.8 | 0 |
| 84 | Tribal Justice | 0 | 0 | 0 | 84 | 0 | 0 | 0 | 0 | 0 |
| 83.8 | Derrida's Elsewhere | 0 | 0 | 3 | 0 | 34.7 | 1.7 | 0 | 44.5 | 0 |
| 83.7 | Winter Vacation | 0 | 0 | 3.8 | 0 | 0 | 0 | 0 | 79.8 | 0 |
| 83.5 | Cuban Food Stories | 0 | 0 | 0 | 83.5 | 0 | 0 | 0 | 0 | 0 |
| 82.8 | Jaha's Promise | 82.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 82.7 | Pollock & Pollock | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 82.7 |
| 82.5 | The Adventurers of Modern Art - Ep 1 | 0 | 0 | 0.2 | 73.5 | 0 | 8.8 | 0 | 0 | 0 |
| 82.5 | Cinema Novo | 0 | 0 | 0 | 0 | 0 | 5.3 | 0 | 77.2 | 0 |
| 82.2 | A Reckoning in Boston | 0 | 0 | 0 | 0 | 0 | 82.2 | 0 | 0 | 0 |
| 81.8 | Mountain | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 81.8 |
| 81.8 | David Holzman's Diary | 0 | 0 | 0.5 | 7.8 | 0 | 73.5 | 0 | 0 | 0 |
| 81.7 | The Many Lives of Kojin | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 | 81.5 | 0 |
| 81.7 | Adieu Paris | 9 | 0 | 12.8 | 17.8 | 5 | 17.5 | 0 | 19.5 | 0 |
| 81.3 | Border South | 0 | 0 | 0 | 0 | 0 | 81.3 | 0 | 0 | 0 |
| 81 | Knocking | 1.2 | 0 | 76.5 | 0.7 | 0 | 2.5 | 0 | 0.2 | 0 |
| 80.2 | Listen | 0 | 0 | 0 | 1.7 | 0 | 3.8 | 0 | 74.7 | 0 |
| 80 | High on Crack Street: Lost Lives in Lowell | 0 | 0 | 0 | 0.2 | 0 | 61.2 | 0 | 0 | 18.7 |
| 80 | The Last Season | 0 | 0 | 0 | 80 | 0 | 0 | 0 | 0 | 0 |
| 80 | Return to Cuba | 0 | 0 | 0 | 80 | 0 | 0 | 0 | 0 | 0 |
| 80 | Codigo Color, Memorias | 0 | 0 | 0 | 65 | 0 | 15 | 0 | 0 | 0 |
| 79.8 | Liberation: The User's Guide | 0.2 | 0 | 0 | 0 | 0 | 79.7 | 0 | 0 | 0 |
| 79.7 | In the Game | 78.7 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| 79.5 | My Brother's Wedding | 79.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 79.3 | Metal and Melancholy | 0 | 0 | 0 | 79.3 | 0 | 0 | 0 | 0 | 0 |
| 78.5 | Changing Our Minds: The Story of Dr. Evelyn Hooker | 1.3 | 0 | 0.5 | 76.7 | 0 | 0 | 0 | 0 | 0 |
| 78.5 | Kisses | 0 | 0 | 0 | 0 | 74.8 | 0 | 0 | 0 | 3.7 |
| 78.3 | Eat This New York | 0 | 0 | 0 | 0 | 0 | 78.3 | 0 | 0 | 0 |
| 78 | The Owl's Legacy: Symposium, or Accepted Ideas | 2.5 | 0 | 26.2 | 0.5 | 0 | 48.8 | 0 | 0 | 0 |
| 77.8 | Dear Dr. Spencer | 26.2 | 0 | 0.5 | 51.2 | 0 | 0 | 0 | 0 | 0 |
| 77.2 | Bones of Contention | 0 | 0 | 0 | 75.7 | 0 | 0 | 0 | 1.5 | 0 |
| 77 | In the Light of Reverence | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 75.8 | 0 |
| 76.5 | Penance: Episode 5 | 0 | 0 | 0 | 0 | 0 | 76.5 | 0 | 0 | 0 |
| 76.5 | Together (Lorenza Mazzetti) | 0 | 0 | 0 | 59.2 | 0 | 17.3 | 0 | 0 | 0 |
| 76.3 | In the Name of God | 0 | 0 | 0 | 76.3 | 0 | 0 | 0 | 0 | 0 |
| 76.2 | Mariam | 75.5 | 0 | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 |
| 76 | Creating a Character: The Moni Yakim Legacy | 76 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 75.2 | Moi, Un Noir (Jean Rouch) | 0 | 0 | 0.3 | 0 | 0 | 74.8 | 0 | 0 | 0 |
| 74.8 | The Dazzling Light of Sunset | 74.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 74.7 | Rethinking Cuban Civil Society | 0 | 0 | 0 | 74.7 | 0 | 0 | 0 | 0 | 0 |
| 74 | The Twentieth Century | 0 | 0 | 12.7 | 0 | 0.2 | 11.8 | 0 | 49.3 | 0 |
| 73.8 | A Cow's Life | 0 | 0 | 0 | 8.7 | 0 | 0 | 0 | 65.2 | 0 |
| 73.5 | Towards Mathilde | 0 | 0 | 0 | 73 | 0 | 0.5 | 0 | 0 | 0 |
| 73.5 | In Motion: Amiri Baraka | 0 | 0 | 0.3 | 0 | 0.3 | 57.3 | 0 | 0 | 15.5 |
| 72.8 | SPK Complex | 0 | 0 | 0 | 0 | 0 | 72.8 | 0 | 0 | 0 |
| 72.5 | Chez Jolie Coiffure | 0 | 0 | 0 | 72.5 | 0 | 0 | 0 | 0 | 0 |
| 72.5 | Planeat | 0 | 0 | 0 | 72.5 | 0 | 0 | 0 | 0 | 0 |
| 72.3 | The Gold Spinners | 72.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 72.3 | She's Lost Control | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 71.8 |
| 72.2 | Dance Party USA | 0.7 | 0 | 0.5 | 71 | 0 | 0 | 0 | 0 | 0 |
| 72.2 | Agent Orange | 0 | 0 | 1.7 | 70.5 | 0 | 0 | 0 | 0 | 0 |
| 72 | Taking Back the Legislature | 0 | 0 | 0.2 | 47.3 | 0 | 24.5 | 0 | 0 | 0 |
| 71.8 | Mountain | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 71.8 | 0 |
| 71.2 | About Executing Eichmann | 0 | 0 | 0 | 9.2 | 0 | 62 | 0 | 0 | 0 |
| 71.2 | Kate and Anna McGarrigle | 0 | 0 | 0 | 0 | 0 | 60.3 | 0 | 0 | 10.8 |
| 71.2 | The Owl's Legacy: Democracy, or City of Dreams | 0 | 0 | 25 | 26.3 | 0 | 0 | 0 | 19.8 | 0 |
| 70.2 | Blood Ties: The Life and Work of Sally Mann | 0.5 | 0.5 | 0.2 | 5.8 | 0 | 33 | 0 | 30.2 | 0 |
| 69.7 | Chinese Portrait | 0 | 0 | 0 | 69.7 | 0 | 0 | 0 | 0 | 0 |
| 69.5 | Gustav Stickley: American Craftsman | 0 | 0 | 0 | 0.3 | 0 | 69.2 | 0 | 0 | 0 |
| 69.3 | Faith Love Desire - Ep 1 - First Love | 0 | 0 | 0 | 52.5 | 0 | 0 | 0 | 16.8 | 0 |
| 68.5 | Thinking Existenz - Ep 09 - Lula da Silva | 0 | 0 | 0 | 68.5 | 0 | 0 | 0 | 0 | 0 |
| 68.5 | La Ciudad | 0 | 0 | 0 | 1 | 0 | 67.5 | 0 | 0 | 0 |
| 68.2 | Sunday School with Franz Hinkelammert | 0 | 0 | 52.2 | 16 | 0 | 0 | 0 | 0 | 0 |
| 67.8 | The Same Difference | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 67.8 |
| 67.8 | The Embassy | 0 | 0 | 1.8 | 21 | 0 | 25.2 | 0 | 19.8 | 0 |
| 67.7 | John Berger or The Art of Looking | 0 | 4.8 | 0 | 0 | 0 | 0 | 0 | 62.8 | 0 |
| 67.5 | The Activists | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 67.5 | 0 |
| 67 | How to Lose Your Virginity | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 67 |
| 66.8 | The Nine Muses | 0 | 0 | 0 | 0.3 | 0 | 66.5 | 0 | 0 | 0 |
| 66.3 | No Fear No Favor | 0 | 0 | 0 | 66.3 | 0 | 0 | 0 | 0 | 0 |
| 66.3 | Confounding Father - Episode 4 | 0 | 0 | 22.8 | 0 | 0 | 15 | 0 | 0 | 28.5 |
| 66.3 | A Month In Thailand | 0 | 0 | 0 | 7.8 | 0 | 0.3 | 0 | 0 | 58.2 |
| 66 | Ô saisons ô châteaux | 0 | 21.7 | 0 | 0 | 0 | 10.3 | 0 | 34 | 0 |
| 65.8 | Renzo Piano: The Architect of Light | 0 | 0 | 0 | 65.8 | 0 | 0 | 0 | 0 | 0 |
| 65.5 | Andrei Tarkovsky's Nostalghia | 0 | 0 | 0 | 48.5 | 0 | 17 | 0 | 0 | 0 |
| 65.5 | Gay USA | 0 | 0 | 65.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 65.2 | War and Peace | 0 | 12.2 | 0 | 53 | 0 | 0 | 0 | 0 | 0 |
| 64.3 | Jane Campion: Peel | 0 | 0 | 0 | 26.8 | 0 | 19.3 | 0 | 0 | 18.2 |
| 64 | God | 64 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 64 | After Stonewall | 0 | 0 | 64 | 0 | 0 | 0 | 0 | 0 | 0 |
| 64 | The Long Walk | 0.2 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 63.3 |
| 63.7 | La Arrancada | 0 | 0 | 0 | 63.7 | 0 | 0 | 0 | 0 | 0 |
| 63.5 | Hotel Terminus - Part I | 0 | 0 | 21.2 | 0 | 0 | 42.3 | 0 | 0 | 0 |
| 63.5 | Stations of the Elevated | 0 | 0 | 18.3 | 45.2 | 0 | 0 | 0 | 0 | 0 |
| 63.2 | Tokyo Waka | 0 | 0 | 0 | 0 | 0 | 63.2 | 0 | 0 | 0 |
| 62.8 | Strangers in Good Company | 0 | 0 | 0 | 62.8 | 0 | 0 | 0 | 0 | 0 |
| 62.8 | Food Design | 51.8 | 0 | 0 | 11 | 0 | 0 | 0 | 0 | 0 |
| 62.3 | Beyond Boobs | 0 | 0 | 0 | 42.7 | 0 | 0 | 0 | 19.7 | 0 |
| 62 | I am Secretly an Important Man | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 62 |
| 61.8 | Buyer Be Fair | 61.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 60.8 | Suzy Lake: Playing with Time | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 60.8 | 0 |
| 60.7 | Apache 8 | 0 | 0 | 0 | 2.8 | 0 | 57.8 | 0 | 0 | 0 |
