OVID.tv Platform Usage, August 2021
Total | Platform | Android | Android TV | Fire TV | iPad | iPhone | Roku | Tizen / Samsung | Apple TV | Web |
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Total | Platform | Android | Android TV | Fire TV | iPad | iPhone | Roku | Tizen / Samsung | Apple TV | Web | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Minutes Viewed | Title | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | ||
85,658 | < Total Minutes Viewed (757 Titles) | 1,880 | 1,928 | 3,863 | 4,344 | 5,290 | 26,503 | 78 | 9,380 | 32,392 | 85,658 | |
2.2% | 2.3% | 4.5% | 5.1% | 6.2% | 30.9% | 0.1% | 11.0% | 37.8% | 100.0% | |||
2165.8 | Putin's Witnesses | 108.3 | 102.3 | 101.8 | 229.3 | 481.0 | 135.2 | 1007.8 | ||||
2021.7 | Bontoc Eulogy | 55.0 | 30.3 | 229.5 | 191.2 | 303.4 | 172.7 | 1039.7 | ||||
1714.5 | Family Business | 1714.5 | ||||||||||
1698.5 | Alice | 6.8 | 106.8 | 142.7 | 147.0 | 205.2 | 400.2 | 2.0 | 309.2 | 378.7 | ||
1298.0 | The Other Side of Everything | 0.3 | 24.5 | 80.7 | 98.3 | 179.5 | 210.3 | 704.3 | ||||
1230.4 | The Woodmans | 44.3 | 2.3 | 82.8 | 167.8 | 0.5 | 391.9 | 3.5 | 537.2 | |||
1214.3 | Under the Sun | 84.5 | 105.2 | 106.0 | 0.2 | 5.2 | 226.3 | 687.0 | ||||
993.2 | John Berger or The Art of Looking | 98.3 | 3.2 | 126.0 | 167.2 | 598.5 | ||||||
958.4 | Sophie Scholl: The Final Days | 106.7 | 112.3 | 113.8 | 118.2 | 124.5 | 53.0 | 188.5 | 141.4 | |||
887.2 | Harvard Beats Yale 29-29 | 0.2 | 0.3 | 238.3 | 334.3 | 314.0 | ||||||
852.9 | The Revisionaries | 173.0 | 70.2 | 16.7 | 64.0 | 166.2 | 362.8 | |||||
843.9 | Sunrise/Sunset | 73.0 | 72.5 | 72.5 | 54.5 | 0.3 | 147.8 | 164.4 | 258.8 | |||
787.7 | Dark Eden | 59.0 | 87.0 | 315.8 | 157.3 | 168.5 | ||||||
764.3 | Seventeen | 0.2 | 764.2 | |||||||||
754.0 | Mrs. B., A North Korean Woman | 7.8 | 69.7 | 144.2 | 71.3 | 159.2 | 301.8 | |||||
745.2 | Second Time Around | 745.2 | ||||||||||
715.2 | The Retrieval | 0.2 | 8.8 | 326.8 | 1.0 | 1.2 | 377.2 | |||||
709.5 | Nostalgia for the Light | 61.0 | 0.2 | 181.5 | 162.2 | 304.7 | ||||||
595.2 | The Eye of Vichy | 0.5 | 520.2 | 74.5 | ||||||||
589.8 | The Deep Blue Sea | 0.8 | 115.3 | 22.5 | 144.5 | 98.7 | 208.0 | |||||
542.5 | A Grin Without a Cat | 0.3 | 6.3 | 231.8 | 304.0 | |||||||
539.7 | Bamako | 93.3 | 41.2 | 117.0 | 288.2 | |||||||
506.8 | Creepy | 0.3 | 0.5 | 378.8 | 127.2 | |||||||
498.7 | I Cannot Tell You How I Feel | 5.0 | 4.8 | 10.8 | 43.0 | 128.0 | 6.2 | 3.5 | 297.3 | |||
493.9 | Symbiotic Earth | 205.5 | 84.0 | 204.3 | ||||||||
493.7 | Ricardo and Malthus: Did You Say Freedom? | 53.5 | 386.7 | 53.5 | ||||||||
485.8 | The Adventurers of Modern Art - Ep 1 | 89.8 | 55.2 | 98.0 | 242.8 | |||||||
474.0 | Adam Smith, The Birth of the Free Market | 63.3 | 54.7 | 187.0 | 6.7 | 162.3 | ||||||
469.7 | No Gods, No Masters - Pt. I | 51.5 | 52.0 | 93.7 | 123.8 | 40.2 | 108.5 | |||||
463.7 | The Campaign | 463.7 | ||||||||||
454.3 | The Seasons in Quincy: Four Portraits of John Berger | 17.7 | 1.0 | 109.2 | 16.0 | 310.5 | ||||||
441.7 | Beyond My Grandfather Allende | 11.2 | 95.3 | 9.2 | 115.8 | 35.7 | 174.5 | |||||
436.2 | Lobster War | 74.0 | 197.2 | 18.0 | 147.0 | |||||||
427.7 | Tinghir Jerusalem | 7.2 | 87.2 | 87.8 | 245.5 | |||||||
413.2 | 56 UP | 143.5 | 178.7 | 91.0 | ||||||||
410.5 | Salvador Allende | 8.0 | 132.8 | 65.5 | 204.2 | |||||||
388.3 | Cafe | 0.8 | 0.7 | 80.3 | 100.8 | 0.8 | 204.8 | |||||
384.7 | The Adventurers of Modern Art - Ep 2 | 98.3 | 9.2 | 50.8 | 226.3 | |||||||
376.5 | The Hole | 1.2 | 177.0 | 89.2 | 109.2 | |||||||
371.4 | Big Joy | 41.8 | 128.8 | 200.7 | ||||||||
368.8 | The Watermelon Woman | 169.0 | 64.5 | 0.3 | 3.0 | 132.0 | ||||||
360.0 | Lost Course | 0.5 | 359.5 | |||||||||
357.3 | The Professor | 137.7 | 75.5 | 40.7 | 103.5 | |||||||
356.7 | Level Five | 34.3 | 322.4 | |||||||||
356.0 | The Wealth of Nations: A New Gospel? | 53.5 | 190.9 | 111.7 | ||||||||
349.9 | Waiting for Fidel | 55.8 | 294.0 | |||||||||
347.5 | Sherman's March | 278.5 | 69.0 | |||||||||
346.7 | Berliner Ballade | 7.3 | 0.7 | 30.7 | 158.7 | 149.3 | ||||||
345.0 | Killing Time/Fannie's Film | 30.3 | 41.7 | 26.8 | 47.3 | 198.8 | ||||||
342.7 | Seats At The Table | 1.2 | 118.0 | 87.5 | 87.2 | 7.3 | 41.5 | |||||
339.5 | Sebastiane | 1.2 | 92.3 | 0.2 | 107.5 | 39.7 | 98.7 | |||||
339.0 | STOP | 88.8 | 87.2 | 101.5 | 2.2 | 56.7 | 2.7 | |||||
337.5 | Donna Haraway: Story Telling for Earthly Survival | 1.3 | 3.8 | 0.2 | 112.0 | 22.3 | 98.0 | 99.8 | ||||
334.0 | The Pearl Button | 6.0 | 9.7 | 75.0 | 243.3 | |||||||
329.8 | Ida | 162.5 | 2.8 | 81.8 | 4.3 | 78.3 | ||||||
323.2 | Afternoon of a Faun | 94.3 | 228.8 | |||||||||
321.2 | Beatrix Farrand's American Landscapes | 321.2 | ||||||||||
320.3 | What If Marx Was Right? | 54.0 | 188.0 | 78.3 | ||||||||
318.2 | Mia Madre | 0.5 | 103.8 | 213.8 | ||||||||
317.3 | Over Your Cities Grass Will Grow | 7.8 | 1.8 | 105.5 | 0.8 | 1.3 | 200.0 | |||||
315.3 | The Adventurers of Modern Art - Ep 3 | 14.0 | 51.0 | 250.3 | ||||||||
309.4 | Pendular | 1.3 | 31.2 | 107.3 | 4.0 | 39.0 | 62.5 | 64.0 | ||||
307.5 | Typeface | 58.3 | 0.5 | 61.5 | 65.8 | 121.3 | ||||||
295.5 | Like Any Other Kid | 87.8 | 89.7 | 89.8 | 7.0 | 16.8 | 4.3 | |||||
294.8 | The Big Game | 294.8 | ||||||||||
