| Minutes Watched | Title | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 97,466 | < Total Minutes Watched (888 Titles) | 1,868 | 2,169 | 6,644 | 5,408 | 4,226 | 23,133 | 1,591 | 12,427 | 40,001 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2,151 | Maison Close - Episode 1 | 5.7 | 115.7 | 51.2 | 218.2 | 43.0 | 475.5 | 3.3 | 403.5 | 835.4 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2,045 | Suzanna Andler | 116.2 |  | 79.7 | 22.2 | 96.5 | 362.9 | 43.3 | 380.7 | 943.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,735 | The Returned - Episode 1 |  | 116.2 | 27.0 | 120.7 | 82.7 | 333.7 | 116.3 | 356.0 | 582.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,616 | Crimson Gold | 36.0 | 86.7 | 108.8 | 0.5 | 1.7 | 452.7 | 0.2 | 189.5 | 739.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,614 | Berkeley in the Sixties |  | 7.8 | 108.0 | 119.0 |  | 537.2 |  | 217.8 | 623.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,382 | L'attesa | 58.7 | 98.3 | 6.8 | 53.8 |  | 189.8 | 2.0 | 27.7 | 945.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,267 | Maison Close - Episode 2 | 55.5 | 96.3 | 59.3 | 49.7 | 55.0 | 165.3 | 1.5 | 160.8 | 623.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,254 | All About My Sisters | 305.2 | 9.7 | 150.2 | 0.8 | 18.3 | 195.3 | 0.2 | 121.7 | 452.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,188 | This is Cristina | 108.5 | 47.7 | 67.7 | 75.3 | 54.0 | 1.3 | 91.3 | 101.5 | 641.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,155 | Bright Future | 10.0 |  | 116.0 | 67.8 | 7.8 | 418.0 | 0.2 | 6.2 | 529.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,124 | Gustav Stickley: American Craftsman |  |  | 67.7 | 9.8 | 1.2 | 331.2 | 8.8 | 80.0 | 625.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,116 | The Returned - Episode 2 |  | 53.0 |  | 106.5 | 53.7 | 167.2 | 164.8 | 147.2 | 423.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,094 | Maison Close - Episode 3 | 54.2 | 0.3 | 54.0 | 18.2 | 109.3 | 71.7 | 0.8 | 108.7 | 676.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1,019 | Maison Close - Episode 4 | 55.8 |  | 54.7 | 14.2 | 109.2 |  |  | 163.5 | 621.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 951 | Just a Sigh | 0.3 |  |  | 105.0 |  | 310.8 |  | 26.5 | 508.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 787 | The Returned - Episode 4 |  |  |  | 55.2 | 54.2 | 178.2 | 128.7 | 54.0 | 317.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 773 | The Returned - Episode 3 | 2.7 | 51.8 |  | 53.8 | 51.0 | 103.7 | 65.7 | 50.8 | 393.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 717 | A Fierce Green Fire | 0.2 |  |  | 2.8 | 0.3 | 188.7 |  | 12.0 | 513.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 701 | Maison Close - Episode 7 | 59.0 |  | 0.3 | 57.5 | 60.5 | 112.7 |  | 58.8 | 351.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 698 | Maison Close - Episode 6 | 56.2 |  | 55.0 | 54.5 | 110.0 | 54.2 |  | 54.5 | 313.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 680 | Maison Close - Episode 8 | 53.0 |  |  | 51.0 | 54.2 | 105.0 |  | 52.3 | 365.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 679 | The Returned - Episode 5 |  |  |  | 49.3 | 74.3 | 173.2 | 56.8 | 57.5 | 267.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 665 | Maison Close - Episode 5 | 53.2 |  | 52.0 | 38.8 | 105.0 | 53.5 |  | 54.2 | 308.4 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 627 | The Eye of Vichy | 10.8 |  |  |  |  |  |  | 592.8 | 23.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 607 | The Last Season | 0.5 |  | 80.5 | 0.2 |  | 169.2 |  |  | 356.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 597 | Myth of a Colorblind France | 41.8 |  | 85.5 | 56.8 |  | 210.8 |  |  | 202.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 591 | Alice |  |  | 25.7 | 1.8 | 105.3 | 107.5 | 14.7 | 73.3 | 262.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 577 | No Gods, No Masters - Pt. I |  | 68.7 | 9.0 | 57.0 | 73.7 | 132.8 |  | 169.0 | 67.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 553 | Happy Hour | 5.2 |  | 43.3 | 295.7 |  | 208.0 |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 549 | The Returned - Episode 8 |  |  |  |  | 55.2 | 165.7 |  | 110.5 | 217.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 546 | The Returned - Episode 6 |  |  |  |  | 58.2 | 203.0 |  | 57.5 | 226.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 538 | Adam Smith, The Birth of the Free Market |  |  |  |  |  | 231.8 |  | 89.5 | 216.