| 60.5 | Insecticides: A License to Kill | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 | 59.7 |
| 60.3 | Ama | 0 | 0 | 0 | 1.7 | 58.7 | 0 | 0 | 0 | 0 |
| 60 | Thinking Existenz - Ep 04 - Suad Amiry | 0 | 0 | 0 | 60 | 0 | 0 | 0 | 0 | 0 |
| 59.8 | Jane Campion: Passionless Moments | 0 | 0 | 0 | 23.7 | 0 | 12.2 | 0 | 0 | 24 |
| 59.7 | Community of Praise | 0 | 0 | 0 | 0 | 59.7 | 0 | 0 | 0 | 0 |
| 59.5 | The Internationale | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 29.3 | 30.2 |
| 59.2 | Seeing is Believing | 0 | 0 | 59.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 59.2 | Abstract Cinema | 0 | 0 | 0 | 59.2 | 0 | 0 | 0 | 0 | 0 |
| 59.2 | Brother Towns / Pueblos Hermanos | 59.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 59 | Lourdes | 0 | 0 | 0.2 | 0 | 0 | 58.8 | 0 | 0 | 0 |
| 58.7 | Through the Mirror of Chess: A Cultural Exploration Ep 3 | 0 | 0 | 0 | 0.7 | 0 | 58 | 0 | 0 | 0 |
| 58.7 | Rosita | 0 | 0 | 0 | 0.3 | 0 | 58.3 | 0 | 0 | 0 |
| 57.8 | Crystal Swan | 0.2 | 0 | 0 | 1.8 | 0 | 10.7 | 0 | 45.2 | 0 |
| 57.8 | The True Cost | 0 | 0 | 0 | 57.8 | 0 | 0 | 0 | 0 | 0 |
| 57.5 | Reason (Part 1) | 0 | 0 | 0 | 57.5 | 0 | 0 | 0 | 0 | 0 |
| 57.5 | To Tell the Truth: The Strategy of Truth | 0 | 0 | 0 | 57.5 | 0 | 0 | 0 | 0 | 0 |
| 57.2 | From Swastika to Jim Crow | 0 | 0 | 0 | 0 | 0 | 57.2 | 0 | 0 | 0 |
| 57 | The Professor | 0 | 0 | 0 | 0 | 0 | 57 | 0 | 0 | 0 |
| 56.7 | On the French Riviera with Man Ray and Picasso | 0 | 0 | 0 | 0.5 | 0 | 2 | 0 | 54.2 | 0 |
| 56.7 | Winter Soldier | 0 | 0 | 0 | 28.3 | 0 | 28.3 | 0 | 0 | 0 |
| 56.5 | Terres Barcelo: Miquel Barceló | 0 | 0 | 0 | 0 | 0 | 23 | 0 | 0 | 33.5 |
| 56.3 | From the Journals of Jean Seberg | 0 | 0 | 0.3 | 34 | 0 | 22 | 0 | 0 | 0 |
| 56.3 | Through the Mirror of Chess: A Cultural Exploration Ep 4 | 0 | 0 | 0 | 0 | 0 | 56.3 | 0 | 0 | 0 |
| 56.2 | A Narmada Diary | 0 | 0 | 0 | 56.2 | 0 | 0 | 0 | 0 | 0 |
| 55.7 | Priceless | 0 | 0 | 0 | 55.7 | 0 | 0 | 0 | 0 | 0 |
| 55.7 | Dreams of Ice | 0 | 0 | 0 | 55.7 | 0 | 0 | 0 | 0 | 0 |
| 54.8 | Brimstone & Glory | 0 | 54.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 54.8 | No Time To Waste | 54.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 54.5 | Karl Polanyi, The Human Factor | 0 | 0 | 0 | 0 | 0 | 54.5 | 0 | 0 | 0 |
| 54.2 | Ray & Liz | 0 | 0 | 25.3 | 0 | 0 | 0 | 0 | 0 | 28.8 |
| 54 | Congo: The Doctor Who Saves Women | 0 | 0 | 0 | 54 | 0 | 0 | 0 | 0 | 0 |
| 53.8 | Tar Creek | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 53.8 | 0 |
| 53.3 | Branding Illness | 0 | 0 | 0 | 0 | 0.2 | 53.2 | 0 | 0 | 0 |
| 53.3 | The Trouble with Bread | 26.8 | 0 | 0 | 0 | 0 | 0 | 0 | 26.5 | 0 |
| 53.2 | The Spectre of Hope | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 53.2 | 0 |
| 53 | Black Is the Color: A History of African American Art | 0 | 0 | 0 | 0 | 0 | 53 | 0 | 0 | 0 |
| 53 | Artists & Love: Emilie Flöge and Gustav Klimt | 0 | 0 | 0 | 0 | 0 | 26.8 | 0 | 26.2 | 0 |
| 52.8 | Art and Oligarchs | 0.2 | 0 | 0 | 52.7 | 0 | 0 | 0 | 0 | 0 |
| 52.8 | Symbiotic Earth | 0 | 0 | 0 | 0 | 0 | 52.8 | 0 | 0 | 0 |
| 52.8 | Footprints of War - Nature Under Fire | 0 | 0 | 0 | 52.8 | 0 | 0 | 0 | 0 | 0 |
| 52.5 | Bringing It Home | 52.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 52.5 | The Singular Story of Unlucky Juan | 0 | 0 | 0 | 52.5 | 0 | 0 | 0 | 0 | 0 |
| 52.2 | The Owl's Legacy: Olympics, or Imaginary Greece | 0 | 0 | 25.3 | 0 | 0 | 0 | 0 | 26.8 | 0 |
| 52 | A New Old Play | 0 | 0 | 18.5 | 0 | 0 | 0 | 0 | 33.5 | 0 |
| 51.7 | Seduced and Blackmailed | 0 | 0 | 0.3 | 0 | 0 | 51.2 | 0 | 0.2 | 0 |
| 51.3 | Penance: Episode 4 | 0 | 0 | 0 | 0 | 0 | 51.3 | 0 | 0 | 0 |
| 51.2 | Tierralismo | 0 | 0 | 0 | 51.2 | 0 | 0 | 0 | 0 | 0 |
| 51.2 | The Adventurers of Modern Art - Ep 3 | 0 | 51.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 51 | Thinking Existenz - Ep 03 - Lucrecia Martel | 0 | 0 | 0 | 50.5 | 0 | 0.5 | 0 | 0 | 0 |
| 51 | The Overworked | 0 | 0 | 0 | 25 | 0 | 26 | 0 | 0 | 0 |
| 50.8 | Until the Light Takes Us | 0 | 0 | 0.7 | 45.5 | 0 | 0 | 0 | 4.7 | 0 |
| 50.7 | Photographic Memory | 0 | 0 | 0 | 5 | 0 | 45.7 | 0 | 0 | 0 |
| 50.5 | Refuge England (Robert Vas) | 0 | 0 | 0 | 25.2 | 0 | 25.3 | 0 | 0 | 0 |
| 50.5 | Penance: Episode 3 | 0 | 0 | 0 | 0 | 0 | 50.5 | 0 | 0 | 0 |
| 50.3 | Father to Son | 1.7 | 5.7 | 0.2 | 0 | 0 | 0.8 | 0 | 39.2 | 2.8 |
| 50.3 | Nixon’s Reversal | 0 | 0 | 0 | 15.8 | 0 | 25.2 | 0 | 9.3 | 0 |
| 50.2 | A Family Submerged | 0 | 0 | 0 | 0 | 0 | 50.2 | 0 | 0 | 0 |
| 50 | Last Cab to Darwin | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 50 |
| 49.8 | Waste = Food | 0 | 0 | 0 | 49.8 | 0 | 0 | 0 | 0 | 0 |
| 49.7 | Elder Voices | 49.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 49.5 | Do Not Adjust Your Set - Pilot | 0 | 0 | 0 | 0 | 0 | 49.5 | 0 | 0 | 0 |
| 49.5 | Ape | 0 | 0 | 0.5 | 20 | 28.8 | 0 | 0.2 | 0 | 0 |
| 49.3 | America's Brutal Prisons | 0 | 0 | 0 | 49.3 | 0 | 0 | 0 | 0 | 0 |
| 49.3 | The Oyler House: Richard Neutra's Desert Retreat | 0 | 0 | 0 | 49.3 | 0 | 0 | 0 | 0 | 0 |
| 49 | With André Gide | 0 | 0 | 0 | 0 | 0 | 49 | 0 | 0 | 0 |
| 48.8 | Miss Hill: Making Dance Matter | 0 | 0 | 0 | 45 | 0 | 0 | 0 | 0 | 3.8 |
| 47.7 | An Apollo Legend | 0 | 0 | 0 | 0 | 0 | 23.3 | 0 | 0 | 24.3 |
| 47.5 | Facing The Storm | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 47.5 | 0 |
| 47.5 | Maison Close - Episode 3 | 0 | 0 | 0 | 47.5 | 0 | 0 | 0 | 0 | 0 |
| 46.7 | 5 Broken Cameras | 0 | 0 | 1.2 | 0 | 0 | 45.5 | 0 | 0 | 0 |
| 46.5 | Why Has Bodhi-Dharma Left for the East? | 0 | 0 | 0 | 0 | 0 | 46.5 | 0 | 0 | 0 |
| 46 | The Absent House | 0 | 0 | 0.2 | 42.2 | 0 | 0 | 0 | 0 | 3.7 |
| 46 | 1914: A War of Images | 0 | 0 | 0 | 0 | 0 | 46 | 0 | 0 | 0 |
| 46 | Thinking Existenz - Ep 06 - Esther Duflo | 0 | 0 | 0 | 38.8 | 0 | 1.7 | 0 | 5.5 | 0 |
| 45.5 | The Last Angel of History | 0 | 0 | 0 | 45.5 | 0 | 0 | 0 | 0 | 0 |
| 45.5 | Barber Shop - Ep 5: Smara Refugee Camp / Algeria | 0 | 0 | 0 | 0 | 11.7 | 0 | 0 | 0 | 33.8 |
| 44.8 | The Marines | 21 | 0 | 0 | 21.7 | 0 | 2.2 | 0 | 0 | 0 |
| 44.5 | Be Seeing You | 0 | 0 | 0 | 39 | 0 | 0 | 0 | 5.5 | 0 |
| 44.3 | Day Zero - Episode 3: Austria and Bhutan - A Glimpse Into the Future | 0 | 0 | 0.2 | 44.2 | 0 | 0 | 0 | 0 | 0 |
| 44.2 | There Are Jews Here | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 18.5 | 25.5 |
| 44 | Holy Terror | 0 | 0 | 0 | 44 | 0 | 0 | 0 | 0 | 0 |
| 44 | CERN | 0 | 0 | 44 | 0 | 0 | 0 | 0 | 0 | 0 |
| 43.8 | Itzhak | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 43.8 |
| 43.8 | Ladies and Gentlemen... Mr Leonard Cohen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 43.8 | 0 |
| 43.5 | The Exquisite Short Films of Kihachiro Kawamoto | 0 | 0 | 0 | 0 | 0 | 14.3 | 0 | 29.2 | 0 |
| 43.3 | Over Your Cities Grass Will Grow | 0 | 0 | 0 | 33.5 | 0 | 0 | 0 | 0 | 9.8 |
| 43.2 | Kentridge and Dumas in Conversation | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 43.2 |
| 42.7 | The Campaign | 0 | 0 | 0 | 0 | 42.7 | 0 | 0 | 0 | 0 |
| 42.3 | Bettie Page Reveals All | 0 | 0 | 41.5 | 0.8 | 0 | 0 | 0 | 0 | 0 |