292.0 | Violeta Went to Heaven | 0.2 | 5.2 | 0.3 | 165.2 | 1.2 | 120.0 | |||||
292.0 | Bikes vs Cars | 26.5 | 5.5 | 166.0 | 94.0 | |||||||
291.0 | Before Stonewall: Restored Edition | 31.2 | 259.8 | |||||||||
289.7 | A Man Vanishes | 8.5 | 281.2 | |||||||||
287.5 | Our Time | 1.2 | 178.8 | 0.7 | 106.9 | |||||||
286.3 | Feed: A Comedy About Running for President | 286.3 | ||||||||||
281.5 | Marlina the Murderer in Four Acts | 94.8 | 0.5 | 93.3 | 92.8 | |||||||
281.2 | The Cordillera of Dreams | 83.5 | 30.7 | 167.0 | ||||||||
280.8 | The Adventurers of Modern Art - Ep 6 | 123.3 | 157.5 | |||||||||
271.0 | Alice | 0.2 | 85.8 | 6.7 | 178.3 | |||||||
268.8 | Eastern Boys | 120.8 | 3.7 | 48.2 | 82.2 | 14.0 | ||||||
267.5 | Keynes vs Hayek: A Fake Debate? | 212.8 | 54.7 | |||||||||
267.5 | Community of Praise | 267.5 | ||||||||||
267.0 | South | 70.8 | 74.3 | 67.7 | 54.2 | |||||||
263.0 | The Adventurers of Modern Art - Ep 5 | 105.7 | 157.3 | |||||||||
261.7 | Tell No One | 131.2 | 130.5 | |||||||||
260.8 | The Adventurers of Modern Art - Ep 4 | 10.7 | 97.8 | 152.3 | ||||||||
260.2 | A Home Called Nebraska | 42.7 | 70.2 | 29.7 | 0.8 | 70.0 | 23.3 | 23.5 | ||||
259.7 | The Battle of Chile (Part 1) | 33.5 | 48.5 | 96.3 | 81.3 | |||||||
259.0 | Nostalghia | 47.7 | 0.3 | 211.0 | ||||||||
256.3 | Paths of the Soul | 5.3 | 0.2 | 0.8 | 134.8 | 93.2 | 22.0 | |||||
254.0 | Let Them Eat Dirt | 0.2 | 58.3 | 0.7 | 58.7 | 136.2 | ||||||
252.8 | Six in Paris (Paris vu par) | 1.7 | 50.2 | 187.8 | 7.3 | 5.8 | ||||||
252.7 | The Battle of Chile (Part 2) | 99.8 | 152.8 | |||||||||
252.5 | Tomcat | 0.3 | 130.2 | 119.2 | 2.8 | |||||||
251.7 | Karl Polanyi, The Human Factor | 198.3 | 53.3 | |||||||||
251.0 | Blue Helmet | 13.0 | 0.7 | 0.3 | 81.2 | 155.8 | ||||||
247.5 | In the Aisles | 0.3 | 247.2 | |||||||||
246.8 | Romantico | 157.2 | 2.0 | 80.3 | 7.3 | |||||||
243.3 | Mar | 49.0 | 194.3 | |||||||||
242.0 | Devil in the Flesh | 3.7 | 7.3 | 35.3 | 185.2 | 10.5 | ||||||
241.3 | Camille Claudel | 48.5 | 191.0 | 1.8 | ||||||||
235.7 | The Bomb | 0.2 | 103.3 | 64.8 | 59.7 | 7.7 | ||||||
234.3 | You Go to My Head | 142.3 | 58.3 | 0.3 | 28.8 | 4.5 | ||||||
231.7 | Quiet City | 2.5 | 113.9 | 78.7 | 36.7 | |||||||
231.4 | Riddles of the Sphinx | 2.3 | 0.8 | 13.7 | 17.3 | 197.2 | ||||||
230.5 | 'Til Madness Do Us Part | 0.3 | 0.5 | 1.2 | 228.5 | |||||||
228.3 | Blind | 0.7 | 0.8 | 45.7 | 181.2 | |||||||
228.0 | So Pretty | 0.2 | 22.7 | 0.5 | 117.2 | 87.5 | ||||||
226.8 | Afghanistan 1979: The War That Changed the World | 0.2 | 114.5 | 112.2 | ||||||||
225.5 | The Spectre of Hope | 2.8 | 51.7 | 2.7 | 51.3 | 117.0 | ||||||
224.0 | Mesrine: Killer Instinct | 110.5 | 113.5 | |||||||||
223.7 | The Red Soul | 223.7 | ||||||||||
221.0 | Girls Always Happy | 5.3 | 1.7 | 50.8 | 163.2 | |||||||
217.7 | Jai Bhim Comrade | 5.0 | 212.7 | |||||||||
217.5 | Gabo: The Creation of Gabriel Garcia Marquez | 0.5 | 2.5 | 0.7 | 90.2 | 123.7 | ||||||
217.2 | Milestones | 0.5 | 3.8 | 65.7 | 147.2 | |||||||
216.8 | The Two Faces of a Bamileke Woman | 74.3 | 27.2 | 76.7 | 38.7 | |||||||
215.3 | Dark Days | 86.7 | 78.8 | 1.3 | 48.5 | |||||||
214.0 | One Day in the Life of Andrei Arsenevich | 92.5 | 69.3 | 52.2 | ||||||||
214.0 | The Hitler Chronicles - Blueprint for Dictators - Part 2 | 51.5 | 52.7 | 57.8 | 52.0 | |||||||
212.0 | No Gods, No Masters - Pt. II | 52.3 | 0.2 | 159.5 | ||||||||
212.0 | Regina | 56.7 | 0.3 | 155.0 | ||||||||
211.3 | The Student and Mr Henri | 13.8 | 197.5 | |||||||||
210.8 | Jamilia | 7.7 | 100.5 | 2.0 | 4.5 | 96.2 | ||||||
210.0 | Araby | 13.7 | 96.2 | 0.2 | 100.0 | |||||||
209.2 | East Punk Memories | 18.2 | 0.2 | 190.8 | ||||||||
208.8 | SPK Complex | 208.8 | ||||||||||
205.7 | Another Country | 75.2 | 0.3 | 130.2 | ||||||||
204.0 | The Hitler Chronicles - Blueprint for Dictators - Part 1 | 52.7 | 52.8 | 59.5 | 37.3 | 1.7 | ||||||
203.9 | The Names of Love | 202.5 | 1.3 | |||||||||
199.8 | One Day Pina Asked... | 13.2 | 55.8 | 56.2 | 74.7 | |||||||
196.0 | Space Dogs | 15.0 | 0.2 | 83.2 | 97.7 | |||||||
195.3 | Papicha | 0.2 | 86.5 | 108.3 | 0.3 | |||||||
195.3 | Come Undone | 53.0 | 0.2 | 110.7 | 31.5 | |||||||
193.3 | Kati With an I | 11.5 | 95.8 | 86.0 | ||||||||
192.5 | The Strange Little Cat | 77.0 | 115.5 | |||||||||
192.2 | Dead Souls - Part II | 192.2 | ||||||||||
191.3 | Remembrance of Things to Come | 11.7 | 0.3 | 84.7 | 94.7 | |||||||
190.8 | Let the Fire Burn | 190.8 | ||||||||||
190.7 | In the Mirror of Maya Deren | 100.8 | 42.2 | 32.2 | 15.5 | |||||||
188.3 | How to Eat Your Watermelon in White Company (And Enjoy It!) | 56.5 | 94.5 | 37.3 | ||||||||
187.5 | The Case of the Grinning Cat | 24.5 | 163.0 | |||||||||
185.3 | Mercedes Sosa: The Voice of Latin America | 94.0 | 91.3 | |||||||||
184.0 | The Human Pyramid | 184.0 | ||||||||||
183.5 | The Vow from Hiroshima | 57.0 | 2.0 | 124.5 | ||||||||
183.0 | Transit | 102.8 | 0.3 | 79.8 | ||||||||
180.7 | David Holzman's Diary | 73.0 | 73.5 | 19.0 | 14.3 | 0.8 | ||||||
179.3 | Special Treatment | 2.5 | 155.7 | 21.2 | ||||||||
177.0 | Citizens of the World | 77.7 | 7.7 | 0.7 | 90.2 | 0.8 | ||||||
176.7 | The Book of the Dead | 66.5 | 0.3 | 22.3 | 0.5 | 87.0 | ||||||
175.5 | Jinpa | 0.2 | 87.3 | 88.0 | ||||||||