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 527 | Pripyat |  |  | 92.3 | 100.2 |  |  |  | 100.8 | 234.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 505 | Sunday School with Franz Hinkelammert |  |  | 50.3 | 18.8 | 42.7 | 212.2 |  | 50.5 | 130.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 495 | Faust | 0.5 |  |  | 20.7 | 9.8 | 192.8 |  | 92.5 | 179.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 491 | I, Anna |  |  | 3.0 | 0.2 | 0.2 | 233.8 |  |  | 253.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 486 | The Last Bolshevik |  |  | 9.2 | 209.3 | 3.7 | 119.3 |  |  | 144.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 481 | The Adventurers of Modern Art - Ep 1 |  |  | 11.2 |  | 55.7 | 149.8 |  | 92.2 | 171.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 461 | Roque Dalton |  |  | 63.3 | 0.5 |  | 169.2 |  | 84.5 | 143.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 451 | Delphine's Prayers |  |  |  | 130.5 |  | 230.3 |  | 0.2 | 90.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 451 | Althusser, an Intellectual Adventure |  |  |  | 1.3 |  | 127.5 |  | 163.5 | 158.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 449 | La Commune (Paris 1871) (Theatrical Version) | 1.2 |  | 404.5 |  | 0.7 | 8.8 | 0.2 | 33.0 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 442 | Under the Sun |  |  |  | 0.3 |  | 7.0 |  | 126.5 | 308.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 441 | La Commune (Paris 1871) Part 1 |  |  | 164.7 |  |  | 243.8 | 6.7 |  | 26.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 427 | No Gods, No Masters - Pt. II |  | 103.7 |  | 52.3 | 51.0 | 52.5 |  | 55.0 | 112.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 424 | Lore |  | 106.7 |  | 1.8 | 0.2 | 105.8 |  | 22.8 | 186.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 418 | Chicago Boys |  |  |  |  |  | 58.0 | 3.0 |  | 357.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 416 | Dark Days |  |  |  | 79.3 |  | 279.3 |  | 57.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 410 | The Cordillera of Dreams |  | 65.8 |  | 77.5 | 17.0 | 122.7 | 42.5 |  | 84.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 407 | Transit | 0.7 |  |  | 129.7 |  |  | 1.3 |  | 275.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 405 | Hotel Terminus - Part I |  |  | 75.7 |  | 135.5 |  |  | 153.8 | 39.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 401 | Eat This New York | 52.2 | 49.7 | 10.2 | 16.0 | 14.7 | 71.3 |  | 84.4 | 103.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 400 | A Man Called Ove |  |  | 116.0 | 0.2 | 71.2 | 89.7 |  | 9.2 | 114.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 400 | The Returned - Episode 7 |  |  |  |  | 50.8 | 100.8 |  | 50.2 | 197.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 391 | Good Manners |  |  |  |  |  | 133.3 |  |  | 257.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 380 | Ricardo and Malthus: Did You Say Freedom? |  |  |  |  |  | 200.5 |  | 54.8 | 124.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 377 | Devil in the Flesh |  |  | 113.8 | 34.7 | 2.3 | 73.8 |  |  | 151.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 367 | No Gods, No Masters - Pt. III |  | 102.8 |  | 51.8 | 51.7 | 52.8 |  | 51.3 | 56.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 366 | Karl Polanyi, The Human Factor |  |  |  | 0.3 | 49.8 | 53.8 |  | 99.5 | 162.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 365 | La Commune (Paris 1871) Part 2 |  |  | 182.3 |  |  | 0.2 |  | 182.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 354 | Ziyara | 3.0 | 27.5 | 5.2 |  |  | 102.3 |  |  | 215.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 349 | A Grin Without a Cat | 89.5 |  | 53.2 | 2.2 |  | 12.2 |  |  | 191.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 347 | 1945.0 | 18.7 |  | 17.0 | 2.8 | 27.3 | 210.5 |  | 12.0 | 58.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 344 | The Rape of Europa |  |  | 114.2 |  |  |  |  | 115.5 | 113.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 338 | Thank You for the Rain |  |  |  |  |  |  |  |  | 338.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 336 | Dreams Rewired | 31.2 |  |  | 1.0 | 3.5 | 295.2 |  | 0.2 | 4.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 331 | Beauty in Trouble | 0.2 |  | 1.8 | 5.2 | 115.3 | 78.8 | 4.0 | 121.0 | 4.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 329 | Hotel Terminus - Part II |  |  |  |  | 96.8 |  |  | 169.0 | 63.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 327 | Maguy Marin |  |  |  |  |  |  |  |  | 327.