| 41.8 | Fishing: In the Sea of Greed | 0 | 0 | 0 | 41.8 | 0 | 0 | 0 | 0 | 0 |
| 41.7 | Eye on the Guy | 17 | 0 | 22 | 0 | 0 | 0 | 0 | 0 | 2.7 |
| 41.7 | Strait Through The Ice | 0 | 0 | 0 | 41.7 | 0 | 0 | 0 | 0 | 0 |
| 41.5 | Patch Town | 0 | 0 | 0.3 | 0 | 0 | 0 | 13.7 | 27.5 | 0 |
| 41.2 | Rabbit a la Berlin | 0.2 | 0 | 0.2 | 40.8 | 0 | 0 | 0 | 0 | 0 |
| 41 | Lapü | 40.8 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 41 | Ham on Rye | 0 | 0.8 | 1.3 | 0 | 0 | 17.5 | 21.3 | 0 | 0 |
| 40.8 | Draw Me Saint-Exupery | 0 | 0 | 0 | 35.3 | 0 | 0 | 0 | 0 | 5.5 |
| 40.8 | Shusenjo: Comfort Women and Japan's War on History | 0 | 0 | 0 | 40.3 | 0.5 | 0 | 0 | 0 | 0 |
| 40.7 | Denial | 37 | 0 | 2.5 | 0 | 0 | 0 | 0 | 0 | 1.2 |
| 40.7 | I Am Somebody | 0 | 0 | 0 | 28.8 | 0 | 11.8 | 0 | 0 | 0 |
| 40.5 | Brickmakers (Chircales) | 0 | 0 | 0 | 40.5 | 0 | 0 | 0 | 0 | 0 |
| 40.3 | The Vanishing Street (Robert Vas) | 0 | 0 | 0 | 19.7 | 0 | 20.7 | 0 | 0 | 0 |
| 40.2 | Zona Franca | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 40.2 |
| 40 | Russian Ballet: The Nutcracker | 0 | 0 | 0 | 40 | 0 | 0 | 0 | 0 | 0 |
| 39.5 | Dedalus | 0.2 | 0 | 37 | 2.3 | 0 | 0 | 0 | 0 | 0 |
| 38.8 | Anarchism in America | 0 | 0 | 0 | 0 | 0 | 0 | 38.8 | 0 | 0 |
| 38.5 | The Hermitage Dwellers | 38.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 38.2 | Flamenco at 5:15 | 0 | 0 | 0 | 8.3 | 0 | 0 | 0 | 29.8 | 0 |
| 38 | Raising the Floor | 0.8 | 0 | 0 | 37.2 | 0 | 0 | 0 | 0 | 0 |
| 38 | Glenn Gould: On the Record | 0 | 0 | 0 | 30 | 0 | 0 | 0 | 8 | 0 |
| 37.2 | The Owl's Legacy: Nostalgia, or The Impossible Return | 0 | 0 | 11.2 | 26 | 0 | 0 | 0 | 0 | 0 |
| 36.8 | Nice Time (Claude Goretta & Alain Tanner) | 0 | 0 | 0.3 | 18.5 | 0 | 18 | 0 | 0 | 0 |
| 36.2 | Kings Point | 2.3 | 0 | 0.2 | 0 | 0 | 30.7 | 0 | 3 | 0 |
| 36.2 | Enginemen (Michael Grigsby) | 0 | 0 | 0.2 | 19.5 | 0 | 16.5 | 0 | 0 | 0 |
| 36.2 | We Still Live Here | 0 | 0 | 0 | 36.2 | 0 | 0 | 0 | 0 | 0 |
| 35.5 | Food for a Blush (Elizabeth Russell) | 0 | 0 | 0.2 | 29.8 | 0 | 5.5 | 0 | 0 | 0 |
| 34.8 | Sacred Water | 0 | 0 | 0.7 | 34.2 | 0 | 0 | 0 | 0 | 0 |
| 34.8 | Through the Mirror of Chess: A Cultural Exploration Ep 2 | 34.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 34.5 | Tomorrow's Saturday (Michael Grigsby) | 0 | 0 | 0 | 16.8 | 0 | 17.7 | 0 | 0 | 0 |
| 34.5 | A Coffee in Berlin | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 34.2 | 0 |
| 34.5 | No Secret Anymore: The Times of Del Martin & Phyllis Lyon | 0 | 0 | 0 | 34.5 | 0 | 0 | 0 | 0 | 0 |
| 34.5 | Riot in the Matrix | 0 | 0 | 2.5 | 0 | 0 | 0 | 0 | 0 | 32 |
| 34.2 | Yiddish | 0 | 0 | 0.2 | 0.2 | 0 | 5.3 | 0 | 12.7 | 15.8 |
| 34.2 | The Ister | 32.7 | 0 | 0 | 0 | 0 | 0 | 0 | 1.5 | 0 |
| 33.8 | Blowback: The 9/11 Wars in Global Film | 0 | 0 | 31 | 0 | 0 | 2.8 | 0 | 0 | 0 |
| 33.7 | Color Adjustment | 0 | 0 | 0 | 32.8 | 0 | 0 | 0 | 0 | 0.8 |
| 33 | Just Ancient Loops | 0 | 0 | 0 | 28.7 | 0 | 0 | 0 | 4.3 | 0 |
| 32.8 | The Last Tycoons - Episode 4 | 0 | 32.7 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 32.5 | Davos | 0 | 0 | 0.5 | 0 | 0.2 | 31.8 | 0 | 0 | 0 |
| 32 | Berliner Ballade | 0 | 0 | 0 | 0 | 0 | 31.8 | 0 | 0.2 | 0 |
| 32 | Edward Hopper | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 31.8 |
| 31.8 | G is for Gun | 27.8 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 |
| 31.2 | Keep the Lights On | 0 | 0 | 0.7 | 29.3 | 0 | 1.2 | 0 | 0 | 0 |
| 31.2 | Chantal Akerman by Chantal Akerman | 0 | 0 | 0 | 31.2 | 0 | 0 | 0 | 0 | 0 |
| 30.8 | In Memory of Rock | 0 | 0 | 0.7 | 11.2 | 0 | 8 | 0 | 11 | 0 |
| 30.8 | The Rabbi's Cat | 0 | 0 | 0 | 30.8 | 0 | 0 | 0 | 0 | 0 |
| 30.7 | Cat Listening to Music | 0 | 0 | 0 | 5.8 | 2.8 | 10 | 2.8 | 3.2 | 6 |
| 30.5 | School's Out | 0 | 0 | 0 | 30.5 | 0 | 0 | 0 | 0 | 0 |
| 30 | Germans & Jews | 0 | 0 | 0 | 0 | 0 | 30 | 0 | 0 | 0 |
| 29.7 | La Moustache | 0 | 0 | 0 | 0 | 0 | 29.7 | 0 | 0 | 0 |
| 29.3 | I am from Chile | 0 | 0 | 0 | 29.3 | 0 | 0 | 0 | 0 | 0 |
| 29.3 | Yo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 29.3 | 0 |
| 29.3 | Thinking Existenz - Ep 10 - Braden Allenby | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 29.3 |
| 29.2 | Ilya and Emilia Kabakov: Enter Here | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 29.2 |
| 29.2 | Doors of the Past | 0 | 0 | 0 | 29.2 | 0 | 0 | 0 | 0 | 0 |
| 29.2 | The Botanical Avatar of Mademoiselle Flora | 0 | 0 | 14.3 | 14.8 | 0 | 0 | 0 | 0 | 0 |
| 28.8 | Lemebel | 0 | 0 | 0 | 28.8 | 0 | 0 | 0 | 0 | 0 |
| 28.8 | The Candidate | 0 | 0 | 28.8 | 0 | 0 | 0 | 0 | 0 | 0 |
| 28.5 | The Calm After The Storm | 0 | 0 | 0 | 0 | 0 | 28.5 | 0 | 0 | 0 |
| 28.5 | Prime Time in the Camps | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 28.5 | 0 |
| 28.2 | Conversations with Roy DeCarava | 0 | 0 | 0 | 0 | 0 | 28.2 | 0 | 0 | 0 |
| 28.2 | Maison Close - Episode 2 | 0 | 0 | 0 | 27.5 | 0 | 0.7 | 0 | 0 | 0 |
| 28 | Food or Fuel? | 0 | 0 | 0 | 28 | 0 | 0 | 0 | 0 | 0 |
| 27.7 | On the Way to School | 0 | 0 | 0 | 27.7 | 0 | 0 | 0 | 0 | 0 |
| 27.7 | O Dreamland (Lindsay Anderson) | 0 | 0 | 0 | 12.8 | 0 | 14.8 | 0 | 0 | 0 |
| 27.5 | The Cost of Living | 0 | 0 | 0 | 27.5 | 0 | 0 | 0 | 0 | 0 |
| 27.3 | August at Akiko's | 0 | 0 | 0 | 0 | 0 | 26.5 | 0 | 0 | 0.8 |
| 27 | Dirty Business | 0 | 0 | 0 | 0 | 0 | 27 | 0 | 0 | 0 |
| 26.8 | Flamenco, Flamenco | 0.3 | 0 | 0 | 0 | 0 | 26.5 | 0 | 0 | 0 |
| 26.8 | To Be Seen | 0 | 0 | 0 | 26.8 | 0 | 0 | 0 | 0 | 0 |
| 26.7 | Artists & Love: Claude Cahun and Marcel Moore | 0 | 0 | 0 | 0 | 0 | 26.7 | 0 | 0 | 0 |
| 26.7 | Artists & Love: Paula Becker and Otto Modersohn | 0 | 26.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 26.5 | The Owl's Legacy: Amnesty, or History on the March | 0 | 0 | 0 | 26.5 | 0 | 0 | 0 | 0 | 0 |
| 26.3 | Teeth | 0 | 0 | 0 | 26.3 | 0 | 0 | 0 | 0 | 0 |
| 26.3 | Queer Genius | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 26.3 |
| 26.3 | The Best of Both Worlds | 0 | 0 | 0 | 26.3 | 0 | 0 | 0 | 0 | 0 |
| 26.2 | The New Metropolis - The New Neighbors | 0 | 0 | 0 | 0 | 0 | 26.2 | 0 | 0 | 0 |
| 25.8 | A Biography of Lilith | 0 | 0 | 0 | 4.3 | 0 | 21.5 | 0 | 0 | 0 |
| 25.7 | Cul de Sac: A Suburban War Story | 0 | 0 | 0 | 0 | 0 | 25.7 | 0 | 0 | 0 |
| 25.5 | The Owl's Legacy: Mathematics, or the Empire Counts Back | 0 | 0 | 0 | 25.5 | 0 | 0 | 0 | 0 | 0 |
| 25 | The Owl's Legacy: Cosmogony, or the Ways of the World | 0 | 0 | 0 | 25 | 0 | 0 | 0 | 0 | 0 |
| 24.8 | Winter Nomads | 0 | 0 | 0 | 24.8 | 0 | 0 | 0 | 0 | 0 |
| 24.8 | Pilgrims and Tourists | 0 | 0 | 0 | 24.8 | 0 | 0 | 0 | 0 | 0 |
| 24.2 | Le Week-End | 0 | 0 | 0.7 | 0.5 | 0 | 0 | 0 | 0 | 23 |
| 23.8 | The First Days | 23.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 23.6 | Guernica | 0 | 8.6 | 0 | 13.8 | 0 | 0 | 0 | 1.2 | 0 |
| 23.5 | Paul Taylor: Creative Domain | 0 | 0 | 0 | 23.5 | 0 | 0 | 0 | 0 | 0 |
| 23.2 | Lunch Love Community | 23.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 23 | Catching Sight of Thelma and Louise | 0 | 0 | 0 | 0 | 0 | 4.8 | 0 | 18.2 | 0 |