175.3 | Prime Time in the Camps | 1.7 | 28.3 | 28.5 | 116.8 | |||||||
173.7 | Blue | 10.2 | 82.3 | 81.2 | ||||||||
172.8 | Tiny: A Story About Living Small | 58.8 | 114.0 | |||||||||
172.7 | The Last Bolshevik | 117.3 | 13.0 | 42.3 | ||||||||
168.2 | Waiting for the Carnival | 85.5 | 82.7 | |||||||||
168.0 | Red Hook Justice | 10.3 | 55.7 | 102.0 | ||||||||
163.3 | Patch Town | 0.3 | 2.3 | 57.7 | 103.0 | |||||||
162.3 | Tokyo Waka | 37.5 | 124.8 | |||||||||
160.0 | They Are We | 81.7 | 78.3 | |||||||||
159.7 | Propaganda: The Manufacture of Consent | 159.7 | ||||||||||
157.3 | Metamorphoses | 43.3 | 104.7 | 9.3 | ||||||||
157.0 | Return to Cuba | 157.0 | ||||||||||
155.8 | The Club | 68.3 | 87.3 | 0.2 | ||||||||
155.0 | Dedalus | 9.5 | 103.5 | 42.0 | ||||||||
155.0 | Too Late to Die Young | 2.7 | 0.8 | 105.2 | 46.3 | |||||||
154.2 | The Bridesmaid | 0.3 | 0.2 | 23.7 | 130.0 | |||||||
154.0 | She's Lost Control | 4.3 | 90.0 | 58.0 | 1.7 | |||||||
153.7 | Far from Vietnam | 9.5 | 12.0 | 0.7 | 131.5 | |||||||
153.0 | Olivia | 95.2 | 0.3 | 0.5 | 57.0 | |||||||
152.8 | No Fear No Favor | 66.2 | 85.3 | 1.3 | ||||||||
149.5 | Entangled | 75.0 | 0.7 | 73.8 | ||||||||
148.7 | Dance Party USA | 1.8 | 71.2 | 0.7 | 11.0 | 64.0 | ||||||
148.5 | Route One/USA (part 1) | 1.2 | 20.5 | 126.8 | ||||||||
147.8 | Fidelio | 43.0 | 2.0 | 98.2 | 4.7 | |||||||
147.3 | City of the Sun | 26.0 | 3.5 | 0.2 | 113.7 | 0.2 | 3.8 | |||||
147.0 | Dead Souls - Part I | 147.0 | ||||||||||
145.7 | Better This World | 145.7 | ||||||||||
145.3 | Bestiaire | 72.0 | 1.0 | 72.3 | ||||||||
144.5 | La Petite Lili | 5.2 | 11.3 | 13.8 | 111.5 | 2.7 | ||||||
142.7 | Denial | 142.7 | ||||||||||
141.7 | 12 O'Clock Boys | 141.7 | ||||||||||
141.0 | School of Babel | 141.0 | ||||||||||
139.5 | No Gods, No Masters - Pt. III | 51.8 | 1.7 | 52.0 | 34.0 | |||||||
138.3 | Hippocrates: Diary of a French Doctor | 138.3 | ||||||||||
137.8 | Post Mortem | 97.7 | 0.8 | 6.2 | 2.7 | 19.3 | 11.2 | |||||
136.2 | Russian Ballet: Swan Lake | 130.2 | 6.0 | |||||||||
135.2 | The Invisible Witness | 0.2 | 0.8 | 134.2 | ||||||||
134.5 | Good Manners | 132.0 | 2.5 | |||||||||
134.3 | The Widowed Witch | 2.0 | 132.3 | |||||||||
134.0 | Return of the Hero | 1.2 | 132.8 | |||||||||
133.3 | Russian Ballet: Spartacus | 133.3 | ||||||||||
133.3 | In the Intense Now | 9.3 | 124.0 | |||||||||
131.2 | Chantal Akerman by Chantal Akerman | 64.2 | 67.0 | |||||||||
130.8 | Last Cab to Darwin | 123.5 | 6.3 | 1.0 | ||||||||
130.3 | The Animals Film | 0.2 | 130.2 | |||||||||
128.5 | Sacco and Vanzetti | 128.5 | ||||||||||
128.4 | Hotel Terminus - Part I | 0.3 | 0.2 | 116.2 | 11.2 | 0.5 | ||||||
128.0 | American Socialist: Eugene Debs | 31.0 | 97.0 | |||||||||
127.8 | An Encounter with Simone Weil | 0.2 | 0.8 | 126.8 | ||||||||
126.7 | Come Hell or High Water | 15.5 | 0.2 | 111.0 | ||||||||
126.3 | Dying for Gold | 99.0 | 25.3 | 1.7 | 0.3 | |||||||
126.2 | Frida Kahlo & Tina Modotti | 30.0 | 29.8 | 8.0 | 30.7 | 27.7 | ||||||
125.8 | The Hitler Chronicles - Blueprint for Dictators - Part 3 | 74.8 | 1.5 | 49.5 | ||||||||
122.7 | Trespassing Bergman | 0.7 | 122.0 | |||||||||
122.5 | After Love | 0.2 | 109.2 | 13.2 | ||||||||
122.5 | The Outsider | 0.8 | 0.2 | 114.7 | 6.8 | |||||||
122.2 | Electric Signs | 0.2 | 57.8 | 64.2 | ||||||||
121.8 | Six O Clock News | 0.7 | 21.2 | 100.0 | ||||||||
121.8 | Karayuki-San, The Making of a Prostitute | 47.0 | 74.8 | |||||||||
121.5 | Lumumba | 121.5 | ||||||||||
121.3 | Down by Love | 16.8 | 100.8 | 3.7 | ||||||||
121.2 | The Tiniest Place | 58.0 | 63.2 | |||||||||
120.0 | The Dhamma Brothers | 43.0 | 76.3 | 0.7 | ||||||||
119.2 | A Perfect Candidate | 119.2 | ||||||||||
118.7 | Althusser, an Intellectual Adventure | 59.2 | 59.5 | |||||||||
118.3 | The Best of Both Worlds | 10.5 | 26.8 | 26.8 | 54.2 | |||||||
117.7 | Elsewhere Part I | 117.7 | ||||||||||
116.7 | Tokyo Idols | 33.2 | 83.5 | |||||||||
115.7 | Libby, Montana | 115.7 | ||||||||||
115.7 | The Nine Muses | 0.2 | 0.2 | 1.3 | 114.0 | |||||||
115.7 | The Owl's Legacy: Symposium, or Accepted Ideas | 28.3 | 7.2 | 2.0 | 52.2 | 26.0 | ||||||
115.5 | Russian Ballet: Don Quixote | 115.3 | 0.2 | |||||||||
113.8 | Dark Diamond | 1.7 | 112.2 | |||||||||
113.2 | Russian Ballet: Giselle | 113.2 | ||||||||||
112.8 | Tokyo Fiancee | 0.2 | 97.7 | 15.0 | ||||||||
112.7 | Foucault Against Himself | 16.3 | 96.3 | |||||||||
111.2 | L'attesa | 108.0 | 3.2 | |||||||||
111.2 | The Underground Orchestra | 0.2 | 111.0 | |||||||||
111.2 | Of Shadows | 0.2 | 0.5 | 110.5 | ||||||||
110.8 | Until the Birds Return | 110.3 | 0.5 | |||||||||
110.2 | Goya: The Secret of the Shadows | 29.0 | 2.8 | 78.3 | ||||||||
110.0 | Abendland | 110.0 | ||||||||||
108.5 | Early Works of Cheryl Dunye | 40.2 | 65.7 | 2.7 | ||||||||
107.7 | Bedevil | 11.5 | 87.0 | 0.2 | 0.3 | 7.8 | 0.8 | |||||
107.2 | In Mansourah, You Separated Us | 2.0 | 0.2 | 18.8 | 67.5 | 18.7 | ||||||
107.2 | The Tree | 107.2 | ||||||||||
107.0 | Hotel Terminus - Part II | 107.0 | ||||||||||
106.4 | Alena | 0.3 | 0.2 | 105.8 | ||||||||
105.8 | Strangers in Good Company | 101.5 | 4.3 | |||||||||
105.7 | Aferim! | 105.7 | ||||||||||
104.7 | Farmsteaders | 52.3 | 0.5 | 51.8 | ||||||||
104.3 | Ladies and Gentlemen... Mr Leonard Cohen | 45.0 | 59.3 | |||||||||
104.2 | Bettie Page Reveals All | 0.5 | 5.2 | 97.3 | 1.2 | |||||||
103.7 | The Clearstream Affair | 4.2 | 0.2 | 99.3 | ||||||||
103.5 | Stefan Zweig | 103.5 | ||||||||||
103.5 | The Sweet Escape | 102.7 | 0.8 | |||||||||
103.3 | Chicago Boys | 103.3 | ||||||||||
102.7 | The Great Game | 0.8 | 101.8 | |||||||||
102.5 | Russian Ballet: The Nutcracker | 102.5 | ||||||||||
102.5 | A Dangerous Idea: Eugenics, Genetics and the American Dream | 102.5 | ||||||||||
101.8 | The Country Doctor | 101.8 | ||||||||||
101.2 | Tony Manero | 8.8 | 92.3 | |||||||||
101.0 | Street Fighting Men | 101.0 | ||||||||||
100.7 | Santiago, Italia | 7.3 | 93.3 | |||||||||
100.0 | The Destruction of Memory | 81.7 | 2.8 | 0.3 | 15.2 | |||||||
99.7 | Haida Modern | 0.2 | 99.5 | |||||||||
99.3 | Le Week-End | 99.3 | ||||||||||
98.7 | The Idol | 0.7 | 98.0 | |||||||||
96.2 | Parting Glances | 16.5 | 79.7 | |||||||||
96.2 | Oblivion | 96.2 | ||||||||||
95.5 | Mademoiselle Paradis | 2.3 | 93.2 | |||||||||
95.3 | If A Tree Falls | 0.2 | 95.2 | |||||||||
94.0 | Forever | 94.0 | ||||||||||
93.8 | Party Girl | 0.7 | 91.2 | 1.2 | 0.8 | |||||||
93.3 | Resurrección / Resurrection | 93.3 | ||||||||||
92.3 | Female Directors | 0.5 | 29.7 | 62.2 | ||||||||
91.8 | Color Adjustment | 85.8 | 5.3 | 0.7 | ||||||||
91.4 | Chavela | 1.2 | 90.2 | |||||||||
91.3 | Three Summers | 0.7 | 0.2 | 90.5 | ||||||||
91.3 | Red Persimmons | 91.3 | ||||||||||
90.3 | The Sixth Side of the Pentagon | 6.0 | 78.2 | 6.2 | ||||||||
90.2 | I, Anna | 0.7 | 0.8 | 88.7 | ||||||||
89.8 | Long Story Short | 89.8 | ||||||||||
89.4 | Sound and Chaos: The Story of BC Studio | 89.4 | ||||||||||
89.3 | Dark Star: H. R. Giger's World | 0.2 | 89.2 | |||||||||
89.3 | The Inheritors | 89.3 | ||||||||||
89.2 | The Owl's Legacy: Nostalgia, or The Impossible Return | 24.0 | 10.3 | 51.2 | 3.7 | |||||||
89.0 | The Chinese Lives of Uli Sigg | 89.0 | ||||||||||
89.0 | Natural Life | 89.0 | ||||||||||
88.7 | The Substance | 88.7 | ||||||||||
88.3 | Last Grave at Dimbaza | 0.5 | 34.3 | 53.5 | ||||||||
88.2 | Sleepless Night in Paris | 5.5 | 0.2 | 82.5 | ||||||||
88.0 | Dries | 88.0 | ||||||||||
88.0 | Anne Clark – I’ll Walk Out Into Tomorrow | 1.8 | 86.2 | |||||||||
87.8 | Diplomacy | 87.8 | ||||||||||
87.7 | Madam Phung's Last Journey | 1.7 | 86.0 | |||||||||
87.3 | Downstream to Kinshasa | 87.3 | ||||||||||
87.3 | Antarctica: A Year on Ice | 15.0 | 72.3 | |||||||||
87.2 | From The Other Side | 87.2 | ||||||||||
87.2 | Typically British: A Personal History of British Cinema by Stephen Frears | 41.5 | 45.7 | |||||||||
86.3 | We All Fall Down | 86.3 | ||||||||||
85.8 | The Assistant | 0.8 | 85.0 | |||||||||
85.8 | Rebels on Pointe | 0.3 | 85.5 | |||||||||
85.8 | In Her Name | 85.0 | 0.8 | |||||||||
85.7 | La Commune (Paris 1871) (Theatrical Version) | 69.8 | 0.3 | 15.5 | ||||||||
85.5 | Photographic Memory | 85.5 | ||||||||||
85.5 | We Are The Radical Monarchs | 85.5 | ||||||||||
85.0 | Latest News from the Cosmos | 85.0 | ||||||||||
84.8 | Down There | 48.2 | 36.7 | |||||||||
84.7 | The Exquisite Short Films of Kihachiro Kawamoto | 0.3 | 0.3 | 0.7 | 83.3 | |||||||
84.7 | The Owl's Legacy: Olympics, or Imaginary Greece | 24.8 | 8.5 | 51.3 | ||||||||
84.3 | France (Les Habitants) | 84.2 | 0.2 | |||||||||
84.3 | Potiche | 84.3 | ||||||||||
84.2 | The Providers | 84.2 | ||||||||||
84.2 | Demons | 84.0 | 0.2 | |||||||||
84.0 | Waste = Food | 34.5 | 49.5 | |||||||||
83.8 | Raw Herring | 83.8 | ||||||||||
83.7 | Gringo Trails | 83.7 | ||||||||||
83.7 | Open Bethlehem | 83.7 | ||||||||||
83.5 | Milking the Rhino | 83.5 | ||||||||||
82.7 | O Amor Natural | 81.3 | 0.5 | 0.7 | 0.2 | |||||||
82.3 | City Dreamers | 1.0 | 81.3 | |||||||||
81.7 | TVTV: Video Revolutionaries | 81.7 | ||||||||||
81.2 | Directing Actors by Jean Renoir | 0.3 | 14.4 | 1.3 | 21.8 | 43.3 | ||||||
81.2 | Private Dicks: Men Exposed | 0.2 | 12.0 | 69.0 | ||||||||
81.2 | La Commune (Paris 1871) Part 1 | 10.0 | 5.3 | 65.8 | ||||||||
80.8 | Fate of a Salesman | 26.8 | 27.3 | 26.7 | ||||||||
80.7 | F11 and Be There | 0.2 | 80.5 | |||||||||
80.2 | Who Made You | 80.2 | ||||||||||
80.0 | Metal and Melancholy | 80.0 | ||||||||||
79.0 | Tongues Untied | 1.7 | 2.0 | 75.3 | ||||||||
78.5 | 100 Years of Japanese Cinema | 77.8 | 0.7 | |||||||||
78.2 | Carmen and Geoffrey | 78.2 | ||||||||||
78.2 | Golub: Late Works Are the Catastrophes | 0.2 | 78.0 | |||||||||
78.0 | Food Coop | 78.0 | ||||||||||
77.2 | The Owl's Legacy: Philosophy, or the Triumph of the Owl | 24.7 | 52.5 | |||||||||
77.2 | I Don't Belong Anywhere: The Cinema of Chantal Akerman | 77.2 | ||||||||||
75.7 | Ambulance | 75.7 | ||||||||||
74.2 | The Human Scale | 74.2 | ||||||||||
73.3 | Saving Mes Aynak | 70.0 | 1.3 | 2.0 | ||||||||
73.0 | To Chris Marker, An Unsent Letter | 73.0 | ||||||||||
72.7 | Suspension | 0.2 | 72.5 | |||||||||
72.2 | El Velador | 0.8 | 71.3 | |||||||||
71.7 | Lost Rivers | 1.5 | 70.2 | |||||||||
71.3 | No Home Movie | 37.7 | 33.7 | |||||||||
71.0 | Now He's Out in Public and Everyone Can See | 3.8 | 19.3 | 24.2 | 23.7 | |||||||
71.0 | Oxhide | 55.2 | 15.8 | |||||||||
70.3 | The City of the Future | 15.0 | 55.3 | |||||||||