| 22.5 | An Ecology of Mind | 22.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 22.5 | Night Cries | 0 | 0 | 0 | 5 | 0 | 17.5 | 0 | 0 | 0 |
| 22.3 | The Battle of Chile (Part 2) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 22.3 | 0 |
| 22 | Encounters with Your Inner Trotsky Child | 22 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 21.7 | Olancho | 0 | 0 | 0 | 21.7 | 0 | 0 | 0 | 0 | 0 |
| 21.5 | On the Bowery | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 21.3 |
| 20.8 | Lady Chatterley's Lover | 0 | 0 | 1.7 | 19.2 | 0 | 0 | 0 | 0 | 0 |
| 20.8 | Alice | 0.8 | 0 | 0 | 8.2 | 0 | 11.8 | 0 | 0 | 0 |
| 20.7 | Documentary - Chen | 0 | 0 | 0 | 20.7 | 0 | 0 | 0 | 0 | 0 |
| 20.3 | The Silence of Mark Rothko | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 20.3 |
| 20.2 | Sociology is a Martial Art | 0 | 0 | 8.2 | 0 | 0 | 0 | 0 | 12 | 0 |
| 20 | Everything Else (Todo lo Dem√°s) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 20 | 0 |
| 19.3 | Maeve | 0 | 0 | 0 | 8.2 | 0 | 0 | 0 | 11.2 | 0 |
| 19.3 | Wuthering Heights | 0 | 0 | 0 | 18.5 | 0 | 0 | 0 | 0.8 | 0 |
| 19 | Not to Forget | 0 | 0 | 0 | 19 | 0 | 0 | 0 | 0 | 0 |
| 18.5 | Van Gogh | 0 | 0 | 0 | 18.5 | 0 | 0 | 0 | 0 | 0 |
| 18.5 | All About My Sisters | 0 | 0 | 0 | 18.5 | 0 | 0 | 0 | 0 | 0 |
| 18.5 | In Exile: A Family Film | 0 | 0 | 0 | 18.5 | 0 | 0 | 0 | 0 | 0 |
| 18.3 | Soul of a Banquet | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 18.3 | 0 |
| 18.3 | Christmas Again | 0 | 0 | 0.5 | 17.8 | 0 | 0 | 0 | 0 | 0 |
| 18.3 | Viva la Liberta | 0 | 0 | 0 | 18.3 | 0 | 0 | 0 | 0 | 0 |
| 18 | Bruly Bouabré's Alphabet | 0 | 0 | 0 | 0.5 | 0 | 17.5 | 0 | 0 | 0 |
| 17.5 | The Goumbé of the Young Revelers | 0 | 0 | 13.8 | 3.7 | 0 | 0 | 0 | 0 | 0 |
| 17.5 | Gunnin' for that #1 Spot | 0 | 0 | 0 | 0 | 0 | 17.5 | 0 | 0 | 0 |
| 17.5 | 100 Years of Japanese Cinema | 0 | 0 | 0.5 | 2 | 0 | 15 | 0 | 0 | 0 |
| 17.3 | Hu Bo's Man in the Well | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 16.7 | 0.7 |
| 17.2 | Tomcat | 0.2 | 0 | 16.8 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 17 | Three Cheers for the Whale | 0 | 0 | 0 | 17 | 0 | 0 | 0 | 0 | 0 |
| 16.8 | Nice Colored Girls | 0 | 0 | 0 | 0 | 0 | 16.8 | 0 | 0 | 0 |
| 16.5 | 24 Hours Jerusalem | 6am Ep 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 16.5 | 0 |
| 16.5 | Late Summer | 0 | 0 | 0 | 3.2 | 0 | 0 | 0 | 13.3 | 0 |
| 16.2 | Discount | 0 | 0 | 0 | 0 | 0 | 0 | 16.2 | 0 | 0 |
| 16 | Time Thieves | 0 | 0 | 0 | 16 | 0 | 0 | 0 | 0 | 0 |
| 15.8 | Tattoo Uprising | 0 | 0 | 0 | 15.8 | 0 | 0 | 0 | 0 | 0 |
| 15.7 | The Little Cafe | 1.2 | 0 | 0 | 0 | 0 | 14 | 0 | 0.5 | 0 |
| 15.5 | The Clay Bird | 0 | 0 | 0 | 0 | 0 | 11.8 | 0 | 3.7 | 0 |
| 15.5 | Absences | 0.2 | 0 | 0 | 15.3 | 0 | 0 | 0 | 0 | 0 |
| 15.2 | Day Zero - Episode 1: French Polynesia - Marine Life | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 15.2 | 0 |
| 15 | Egg Cream | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 14.7 | 0 |
| 14.8 | Lonely Boy | 0 | 0 | 0 | 14.8 | 0 | 0 | 0 | 0 | 0 |
| 14.7 | Gorbachev. Heaven | 0.2 | 0 | 0 | 14.5 | 0 | 0 | 0 | 0 | 0 |
| 14.5 | Louise By the Shore | 0 | 0 | 0 | 14.5 | 0 | 0 | 0 | 0 | 0 |
| 14.3 | Beloved Sisters | 0 | 0 | 0 | 0.5 | 0 | 12.2 | 0 | 0 | 1.7 |
| 14.2 | Afghanistan 1979: The War That Changed the World | 0 | 0 | 0 | 14.2 | 0 | 0 | 0 | 0 | 0 |
| 13.8 | The Last Tycoons - Episode 5 | 0 | 13.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 13.7 | Dziga And His Brothers | 0 | 0 | 13.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 13.7 | A Call to Action: The Freedom Budget of 1966 | 0 | 6.5 | 0 | 0 | 0.2 | 7 | 0 | 0 | 0 |
| 13.7 | The Academy of Muses | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 13.7 | 0 |
| 13.5 | Giacometti | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 13.5 | 0 |
| 13.2 | The Mystery of Picasso | 0 | 0 | 0 | 13.2 | 0 | 0 | 0 | 0 | 0 |
| 13 | The Yellow Wallpaper | 0 | 0 | 0 | 0 | 0.5 | 12.5 | 0 | 0 | 0 |
| 12.8 | In His Hands | 0 | 0 | 0 | 0 | 0 | 12.8 | 0 | 0 | 0 |
| 12.5 | Seventeen | 0 | 0 | 0 | 12.5 | 0 | 0 | 0 | 0 | 0 |
| 12.3 | Unmarked | 0 | 0 | 0 | 1.3 | 0 | 11 | 0 | 0 | 0 |
| 12.2 | The Film of Her | 0 | 0 | 0 | 0 | 0 | 12.2 | 0 | 0 | 0 |
| 12.2 | The Last Tycoons - Episode 1 | 0 | 0 | 0 | 0 | 0 | 12 | 0 | 0.2 | 0 |
| 12.2 | Night Mail | 0 | 0 | 0 | 0 | 0 | 0 | 7.3 | 0 | 4.8 |
| 12 | The Troubles We've Seen Part 1 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 11.7 | 0 |
| 11.8 | Bluebeard (Kékszakállú) | 0 | 0 | 0 | 0 | 0 | 11.8 | 0 | 0 | 0 |
| 11.7 | Searching For Gerda Taro | 0 | 0 | 0 | 11 | 0 | 0.7 | 0 | 0 | 0 |
| 11.7 | Bridgend | 0 | 0 | 0 | 0.3 | 0 | 0 | 11.3 | 0 | 0 |
| 11.5 | Stefan Zweig | 0 | 0 | 11.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 11.5 | Gallant Indies | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 11.2 |
| 11.3 | Michael H. profession:director | 0 | 0 | 0 | 0.2 | 0 | 11.2 | 0 | 0 | 0 |
| 11.2 | What Our Fathers Did: A Nazi Legacy | 0 | 0 | 0 | 0 | 0 | 11.2 | 0 | 0 | 0 |
| 11 | When A Farm Goes Aflame | 0 | 0 | 0 | 0 | 9.2 | 0 | 0 | 0 | 1.8 |
| 11 | Subconscious Password | 0 | 0 | 0 | 11 | 0 | 0 | 0 | 0 | 0 |
| 10.8 | Typically British: A Personal History of British Cinema by Stephen Frears | 0 | 9.7 | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 |
| 10.8 | Frida Kahlo & Tina Modotti | 0 | 0 | 0 | 10.8 | 0 | 0 | 0 | 0 | 0 |
| 10.7 | Dogs | 0 | 0 | 3.3 | 0 | 0 | 3.7 | 0 | 0 | 3.7 |
| 10.3 | Siberian Love | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 8.3 | 0 |
| 10.2 | Decision 80 | 10.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 10 | Directing Actors by Jean Renoir | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 9.8 |
| 10 | The Battle of Chile (Part 1) | 0 | 0 | 0 | 2.7 | 0 | 0 | 0 | 7.3 | 0 |
| 10 | The Mountain of SGaana | 0 | 0 | 0 | 10 | 0 | 0 | 0 | 0 | 0 |
| 10 | Anthem | 0 | 0 | 1.5 | 8.5 | 0 | 0 | 0 | 0 | 0 |
| 9.8 | Ballerina | 0.3 | 0 | 0 | 0 | 0 | 9.5 | 0 | 0 | 0 |
| 9.7 | Author Selects: Jessa Crispin | 0.3 | 0 | 0 | 0.3 | 0 | 6.2 | 0 | 2.8 | 0 |
| 9.5 | Affirmations | 9.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 9.5 | Jacqueline Audry Interview | 0 | 0 | 0 | 9.5 | 0 | 0 | 0 | 0 | 0 |
| 9.3 | Around India with a Movie Camera | 0 | 0 | 0 | 9.3 | 0 | 0 | 0 | 0 | 0 |
| 9.2 | Shyness | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 9.2 | 0 |
| 9.2 | Bullfight in Okinawa | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 4.2 |
| 9 | Blind | 0 | 0 | 0 | 9 | 0 | 0 | 0 | 0 | 0 |
| 8.8 | Father, Son and Holy War: Trial by Fire | 0 | 0 | 8.8 | 0 | 0 | 0 | 0 | 0 | 0 |
| 8.8 | Dreams from the Outback | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8.8 | 0 |
| 8.8 | A Good Man (Bill T. Jones) | 0 | 0 | 8.8 | 0 | 0 | 0 | 0 | 0 | 0 |
| 8.8 | Malick Sidibé | 0 | 0 | 0 | 0 | 0 | 8.8 | 0 | 0 | 0 |
| 8.7 | The Wandering Soap Opera | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8.7 | 0 |
| 8.7 | Mondovino: Quo Vademus | 0 | 0 | 0 | 8.7 | 0 | 0 | 0 | 0 | 0 |
| 8.7 | Eastern Boys | 0.2 | 0 | 0 | 1.5 | 0 | 0 | 0 | 6.8 | 0.2 |