68.5 | The Coal Miner's Day | 68.5 | ||||||||||
68.0 | The Owl's Legacy: Mythology, or Lies Like Truth | 26.3 | 41.7 | |||||||||
67.8 | The Road Movie | 67.8 | ||||||||||
67.5 | Fundi: The Story of Ella Baker | 67.5 | ||||||||||
66.5 | Grounded | 66.5 | ||||||||||
66.5 | Vampire Clay | 3.8 | 0.3 | 35.7 | 26.2 | 0.5 | ||||||
66.2 | Marina Abramovic: The Artist is Present | 66.2 | ||||||||||
64.2 | Dreaming of a Tree House | 0.3 | 63.8 | |||||||||
64.2 | And There Was Israel | 52.2 | 12.0 | |||||||||
63.7 | An Eye for Beauty | 20.3 | 21.3 | 22.0 | ||||||||
63.5 | How He Fell in Love | 4.0 | 59.2 | 0.3 | ||||||||
62.8 | Thirst | 62.8 | ||||||||||
62.5 | The Invisible Frame | 60.5 | 2.0 | |||||||||
62.3 | The Battle of Chile (Part 3) | 49.2 | 13.2 | |||||||||
62.0 | Thursday Till Sunday | 0.8 | 61.2 | |||||||||
62.0 | Time Regained | 62.0 | ||||||||||
61.2 | In the Shadow of Women | 0.7 | 60.5 | |||||||||
61.2 | The Activists | 61.2 | ||||||||||
61.0 | The Pinochet Case | 61.0 | ||||||||||
60.8 | Jaguar | 60.8 | ||||||||||
59.2 | A Bread Factory - Part 2 | 59.2 | ||||||||||
58.7 | The Silence of Mark Rothko | 52.5 | 6.2 | |||||||||
58.0 | Abstract Cinema | 0.5 | 57.5 | |||||||||
57.5 | Finally Got the News | 57.5 | ||||||||||
57.3 | Power to Heal | 57.3 | ||||||||||
57.2 | Cul de Sac: A Suburban War Story | 57.2 | ||||||||||
57.0 | The Punishment | 0.8 | 20.7 | 35.5 | ||||||||
57.0 | An Apollo Legend | 20.5 | 18.3 | 18.2 | ||||||||
56.8 | The Owl's Legacy: Mathematics, or the Empire Counts Back | 4.3 | 52.5 | |||||||||
56.7 | Ethnic Notions | 56.7 | ||||||||||
56.5 | Profit and Nothing But! | 56.5 | ||||||||||
56.5 | Ta'ang | 0.2 | 56.3 | |||||||||
56.3 | Disorder | 56.3 | ||||||||||
56.2 | The Wisdom to Survive | 56.2 | ||||||||||
55.8 | What Our Fathers Did: A Nazi Legacy | 55.8 | ||||||||||
55.7 | The Intolerable Burden | 55.7 | ||||||||||
55.5 | The Absent House | 55.5 | ||||||||||
55.5 | The Hitler Chronicles - Blueprint for Dictators - Part 4 | 55.5 | ||||||||||
55.5 | The Owl's Legacy: Tragedy, or the Illusion of Death | 55.5 | ||||||||||
54.5 | Naji Al-Ali | 0.3 | 54.2 | |||||||||
53.3 | The Owl's Legacy: Misogyny, or the Snares of Desire | 0.5 | 52.8 | |||||||||
53.3 | The Owl's Legacy: Democracy, or City of Dreams | 1.8 | 51.5 | |||||||||
53.0 | Lonely Boy | 26.7 | 26.3 | |||||||||
52.7 | The Toxic Reigns of Resentment | 52.7 | ||||||||||
52.7 | The Trouble with Bread | 26.5 | 26.2 | |||||||||
52.5 | Fold Crumple Crush: The Art of El Anatsui | 52.5 | ||||||||||
52.5 | An Injury To One | 52.5 | ||||||||||
52.3 | Do You Remember Vietnam? | 52.3 | ||||||||||
52.2 | The Society of the Spectacle (French w/ Eng. subtitles) | 3.5 | 4.2 | 44.5 | ||||||||
52.0 | Quest | 17.7 | 33.8 | 0.5 | ||||||||
51.7 | The Owl's Legacy: Amnesty, or History on the March | 51.7 | ||||||||||
51.7 | Best of Fest 2 - The Circadian Cycle | 0.3 | 16.2 | 35.2 | ||||||||
51.3 | The Owl's Legacy: Music, or Inner Space | 51.3 | ||||||||||
51.2 | The Owl's Legacy: Logomachy, or the Dialect of the Tribe | 51.2 | ||||||||||
51.0 | Ballet Boys | 34.8 | 16.2 | |||||||||
50.5 | Fire and Ice | 50.5 | ||||||||||
50.3 | Rebels of the Neon God | 2.0 | 16.8 | 31.5 | ||||||||
50.0 | Viva Riva | 50.0 | ||||||||||
49.7 | Dream Girls | 49.7 | ||||||||||
48.7 | We Are the Lambeth Boys | 0.2 | 48.5 | |||||||||
48.7 | Marina Abramovic in Brazil: The Space in Between | 48.7 | ||||||||||
48.3 | History of Fear | 0.2 | 48.2 | |||||||||
48.0 | Affluenza | 48.0 | ||||||||||
47.3 | Through A Lens Darkly | 6.5 | 4.5 | 36.3 | ||||||||
45.7 | Hotel Terminus - Part III | 45.7 | ||||||||||
45.3 | Colette | 13.3 | 32.0 | |||||||||
45.0 | The Ugliest Car | 0.5 | 0.2 | 44.3 | ||||||||
43.8 | Our Daily Bread | 0.5 | 43.3 | |||||||||
43.8 | Best of Fest 2 - Second Seed | 43.8 | ||||||||||
42.8 | Ama | 42.8 | ||||||||||
42.5 | Cheshire, Ohio | 42.5 | ||||||||||
42.2 | The Unreturned Soldiers In Malaysia | 42.2 | ||||||||||
42.0 | Your Day is My Night | 1.0 | 0.2 | 40.8 | ||||||||
41.3 | Rabbit a la Berlin | 1.2 | 40.2 | |||||||||
41.2 | Guernica | 3.0 | 12.5 | 19.8 | 5.8 | |||||||
41.2 | Marx for Beginners | 0.7 | 0.8 | 7.0 | 2.2 | 30.5 | ||||||
41.0 | 108 (Cuchillo de Palo) | 0.5 | 0.2 | 1.8 | 38.5 | |||||||
40.5 | The Search | 0.5 | 40.0 | |||||||||
40.3 | Louise By the Shore | 34.0 | 5.3 | 1.0 | ||||||||
39.8 | Stations of the Elevated | 39.8 | ||||||||||
39.2 | Terribly Happy | 39.2 | ||||||||||
39.0 | Be Seeing You | 39.0 | ||||||||||
38.9 | Night Cries: A Rural Tragedy | 0.2 | 38.7 | |||||||||
38.7 | One Bright Shining Moment | 38.7 | ||||||||||
38.3 | Naples '44 | 38.3 | ||||||||||
37.8 | CultureJam | 37.8 | ||||||||||
36.8 | Weather The Storm | 36.8 | ||||||||||
35.0 | Below | 17.2 | 17.8 | |||||||||
33.5 | The Stopover | 3.5 | 30.0 | |||||||||
33.0 | Myth of a Colorblind France | 0.2 | 0.2 | 32.7 | ||||||||
32.8 | Sex in the Comix | 32.8 | ||||||||||
32.8 | FALN | 32.8 | ||||||||||
32.5 | Small Wonders | 2.5 | 30.0 | |||||||||
32.2 | Trópico de Cancer / Tropic of Cancer | 0.5 | 31.7 | |||||||||
31.7 | The Embassy | 10.5 | 21.2 | |||||||||
31.3 | Reason (Part 2) | 31.2 | 0.2 | |||||||||
31.3 | Codigo Color, Memorias | 31.3 | ||||||||||
30.7 | Mali Blues | 30.7 | ||||||||||