| 8.5 | MANA - Beyond Belief | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8.5 | 0 |
| 8.5 | Penance Trailer | 0 | 0 | 1.5 | 7 | 0 | 0 | 0 | 0 | 0 |
| 8.5 | The Making of Dark Star | 0 | 3.5 | 0 | 0 | 0 | 5 | 0 | 0 | 0 |
| 8.5 | Salvador Allende | 0.8 | 0 | 0 | 0 | 0 | 0 | 0 | 7.7 | 0 |
| 8.3 | Ornette: Made in America | 0 | 0 | 0 | 0 | 0 | 6.3 | 0 | 2 | 0 |
| 8.2 | Colette | 0 | 0 | 0.3 | 0.2 | 0 | 0 | 0 | 7.7 | 0 |
| 8 | The Grand Masters of the Chauvet Cave | 2 | 0 | 0 | 6 | 0 | 0 | 0 | 0 | 0 |
| 8 | Ruth Stone's Vast Library of the Female Mind | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 |
| 8 | The Passionate Pursuits of Angela Bowen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 |
| 8 | La Petite Lili | 0 | 0 | 7 | 0 | 0 | 1 | 0 | 0 | 0 |
| 8 | El Velador | 0 | 0 | 0 | 8 | 0 | 0 | 0 | 0 | 0 |
| 7.7 | Picasso and Sima, Antibes 1946 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7.7 |
| 7.7 | Which Way Is East: Notebooks from Vietnam | 0 | 0 | 7.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 7.5 | One Step Behind the Seraphim | 0 | 0 | 0 | 0 | 0 | 1.2 | 0 | 0 | 6.3 |
| 7.5 | The Gangster's Daughter | 0 | 0 | 6.7 | 0 | 0 | 0.8 | 0 | 0 | 0 |
| 7.3 | Free Voice of Labor: The Jewish Anarchists | 0 | 0 | 0 | 7.3 | 0 | 0 | 0 | 0 | 0 |
| 7.3 | The Paradise We Are Looking For | 0 | 0 | 0 | 7.3 | 0 | 0 | 0 | 0 | 0 |
| 7.2 | Vampire Cleanup Department | 7.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 7.2 | The Clockmakers | 0 | 0 | 0 | 7.2 | 0 | 0 | 0 | 0 | 0 |
| 7.2 | The Animals Film | 0 | 0 | 0 | 7.2 | 0 | 0 | 0 | 0 | 0 |
| 7.2 | Suspension | 0 | 0 | 0 | 7.2 | 0 | 0 | 0 | 0 | 0 |
| 7.2 | Decasia | 0 | 0.3 | 0 | 0 | 0 | 6.8 | 0 | 0 | 0 |
| 7 | Close Relations (Rodnye) | 0 | 0 | 0.5 | 0 | 0 | 6.5 | 0 | 0 | 0 |
| 7 | The Big Game | 0 | 0 | 0 | 0 | 7 | 0 | 0 | 0 | 0 |
| 6.8 | The Book of the Dead | 0 | 0 | 0 | 3 | 0 | 0.7 | 0 | 3.2 | 0 |
| 6.8 | An Owl is an Owl is an Owl | 0 | 0 | 0 | 0 | 0 | 3.5 | 0 | 0 | 3.3 |
| 6.8 | Big Joy | 5.3 | 0 | 0 | 1.5 | 0 | 0 | 0 | 0 | 0 |
| 6.7 | Triple Divide [REDACTED] | 0 | 0 | 0 | 6.7 | 0 | 0 | 0 | 0 | 0 |
| 6.7 | Mary & Myself | 0 | 0 | 0 | 6.7 | 0 | 0 | 0 | 0 | 0 |
| 6.7 | The Owl's Legacy Trailer | 0 | 0 | 1.5 | 1.5 | 0 | 0 | 0 | 3.7 | 0 |
| 6.5 | Roy Smeck: Wizard of the Strings | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6.5 | 0 |
| 6.5 | Penelope | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6.5 |
| 6.3 | Redlegs | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 6.2 |
| 6.3 | Monument | 0 | 0 | 0 | 6.3 | 0 | 0 | 0 | 0 | 0 |
| 6.2 | Ascendency | 0 | 0 | 0.2 | 4.7 | 0 | 0 | 0 | 1.3 | 0 |
| 6 | A Town Called Panic | 0 | 0 | 0.2 | 5.8 | 0 | 0 | 0 | 0 | 0 |
| 6 | Marx for Beginners | 0 | 0 | 0 | 6 | 0 | 0 | 0 | 0 | 0 |
| 6 | Citizens of the World | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 0 |
| 6 | The Law | 0 | 0 | 0.3 | 5.7 | 0 | 0 | 0 | 0 | 0 |
| 6 | Fidelio | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 0 |
| 6 | Boy I Am | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 0 |
| 5.8 | The Eye of Vichy | 0 | 0 | 0 | 0 | 0 | 5.8 | 0 | 0 | 0 |
| 5.7 | Jeannette: The Childhood of Joan of Arc | 0 | 0 | 0 | 0 | 0 | 5.7 | 0 | 0 | 0 |
| 5.5 | Two Lottery Tickets | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5.5 |
| 5.5 | Come Back, Africa | 0 | 0 | 0 | 0.2 | 0 | 5.3 | 0 | 0 | 0 |
| 5.5 | Author Selects: Kyle Turner | 0.7 | 0 | 0 | 4.3 | 0 | 0 | 0 | 0 | 0.5 |
| 5.5 | Zoo Piece | 0 | 0 | 0 | 0 | 0 | 2.8 | 0 | 0 | 2.7 |
| 5.5 | 56 UP | 0 | 0.3 | 0 | 0 | 5.2 | 0 | 0 | 0 | 0 |
| 5.2 | Girl Model | 0.2 | 0 | 0 | 4.5 | 0 | 0.5 | 0 | 0 | 0 |
| 5.2 | Slon Tango | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4.2 |
| 5 | Truth or Consequences | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 |
| 5 | Of Love & Law | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 |
| 5 | Last Grave at Dimbaza | 0 | 0 | 0 | 0 | 0 | 2.8 | 0 | 2.2 | 0 |
| 4.8 | Short Experimental Films 2022 | 0 | 0 | 4.8 | 0 | 0 | 0 | 0 | 0 | 0 |
| 4.7 | Ága | 0 | 0 | 4.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 4.7 | Meru | 0 | 0 | 0.5 | 2.2 | 0 | 0 | 0 | 2 | 0 |
| 4.7 | Father, Son and Holy War: Hero Pharmacy | 0 | 0 | 4.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 4.5 | Third Avenue: Only the Strong Survive | 0 | 0 | 0 | 4.5 | 0 | 0 | 0 | 0 | 0 |
| 4.5 | Casting Blossoms to the Sky | 0 | 0 | 0 | 4.5 | 0 | 0 | 0 | 0 | 0 |
| 4.3 | Author Selects: Jason Bailey | 0.7 | 0 | 0 | 3.7 | 0 | 0 | 0 | 0 | 0 |
| 4.3 | Pendular | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4.3 | 0 |
| 4.3 | The Sand Castle | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4.3 | 0 |
| 4.2 | Our Mockingbird | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 3.5 |
| 4.2 | Anne Clark – I’ll Walk Out Into Tomorrow | 0 | 0 | 0 | 0 | 1.8 | 0 | 0 | 0 | 2.3 |
| 4 | Mimosas | 0.2 | 0 | 0.2 | 0.2 | 0 | 0 | 3.5 | 0 | 0 |
| 4 | Little Feet | 0 | 0 | 0.2 | 0 | 0 | 3.8 | 0 | 0 | 0 |
| 4 | Coda | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 |
| 3.8 | Special Treatment | 0 | 0 | 3.8 | 0 | 0 | 0 | 0 | 0 | 0 |
| 3.8 | The Great Malaise | 0 | 0 | 2.5 | 0 | 0 | 0 | 0 | 0 | 1.3 |
| 3.8 | White Sun | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3.8 | 0 |
| 3.7 | A Bread Factory Trailer | 0 | 0 | 3.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 3.7 | The Woodmans | 0 | 0 | 3.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 3.7 | The Last Tycoons - Episode 8 | 0 | 0 | 0 | 0 | 0 | 3.7 | 0 | 0 | 0 |
| 3.7 | Eden is West | 0 | 0 | 0 | 0.5 | 0 | 3.2 | 0 | 0 | 0 |
| 3.7 | Latest News from the Cosmos | 0 | 0 | 0 | 0 | 0 | 3.7 | 0 | 0 | 0 |
| 3.7 | Kati With an I | 0 | 0 | 3.5 | 0 | 0.2 | 0 | 0 | 0 | 0 |
| 3.5 | Blue Helmet | 0 | 0 | 0.3 | 0 | 0 | 3.2 | 0 | 0 | 0 |
| 3.5 | Author Selects: Adam Lowenstein | 0 | 0 | 0 | 3.5 | 0 | 0 | 0 | 0 | 0 |
| 3.5 | Painted Landscapes of the Times - A film about Sue Coe | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3.5 |
| 3.5 | comunista! | 3.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 3.3 | Russian Ballet: Swan Lake | 0 | 0 | 0 | 3.3 | 0 | 0 | 0 | 0 | 0 |
| 3.3 | In Our Nature | 3.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 3.3 | Nadine | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3.3 |
| 3.3 | Spark | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3.3 | 0 |
| 3.2 | A Bold Peace | 0 | 0 | 0 | 0 | 0 | 3.2 | 0 | 0 | 0 |
| 3.2 | Marlina the Murderer in Four Acts: Interview with Mouly Surya | 0 | 0 | 0 | 3.2 | 0 | 0 | 0 | 0 | 0 |
| 3.2 | La Commune (Paris 1871) (Theatrical Version) | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 2.5 | 0 |
| 3 | The Tree | 0 | 0 | 0.7 | 0 | 0 | 0.5 | 1.8 | 0 | 0 |
| 3 | Being Frank: The Chris Sievey Story | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 |
| 2.8 | Do Not Adjust Your Set - Episode 1 | 0 | 0 | 0 | 0 | 0 | 2.8 | 0 | 0 | 0 |
| 2.7 | A Boatload of Wild Irishmen | 0 | 0 | 0 | 2.7 | 0 | 0 | 0 | 0 | 0 |
| 2.7 | el güero | 2.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 2.7 | El Incendio | 0 | 0 | 0 | 0 | 0 | 2.7 | 0 | 0 | 0 |
| 2.7 | African Film Festival Intro | 0.8 | 0 | 0 | 1.8 | 0 | 0 | 0 | 0 | 0 |
| 2.5 | The Great Flood | 0 | 0 | 0.2 | 2.2 | 0 | 0 | 0 | 0.2 | 0 |
| 2.5 | The Owl's Legacy: Misogyny, or the Snares of Desire | 0 | 0 | 1.3 | 1.2 | 0 | 0 | 0 | 0 | 0 |
| 2.5 | Empire M | 0 | 0 | 2.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 2.5 | King of the Hill | 0 | 0 | 0 | 0 | 2.2 | 0.3 | 0 | 0 | 0 |
| 2.3 | Through the Looking Glass | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 2.2 | 0 |
| 2.3 | Peter Miller's intro for Sacco and Vanzetti | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2.3 |
| 2.3 | The Society of the Spectacle | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2.3 | 0 |
| 2.3 | A Month of Single Frames (for Barbara Hammer) | 0 | 0 | 0 | 2.3 | 0 | 0 | 0 | 0 | 0 |
| 2.3 | 24h Jerusalem Trailer | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2.3 | 0 |
| 2.3 | The Silent Village | 0 | 0 | 0 | 2.3 | 0 | 0 | 0 | 0 | 0 |
| 2.2 | Profit and Loss | 0 | 0 | 2.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 2.2 | Let the Fire Burn | 0 | 0 | 0.2 | 2 | 0 | 0 | 0 | 0 | 0 |
| 2.2 | Peter Miller's intro for The Internationale | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2.2 |
| 2.2 | Picture Me | 0 | 0 | 0 | 2.2 | 0 | 0 | 0 | 0 | 0 |
| 2.2 | We the Workers | 0 | 0 | 0 | 2.2 | 0 | 0 | 0 | 0 | 0 |
| 2.2 | East Punk Memories | 0 | 0 | 0.2 | 0 | 0 | 2 | 0 | 0 | 0 |
| 2 | Capturing Grace | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| 2 | Nefertiti's Daughters | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
| 2 | No Light and No Land Anywhere | 0 | 0 | 0.2 | 0 | 0 | 1.8 | 0 | 0 | 0 |
| 2 | Americas in Transition | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
| 2 | Streit's: Matzo and the American Dream | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
| 2 | Best of Fest 2 - The Circadian Cycle | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.8 | Eternity Has No Door of Escape | 0 | 0 | 0 | 0 | 0 | 1.8 | 0 | 0 | 0 |
| 1.8 | Camille Claudel | 0 | 0 | 0.5 | 0 | 0 | 1.3 | 0 | 0 | 0 |
| 1.7 | Thinking Existenz - Ep 07 - Martin Jacques | 0 | 0 | 0 | 0 | 0 | 1.7 | 0 | 0 | 0 |
| 1.7 | I Am Not a Monster | 0 | 0 | 1.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.7 | 1,945.00 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0.7 | 0 |
| 1.7 | Author Selects: Ryan Douglass | 0 | 0 | 0 | 1.7 | 0 | 0 | 0 | 0 | 0 |
| 1.5 | Small Wonders | 0 | 0 | 0 | 0.2 | 0 | 1.3 | 0 | 0 | 0 |
| 1.5 | Maysles Documentary Center | 0 | 0 | 0 | 1.5 | 0 | 0 | 0 | 0 | 0 |
| 1.5 | Maison Close Trailer | 0 | 0 | 0 | 0.7 | 0 | 0.8 | 0 | 0 | 0 |
| 1.5 | Interkosmos | 0 | 0 | 0 | 1.5 | 0 | 0 | 0 | 0 | 0 |
| 1.5 | Only Cloud Knows | 0 | 0 | 0 | 1.5 | 0 | 0 | 0 | 0 | 0 |
| 1.5 | Lost Rivers | 0 | 0 | 0 | 1.5 | 0 | 0 | 0 | 0 | 0 |
| 1.5 | La Supplication (Voices from Chernobyl) | 0 | 0 | 1.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.3 | Three Summers | 0.2 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 |
| 1.3 | Miss Kiet's Children | 0 | 0 | 0.5 | 0.8 | 0 | 0 | 0 | 0 | 0 |
| 1.3 | If This Ain't Heaven | 1.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.3 | The Written Face | 0 | 0 | 1.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.3 | Rebels of the Neon God | 0 | 0 | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 |
| 1.3 | Born in Flames | 0.7 | 0 | 0.3 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 1.3 | Old Dog | 0 | 0 | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 |
| 1.3 | Rock the Casbah | 0 | 0 | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 |
| 1.3 | The Punishment | 0 | 0 | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 |
| 1.3 | The Story of Film: An Odyssey, Part 1 | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 | 0 | 0 |
| 1.2 | The Human Pyramid | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.2 | Inside the Red Brick Wall | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.2 | Billy the Kid | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 |
| 1.2 | Homo Sapiens | 0 | 0 | 0 | 1 | 0 | 0.2 | 0 | 0 | 0 |
| 1.2 | The Battle of Chile (Part 3) | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 |
| 1.2 | Western | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.2 | Girls Rock! | 0 | 0 | 0.5 | 0.7 | 0 | 0 | 0 | 0 | 0 |
| 1.2 | Sir! No Sir! | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1.2 | Talk Mogadishu | 0 | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 |
| 1.2 | Maison Close - Episode 6 | 0 | 0 | 0 | 0 | 0 | 0 | 1.2 | 0 | 0 |
| 1.2 | Away from Meaning (Lejos del sentido) | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 |
| 1 | Who Made You? | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| 1 | Sound and Chaos: The Story of BC Studio | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1 | Do Not Adjust Your Set - Episode 13 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| 1 | Summer 2022 Doc Promo | 0.7 | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 |
| 1 | Ballets Russes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| 1 | 40,000 Years of Dreaming | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1 | Tosca's Kiss | 0.7 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1 | Orchestrating Change | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| 1 | Ziyara | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| 1 | War In The Mind | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| 1 | Funny Ha Ha | 0.3 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.8 | Stray Dog | 0 | 0 | 0 | 0.7 | 0.2 | 0 | 0 | 0 | 0 |
| 0.8 | Forgiving Dr. Mengele | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 |
| 0.8 | Francine | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.8 | We All Fall Down | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 |
| 0.8 | Germinal | 0 | 0 | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 |
| 0.8 | Disco and Atomic War | 0.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.8 | The Fifteen Year Old Widows | 0 | 0 | 0.3 | 0 | 0 | 0.5 | 0 | 0 | 0 |
| 0.8 | Artists & Love Clip | 0 | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 |
| 0.8 | Lock-Up: The Prisoners of Rikers Island | 0 | 0 | 0.3 | 0.5 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Down by Love | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | McLibel | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Thanks to Hank | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Hidden Heritage: The Roots of Black American Painting | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 |
| 0.7 | Run For Love | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Conviction | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 |
| 0.7 | Jaguar | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 |