30.7 | Minute Bodies: The Intimate World Of F. Percy Smith | 0.2 | 30.5 | |||||||||
30.3 | To Tell the Truth: Working for Change | 26.2 | 4.2 | |||||||||
30.2 | The Internationale | 30.2 | ||||||||||
30.2 | Girl Model | 30.2 | ||||||||||
29.8 | I Am Somebody | 29.8 | ||||||||||
29.7 | Every Day Except Christmas | 0.2 | 29.5 | |||||||||
29.3 | Do Communists Have Better Sex? | 0.5 | 28.3 | 0.3 | 0.2 | |||||||
29.0 | The Retrieval Trailer | 3.0 | 5.2 | 2.3 | 7.8 | 4.3 | 6.3 | |||||
28.7 | Beyond Boobs | 28.7 | ||||||||||
28.5 | Double Life, a Short History of Sex in the USSR | 2.7 | 24.8 | 1.0 | ||||||||
28.5 | The Goumbé of the Young Revelers | 0.3 | 28.2 | |||||||||
28.2 | Kate and Anna McGarrigle | 28.2 | ||||||||||
28.0 | What's For Dinner? | 28.0 | ||||||||||
27.5 | Marcel Ophuls and Jean-Luc Godard | 27.5 | ||||||||||
26.8 | Egg and Stone | 1.3 | 1.0 | 21.0 | 3.5 | |||||||
26.7 | Sermons and Sacred Pictures | 26.7 | ||||||||||
26.5 | Paul Gauguin | 26.5 | ||||||||||
26.3 | The Owl's Legacy: Cosmogony, or the Ways of the World | 26.3 | ||||||||||
25.3 | Malick Sidibé | 0.2 | 8.2 | 17.0 | ||||||||
25.0 | From The East | 24.5 | 0.2 | 0.3 | ||||||||
25.0 | Mr. Fish: Cartooning from the Deep End | 25.0 | ||||||||||
24.8 | Dear Dr. Spencer | 24.8 | ||||||||||
24.7 | A Bread Factory - Part 1 | 2.2 | 22.5 | |||||||||
24.0 | Lomax the Songhunter | 23.5 | 0.5 | |||||||||
23.5 | Lamb | 23.5 | ||||||||||
23.3 | A Quest for Meaning | 23.3 | ||||||||||
23.3 | Last Summer Won't Happen | 23.3 | ||||||||||
23.3 | Cinema Novo | 23.3 | ||||||||||
23.3 | Nice Colored Girls | 16.8 | 6.5 | |||||||||
22.7 | '63 Boycott | 22.7 | ||||||||||
22.0 | Hedgehog's Home | 1.3 | 9.8 | 10.2 | 0.7 | |||||||
21.5 | Casa de Lava | 21.2 | 0.3 | |||||||||
21.5 | Churchill's Island | 21.5 | ||||||||||
21.2 | Integration Report 1 | 21.2 | ||||||||||
20.8 | Dawson City: Frozen Time | 20.8 | ||||||||||
20.7 | Best of Fest 2 - Being | 20.7 | ||||||||||
20.3 | If The Dancer Dances | 0.5 | 19.8 | |||||||||
20.2 | Ladies in Waiting | 7.0 | 13.2 | |||||||||
20.0 | No Time To Waste | 1.7 | 18.3 | |||||||||
19.7 | Late Summer | 6.7 | 13.0 | |||||||||
19.3 | Impromptu | 0.2 | 10.2 | 9.0 | ||||||||
18.7 | The Other Side of The Wall | 18.7 | ||||||||||
18.7 | Six in Paris: Saint Germain des Prés | 18.7 | ||||||||||
18.7 | Confounding Father - Episode 1 | 3.0 | 15.7 | |||||||||
18.0 | WEconomics: Italy | 16.3 | 1.7 | |||||||||
18.0 | Black is... Black Ain't | 18.0 | ||||||||||
17.8 | Summer Pasture | 14.5 | 0.5 | 2.8 | ||||||||
17.5 | El Sicario, Room 164 | 17.5 | ||||||||||
17.5 | Welcome to Leith | 17.5 | ||||||||||
17.5 | The Naked Screen | 1.5 | 1.5 | 6.7 | 5.7 | 2.2 | ||||||
17.3 | The Girl with a Bracelet | 17.3 | ||||||||||
17.0 | Before the Flood I | 1.7 | 0.2 | 15.2 | ||||||||
17.0 | Fengming, a Chinese Memoir | 17.0 | ||||||||||
17.0 | Light Years: Lucrecia Martel and the Making of Zama | 17.0 | ||||||||||
16.8 | Tadmor | 0.3 | 16.5 | |||||||||
16.8 | Six in Paris: Gare du Nord | 16.8 | ||||||||||
16.7 | The Good War and Those Who Refused to Fight It | 8.7 | 8.0 | |||||||||
16.2 | Momma Don't Allow | 16.2 | ||||||||||
16.0 | Marx Reloaded | 14.0 | 2.0 | |||||||||
16.0 | Royal Journey | 16.0 | ||||||||||
15.7 | Best of Fest 2 - Dusk | 15.7 | ||||||||||
15.3 | Egg Cream | 15.3 | ||||||||||
15.3 | Black Sun | 0.2 | 0.3 | 14.8 | ||||||||
15.0 | The Mad Masters | 15.0 | ||||||||||
15.0 | Alive! | 14.8 | 0.2 | |||||||||
15.0 | Tatsumi | 0.2 | 14.8 | |||||||||
14.7 | The Trials of Henry Kissinger | 0.2 | 7.2 | 7.3 | ||||||||
14.5 | Laberinto de Luz / Lightbyrinth | 6.7 | 7.8 | |||||||||
14.5 | The Machine Which Makes Everything Disappear | 0.3 | 14.2 | |||||||||
14.5 | Wendy and Lucy | 14.5 | ||||||||||
14.3 | The Children of 209 Saint-Maur Street | 1.0 | 8.7 | 4.7 | ||||||||
14.2 | Through the Looking Glass | 14.2 | ||||||||||
14.2 | African Air | 6.7 | 7.5 | |||||||||
14.0 | Happy People: A Year in the Taiga | 11.7 | 1.0 | 1.3 | ||||||||
14.0 | The Chef's Wife | 2.5 | 11.2 | 0.3 | ||||||||
14.0 | The Written Face | 14.0 | ||||||||||
14.0 | 12 Days | 12.0 | 2.0 | |||||||||
14.0 | Invisible Adversaries | 6.0 | 7.8 | 0.2 | ||||||||
13.8 | Anthem | 2.7 | 11.2 | |||||||||
13.7 | Chris Marker's Bestiary: Cat Listening to Music | 6.2 | 7.5 | |||||||||
13.5 | Chris Marker's Bestiary: An Owl is an Owl is an Owl | 3.5 | 10.0 | |||||||||
13.3 | As Good As You | 13.2 | 0.2 | |||||||||
13.2 | Best of Fest 2 - Forest Floor | 13.2 | ||||||||||
13.2 | The Poets | 0.2 | 13.0 | |||||||||
12.5 | Mammy Water | 12.5 | ||||||||||
12.3 | Ricordi? | 0.3 | 6.3 | 5.7 | ||||||||
12.3 | Oscar | 7.5 | 0.3 | 4.5 | ||||||||
12.2 | Escapes: The Life of Actor and Screenwriter, Hampton Fancher | 12.2 | ||||||||||
12.0 | The Great Flood | 12.0 | ||||||||||
11.3 | Rough Aunties | 11.3 | ||||||||||
11.3 | The End of Pinky | 0.2 | 2.7 | 8.5 | ||||||||
11.3 | 30 Second Democracy | 11.3 | ||||||||||
11.0 | Best of Fest 2 - Lost Horse: Asaf Avidan | 11.0 | ||||||||||
10.8 | Razzia | 0.2 | 10.3 | 0.3 | ||||||||
10.5 | Beyond Hatred | 10.5 | ||||||||||
10.5 | Beijing Besieged by Waste | 10.5 | ||||||||||
10.5 | Best of Fest 2 - ID | 10.5 | ||||||||||
10.3 | Born in Flames | 10.3 | ||||||||||
10.2 | The Basketball Game | 5.3 | 4.8 | |||||||||
10.2 | Anthropocene | 7.8 | 2.3 | |||||||||
9.8 | Ada For Mayor | 9.8 | ||||||||||
9.5 | The Paranoids | 0.2 | 7.7 | 1.7 | ||||||||
9.5 | Tú y Yo | 0.3 | 0.2 | 9.0 | ||||||||
9.3 | Almayer's Folly | 9.3 | ||||||||||
9.3 | Shyness | 9.3 | ||||||||||
9.2 | Affirmations | 9.2 | ||||||||||
9.2 | About Executing Eichmann | 9.2 | ||||||||||
9.0 | In the Light of Reverence | 0.5 | 8.5 | |||||||||
8.5 | False Confessions | 3.2 | 0.2 | 1.0 | 4.2 | |||||||
8.5 | I Like Girls | 8.5 | ||||||||||
8.5 | The Mountain | 8.5 | ||||||||||
8.3 | Rocky Road to Dublin | 8.3 | ||||||||||
8.3 | Dreams from the Outback | 8.3 | ||||||||||
8.3 | Mina's Recipe Book | 8.3 | ||||||||||
8.0 | Winter Vacation | 0.5 | 7.5 | |||||||||
7.8 | Monsieur & Madame Adelman | 7.3 | 0.5 | |||||||||
7.7 | Time Thieves | 7.7 | ||||||||||
7.5 | Light is Calling | 7.5 | ||||||||||
7.2 | The Island | 7.2 | ||||||||||
7.2 | Re-Awakenings | 7.2 | ||||||||||
7.2 | Chris Marker's Bestiary: Slon Tango | 7.2 | ||||||||||
7.2 | Kochuu | 2.7 | 4.5 | |||||||||
7.2 | The Journey of Monalisa | 7.2 | ||||||||||
7.0 | Best of Fest 2 - The King | 7.0 | ||||||||||
6.7 | The City Dark (83 minute version) | 6.7 | ||||||||||
6.7 | Markie in Milwaukee | 5.0 | 1.7 | |||||||||
6.5 | The Academy of Muses | 1.0 | 0.2 | 0.2 | 5.2 | |||||||
6.3 | Thinking Existenz - Ep 01 - Eduardo Galeano | 1.5 | 4.8 | |||||||||
6.2 | Post-Carbon Futures | 6.2 | ||||||||||
6.2 | Viktoria | 5.0 | 1.2 | |||||||||
6.0 | Chris Marker's Bestiary: Zoo Piece | 6.0 | ||||||||||
6.0 | Your Name in Cellulite | 6.0 | ||||||||||
6.0 | Video Game | 6.0 | ||||||||||
6.0 | Balakrishna | 2.8 | 3.2 | |||||||||
5.8 | The Nightmare | 4.7 | 0.5 | 0.7 | ||||||||
5.8 | The Great Man | 5.5 | 0.3 | |||||||||
5.7 | Route One/USA (part 2) | 5.0 | 0.7 | |||||||||
5.7 | Live Nude Girls Unite | 3.0 | 2.7 | |||||||||
5.7 | Putin's Witnesses Trailer | 1.3 | 0.3 | 1.5 | 1.2 | 1.3 | ||||||
5.5 | Seven Songs for Malcolm X | 5.5 | ||||||||||
5.5 | 2 X 50 Years of French Cinema | 5.5 | ||||||||||
5.3 | I Am Here | 5.2 | 0.2 | |||||||||
5.3 | Tribute to Alfred Lepetit | 5.3 | ||||||||||
5.2 | CMYK | 5.2 | ||||||||||
5.2 | Father, Son and Holy War: Trial by Fire | 4.3 | 0.8 | |||||||||
5.0 | Homo Sapiens | 4.2 | 0.8 | |||||||||
4.8 | Miss Hill: Making Dance Matter | 4.8 | ||||||||||
4.8 | Bombay Our City | 4.8 | ||||||||||
4.7 | As a Young Girl of Thirteen... | 0.2 | 4.5 | |||||||||
4.7 | Vic + Flo Saw a Bear | 4.2 | 0.5 | |||||||||
4.5 | A Spell to Ward Off the Darkness | 4.5 | ||||||||||
4.2 | Alois Nebel | 2.7 | 1.5 | |||||||||
4.2 | Ice | 4.2 | ||||||||||
4.2 | Inside Her Sex | 2.3 | 1.8 | |||||||||
4.0 | Reflection | 4.0 | ||||||||||
4.0 | Sex, Lies and Tabloids! | 4.0 | ||||||||||
3.8 | The Film of Her | 3.7 | 0.2 | |||||||||
3.8 | Class of Struggle | 3.8 | ||||||||||
3.7 | The New Rijksmusuem | 0.2 | 3.5 | |||||||||
3.7 | Away from Meaning (Lejos del sentido) | 1.7 | 1.7 | 0.3 | ||||||||
3.7 | Reason (Part 1) | 3.3 | 0.3 | |||||||||
3.7 | Towards Mathilde | 3.0 | 0.3 | 0.3 | ||||||||
3.5 | Guy | 3.5 | ||||||||||
3.5 | London | 3.5 | ||||||||||
3.5 | Gray Matters: Architect & Designer Eileen Gray | 0.2 | 3.3 | |||||||||
3.3 | Maidentrip | 3.2 | 0.2 | |||||||||
3.3 | To Tell the Truth: The Strategy of Truth | 3.2 | 0.2 | |||||||||
3.3 | Zone of Silence | 0.2 | 3.2 | |||||||||
3.2 | Cinema of Tears | 0.7 | 2.5 | |||||||||
3.0 | Gloria Victoria | 3.0 | ||||||||||
3.0 | Ursula von Rydingsvard: Into Her Own | 3.0 | ||||||||||
2.8 | All the Cities of the North | 1.2 | 1.7 | |||||||||
2.8 | An Ecology of Mind | 2.8 | ||||||||||
2.7 | Sol LeWitt | 2.7 | ||||||||||
2.7 | The Armor of Light | 1.8 | 0.8 | |||||||||
2.7 | Great Expectations | 0.3 | 2.3 | |||||||||
2.5 | Drux Flux | 0.7 | 1.8 | |||||||||
2.5 | Drifters | 0.2 | 2.3 | |||||||||
2.5 | Siberian Love | 2.5 | ||||||||||
2.5 | Future of Mud | 2.5 | ||||||||||
2.5 | The Society of the Spectacle | 2.5 | ||||||||||
2.5 | Nadine | 0.8 | 1.7 | |||||||||
2.3 | Man in the Well | 2.3 | ||||||||||
2.3 | Chris Marker's Bestiary: Bullfight in Okinawa | 2.2 | 0.2 | |||||||||
2.2 | No Light and No Land Anywhere | 1.7 | 0.5 | |||||||||
2.2 | El Incendio | 1.2 | 1.0 | |||||||||
2.2 | Cinema Tropical Intro | 1.0 | 1.2 | |||||||||
2.2 | My Little Underground | 1.2 | 1.0 | |||||||||
2.0 | Mondovino: Pax Panoramix | 2.0 | ||||||||||
2.0 | Thunderbolt | 2.0 | ||||||||||
1.8 | Love & Diane | 1.8 | ||||||||||
1.8 | Disco and Atomic War | 1.8 | ||||||||||
1.8 | Codebreaker | 1.8 | ||||||||||
1.8 | Van Gogh | 1.8 | ||||||||||
1.7 | Lore | 1.3 | 0.2 | 0.2 | ||||||||
1.7 | The Cordillera of Dreams Trailer | 1.7 | ||||||||||
1.7 | Middletown - Interview with Peter Davis | 1.7 | ||||||||||
1.7 | The Owl's Legacy Trailer | 1.7 | ||||||||||
1.7 | Adriana's Pact | 1.5 | 0.2 | |||||||||
1.5 | When a Tree Falls (Amama) | 1.3 | 0.2 | |||||||||
1.5 | Faith Love Desire - Ep 1 - First Love | 0.5 | 1.0 | |||||||||
1.5 | A German Youth | 1.5 | ||||||||||
1.5 | Dance Camera West 2021 Trailer | 1.5 | ||||||||||
1.5 | The Metal Stork | 1.5 | ||||||||||
1.5 | Decasia | 1.5 | ||||||||||
1.5 | The 317th Platoon | 0.5 | 1.0 | |||||||||
1.3 | Time of the Locust | 1.3 | ||||||||||
1.3 | From What Is Before | 1.3 | ||||||||||