| 0.7 | Windfall | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | The Invisible Witness | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | The Innocents | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Keepers of the Future | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Fake it So Real | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Summer 2022 Promo | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Myanmar Diaries | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | DannyBoy | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 |
| 0.7 | The Connection | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | The Retrieval Trailer | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 |
| 0.7 | Us Kids | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Ida | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | To Chris Marker, An Unsent Letter | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 |
| 0.7 | Great Expectations | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | The Deer | 0 | 0 | 0.3 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | El Mar La Mar | 0.3 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | The Girl Without Hands | 0.3 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.7 | Dream Deceivers | 0 | 0 | 0.3 | 0 | 0 | 0 | 0.3 | 0 | 0 |
| 0.5 | Mammy Water | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Mute Fire | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0.2 | 0 |
| 0.5 | M | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | London | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | California Dreams | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | The Dirty War on the National Health Service | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | The Off Hours | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | The Queen of Fear | 0.3 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | How to Steal a Country | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Razzia | 0 | 0 | 0 | 0.2 | 0 | 0.3 | 0 | 0 | 0 |
| 0.5 | The Story of Film: An Odyssey, Part 5 | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Tatsumi | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.5 |
| 0.5 | The Country Doctor | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Eames: The Architect & The Painter | 0.3 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | The Retrieval | 0 | 0 | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 |
| 0.5 | Alois Nebel | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | The City of the Future | 0 | 0 | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 |
| 0.5 | The Raw and the Cooked: A Culinary Journey Through Taiwan | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | In the Shadow of Women | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Feed: A Comedy About Running for President | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.5 |
| 0.5 | At Last the 1948 Show - Series 2 Episode 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.5 | 0 |
| 0.5 | The Island | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | National Diploma | 0 | 0 | 0.2 | 0 | 0.3 | 0 | 0 | 0 | 0 |
| 0.5 | You Won't Miss Me | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Party Girl | 0 | 0 | 0.2 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Afternoon of a Faun | 0 | 0 | 0.2 | 0 | 0 | 0.3 | 0 | 0 | 0 |
| 0.5 | Harbour of Hope | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | The Story of Looking | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Time of the Locust | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | The Scientist, the Imposter and Stalin | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | Waves of Revolution | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.5 | 0 |
| 0.5 | Glory to the Queen | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.5 | The Divided Brain | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Belly of the Beast | 0 | 0 | 0.2 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | False Confessions | 0.2 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.3 | The Paranoids | 0 | 0 | 0.2 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.3 | The Cordillera of Dreams Extra - Patricio Guzm√°n Interview | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | CultureJam | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 |
| 0.3 | Boys Who Like Girls | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 |
| 0.3 | Chile, Obstinate Memory | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Glenn Gould: Off the Record | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 |
| 0.3 | Summer 1993 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Your Day is My Night | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | The Two Faces of a Bamileke Woman | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | The Messenger | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | The Kill Team | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Tokyo Fiancee | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Bombay Our City | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 |
| 0.3 | Lobster War | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | The Great Man | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Electric Signs | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Tinghir Jerusalem | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Rule of Law | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Frame Up! | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Next Time I'll Aim for the Heart | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Future of Mud | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Monsieur & Madame Adelman | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | How to Eat Your Watermelon in White Company (And Enjoy It!) | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | I Don't Belong Anywhere: The Cinema of Chantal Akerman | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Starfish Aorta Colossus | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 |
| 0.3 | The Intolerable Burden | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | 2 X 50 Years of French Cinema | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Guardian | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Guy | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Becoming Traviata | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | My Bolivia, Remembering What I Never Knew | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Short Doc Series 2022 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Golda Maria | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Quiet City | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | The Names of Love | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Bronx Gothic (Okwui Okpokwasili) | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Edith+Eddie | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | The Midwife | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.3 | Biophilic Design | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Story of Film: An Odyssey, Part 3 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Hitler - A Career | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Workers Cup | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Egg and Stone | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | Women of '69, Unboxed | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 |