1.3 | Bridgend | 0.3 | 1.0 | |||||||||
1.3 | Coming to Light | 1.3 | ||||||||||
1.3 | Agent Orange | 1.3 | ||||||||||
1.3 | Children of Mandala | 1.3 | ||||||||||
1.3 | New Inspiration - A Hard Day's Night | 1.3 | ||||||||||
1.2 | The Ister | 1.2 | ||||||||||
1.2 | Jean Ziegler, the Optimism of Willpower | 1.2 | ||||||||||
1.2 | Threads | 1.2 | ||||||||||
1.2 | H2Omx | 1.2 | ||||||||||
1.2 | Fight Hate With Love | 1.2 | ||||||||||
1.2 | Yiddish | 1.2 | ||||||||||
1.2 | Suzanna Andler Trailer | 1.2 | ||||||||||
1.0 | Bitter Money | 0.5 | 0.5 | |||||||||
1.0 | Marie Curie: The Courage of Knowledge | 0.2 | 0.8 | |||||||||
1.0 | Coda | 1.0 | ||||||||||
1.0 | Downtown Dream | 1.0 | ||||||||||
1.0 | 1914: A War of Images | 1.0 | ||||||||||
1.0 | 40,000 Years of Dreaming | 1.0 | ||||||||||
1.0 | The Great Malaise | 1.0 | ||||||||||
1.0 | Le Joli Mai | 1.0 | ||||||||||
1.0 | Picasso and Sima, Antibes 1946 | 1.0 | ||||||||||
1.0 | The Adventurers of Modern Art Clip | 1.0 | ||||||||||
1.0 | Los Sures | 1.0 | ||||||||||
1.0 | Boris Without Beatrice | 0.7 | 0.3 | |||||||||
1.0 | A Kid (Le Fils de Jean) | 0.3 | 0.7 | |||||||||
0.8 | How to Lose Your Virginity | 0.5 | 0.2 | 0.2 | ||||||||
0.8 | Family Life | 0.8 | ||||||||||
0.8 | The Apology | 0.8 | ||||||||||
0.8 | In Search of Memory | 0.8 | ||||||||||
0.8 | Germans & Jews | 0.8 | ||||||||||
0.8 | In Harmony | 0.8 | ||||||||||
0.8 | DIVEST! The Climate Movement on Tour | 0.8 | ||||||||||
0.8 | Seeing is Believing | 0.8 | ||||||||||
0.8 | Facing Fear | 0.8 | ||||||||||
0.8 | Spark of Being | 0.8 | ||||||||||
0.8 | Six in Paris Clip | 0.8 | ||||||||||
0.7 | By the Time It Gets Dark | 0.7 | ||||||||||
0.7 | City Walk | 0.7 | ||||||||||
0.7 | Ghosts of Attica | 0.7 | ||||||||||
0.7 | "I Do Not Care if We Go Down in History as Barbarians" | 0.7 | ||||||||||
0.7 | The Gold Spinners | 0.7 | ||||||||||
0.7 | Sacred Water | 0.7 | ||||||||||
0.7 | Quiet Heroes | 0.7 | ||||||||||
0.7 | Hopefuls | 0.7 | ||||||||||
0.7 | Investigation of a Flame | 0.7 | ||||||||||
0.7 | Partner with the Enemy - Making it in the Middle East | 0.7 | ||||||||||
0.7 | Elena | 0.2 | 0.5 | |||||||||
0.7 | Outcry and Whisper | 0.3 | 0.3 | |||||||||
0.5 | Winter Brothers | 0.2 | 0.3 | |||||||||
0.5 | El Eternauta´s Wife | 0.5 | ||||||||||
0.5 | Ága | 0.5 | ||||||||||
0.5 | The Last Angel of History | 0.3 | 0.2 | |||||||||
0.5 | The Queen of Fear | 0.2 | 0.3 | |||||||||
0.5 | Tierralismo | 0.5 | ||||||||||
0.5 | Dreams That Money Can Buy | 0.5 | ||||||||||
0.5 | Travels in the Congo (Voyage au Congo) | 0.5 | ||||||||||
0.5 | How to Steal a Country | 0.5 | ||||||||||
0.5 | Bones of Contention | 0.5 | ||||||||||
0.5 | Faith Love Desire - Ep 2 - Fulfilled Love | 0.5 | ||||||||||
0.5 | Three Sisters | 0.5 | ||||||||||
0.5 | Mondovino: Magic Potion | 0.5 | ||||||||||
0.5 | Heimat is a Space in Time | 0.5 | ||||||||||
0.5 | Best of Fest 1 - Sedimented Here | 0.5 | ||||||||||
0.5 | La Soledad | 0.2 | 0.3 | |||||||||
0.5 | Angels Wear White | 0.2 | 0.3 | |||||||||
0.3 | Buddy | 0.2 | 0.2 | |||||||||
0.3 | A Family Submerged | 0.2 | 0.2 | |||||||||
0.3 | The Clockmakers | 0.3 | ||||||||||
0.3 | Man for a Day | 0.3 | ||||||||||
0.3 | Flow: For Love of Water | 0.3 | ||||||||||
0.3 | Happy Hour | 0.3 | ||||||||||
0.3 | After Stonewall | 0.3 | ||||||||||
0.3 | Sagrada: The Mystery of Creation | 0.3 | ||||||||||
0.3 | Oyster | 0.3 | ||||||||||
0.3 | Winning Girl | 0.3 | ||||||||||
0.3 | Drowned Out | 0.3 | ||||||||||
0.3 | The Return | 0.3 | ||||||||||
0.3 | A Good Man | 0.3 | ||||||||||
0.3 | New Inspiration - Pas De Quoi | 0.3 | ||||||||||
0.2 | Wuthering Heights | 0.2 | ||||||||||
0.2 | The Giant Is Falling | 0.2 | ||||||||||
0.2 | Northern Light | 0.2 | ||||||||||
0.2 | Muybridge's Strings | 0.2 | ||||||||||
0.2 | Moi, Un Noir | 0.2 | ||||||||||
0.2 | 90° South | 0.2 | ||||||||||
0.2 | King of the Hill | 0.2 | ||||||||||
0.2 | Backyard | 0.2 | ||||||||||
0.2 | Art and Oligarchs | 0.2 | ||||||||||
0.2 | Eternity Has No Door of Escape | 0.2 | ||||||||||
0.2 | Silentium | 0.2 | ||||||||||
0.2 | Futures Market | 0.2 | ||||||||||
0.2 | The Law | 0.2 | ||||||||||
0.2 | Flesh and Blood | 0.2 | ||||||||||
0.2 | The Same Difference | 0.2 | ||||||||||
0.2 | The Song of Ceylon | 0.2 | ||||||||||
0.2 | A Man Called Ove | 0.2 | ||||||||||
0.2 | Six in Paris: Montparnasse et Levallois | 0.2 | ||||||||||
0.2 | Le Crabe-Tambour | 0.2 | ||||||||||
0.2 | Notes on Marie Menken | 0.2 | ||||||||||
0.2 | Disturbing the Peace | 0.2 | ||||||||||
0.2 | Congo: The Doctor Who Saves Women | 0.2 | ||||||||||
0.2 | Forgotten World | 0.2 | ||||||||||
0.2 | Prisoner of Her Past | 0.2 | ||||||||||
0.2 | Andrés Reads and Writes | 0.2 | ||||||||||
0.2 | Dream Deceivers | 0.2 | ||||||||||
0.2 | The Song of the Shirt | 0.2 | ||||||||||
0.2 | A Quiet Passion | 0.2 | ||||||||||
0.2 | Edward Said: The Last Interview | 0.2 | ||||||||||
0.2 | The Marquis of Wavrin | 0.2 | ||||||||||
0.2 | Father, Son and Holy War: Hero Pharmacy | 0.2 | ||||||||||
0.2 | Occupation Mill Worker | 0.2 | ||||||||||
0.2 | Ribbons for Peace | 0.2 | ||||||||||
0.2 | War and Peace | 0.2 | ||||||||||
0.2 | God | 0.2 | ||||||||||
0.2 | The Deer | 0.2 | ||||||||||
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