| 0.2 | Big or Small? | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Off the Road | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Below | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Our Daily Bread | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 |
| 0.2 | Tales of the Night | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Artists & Love: Frida Kahlo and Diego Rivera | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | The Patriot Game | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Janine | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | Inside Out | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Monobloc | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Living the Light: Robby Müller | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Faith Love Desire - Ep 2 - Fulfilled Love | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | Santiago, Italia | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 |
| 0.2 | Strange Powers: Stephin Merritt and The Magnetic Fields | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 |
| 0.2 | Hotel Terminus - Part II | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Agustin's Newspaper | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | We Go Way Back | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Circuit Earth | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Jai Bhim Comrade | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | Russian Ballet: Don Quixote | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 |
| 0.2 | L'attesa | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Observer | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Scheme Birds | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 |
| 0.2 | Adriana's Pact | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Walking On Water Wasn't Built in a Day | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Wrath of Silence | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 |
| 0.2 | Preparations to be Together for an Unknown Period of Time | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | CMYK | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Sad Song of Yellow Skin | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | You Will Be Swedish, My Daughter | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Journey of Monalisa | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Queer Coolie-tudes | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Little By Little | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Special Delivery | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Bob’s Birthday | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 |
| 0.2 | The Last Happy Day | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Rebels on Pointe | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | The Sweet Escape | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Green | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | Al Otro Lado (To the Other Side) | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Children of Mandala | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Sermons and Sacred Pictures | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | The Point of Least Resistance | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Artists & Love: Gabriele Münter and Vassily Kandinsky | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | My Revolution | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | From Seed to Seed | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Damages | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 |
| 0.2 | For the Best and for the Onion! | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | After the Spill | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 |
| 0.2 | Secrets from Putumayo | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Ma | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Our Blood is Wine | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Harvard Beats Yale 29-29 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | La Soledad | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | Fagara | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Howard Zinn: You Can't Be Neutral on a Moving Train | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | El Eternauta´s Wife | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | El General | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Torture Made in USA | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Tokyo Shaking | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | The Outsider | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 |
| 0.2 | Integration Report 1 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Day One | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | In Her Name | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Mondovino: Veni, Vidi, Vendidi | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Dateline - Saigon | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | 575 Castro St. | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | A Quiet Passion | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | A Baptism of Fire | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | Affluenza | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Jealousy | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | In Mansourah, You Separated Us | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Frantz | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
| 0.2 | Dreams Rewired | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Tokyo Idols | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Sleeping Souls | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Angels Wear White | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 |
| 0.2 | Werewolf | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | When Memory Comes: A Film About Saul Friedlander | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Great Vacation Squeeze | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Life of a Queen | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Hole | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Heretics | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Image You Missed | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Natalia Almada on El Velador | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Fighting in Southwest Louisiana | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Kigali Shaolin Temple | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Backyard | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | The Destruction of Memory | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
| 0.2 | Northern Light | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
Leave a Reply