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 327 | Sherman's March |  |  |  |  |  | 157.3 |  |  | 169.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 326 | The Battle of Chile (Part 2) |  |  | 88.3 |  |  | 88.5 |  | 88.7 | 60.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 320 | Soul of a Banquet |  |  | 42.2 |  |  | 8.7 |  | 78.5 | 190.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 320 | In the Aisles |  |  |  | 128.2 |  | 121.7 |  |  | 69.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 319 | Nostalghia |  |  | 4.3 | 35.3 | 12.7 |  |  |  | 267.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 314 | Time Regained |  |  |  | 5.5 |  | 85.2 |  | 159.7 | 63.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 307 | Arguing the World |  |  | 110.8 |  |  | 108.8 |  |  | 87.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 304 | The Battle of Chile (Part 1) |  |  | 80.7 |  | 25.2 | 96.0 |  | 95.8 | 6.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 301 | Rebels of the Neon God |  |  | 41.2 |  | 0.2 | 168.5 |  | 5.0 | 85.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 294 | Bitter Money | 0.5 | 6.3 | 126.8 | 156.8 |  | 3.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 289 | Viva Riva | 98.7 |  | 98.3 | 0.2 |  |  |  | 91.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 288 | Koshien: Japan's Field of Dreams |  |  | 93.7 | 0.7 | 1.7 | 0.3 |  | 0.2 | 191.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 283 | The Hitler Chronicles - Blueprint for Dictators - Part 2 |  |  |  |  |  | 52.5 |  | 94.8 | 135.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 279 | If A Tree Falls | 0.5 |  |  | 0.5 | 11.7 |  |  | 93.7 | 172.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 276 | The Goddesses of Food |  |  | 90.5 | 0.2 |  | 91.2 |  |  | 94.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 272 | What If Marx Was Right? |  |  |  |  |  | 54.3 |  | 58.3 | 159.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 272 | The Wealth of Nations: A New Gospel? |  |  |  |  |  | 109.2 |  | 57.2 | 105.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 270 | The Same Difference |  |  |  |  |  |  | 66.8 |  | 203.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 268 | Winter Vacation |  |  |  |  |  | 144.7 |  | 18.3 | 104.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 262 | Bedevil |  |  | 5.7 |  |  | 16.8 |  | 70.5 | 168.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 262 | Dark Star: H. R. Giger's World |  |  | 96.5 | 95.2 |  |  | 66.7 | 3.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 259 | From What Is Before | 0.2 |  |  |  |  |  | 233.8 |  | 25.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 256 | Time Thieves | 0.3 | 83.7 | 84.5 |  |  | 3.0 |  | 84.2 | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 255 | Bamako |  |  | 22.0 | 0.5 |  |  |  | 114.0 | 118.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 254 | Marguerite as She Was |  |  |  | 0.5 |  | 195.8 |  | 6.7 | 50.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 250 | The Yellow Wallpaper | 12.3 |  | 53.5 | 0.3 | 1.3 | 79.8 |  | 14.5 | 88.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 250 | Lomax the Songhunter |  | 62.5 |  |  | 0.2 | 92.2 |  |  | 95.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 247 | The Hitler Chronicles - Blueprint for Dictators - Part 1 |  |  |  |  |  | 72.3 |  | 71.3 | 103.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 247 | An Elephant Sitting Still |  |  |  | 2.0 |  | 2.7 |  |  | 241.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 245 | The Deep Blue Sea |  |  |  | 12.0 | 96.2 | 137.0 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 245 | Generation War Episode 1 |  |  |  |  |  | 189.5 |  | 52.3 | 3.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 240 | The Hitler Chronicles - Blueprint for Dictators - Part 3 |  |  |  |  |  | 52.2 |  | 80.7 | 107.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 240 | Generation War Episode 3 |  |  |  |  |  | 99.2 |  | 141.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 240 | Generation War Episode 2 |  |  |  | 1.8 |  | 155.8 |  | 82.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 239 | Nostalgia for the Light |  |  | 49.3 |  |  | 95.8 |  |  | 94.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 235 | Dead Souls - Part II |  |  |  |  | 161.7 | 73.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 235 | Girls Always Happy |  |  |  | 0.3 |  |  |  |  | 234.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 234 | Over the Years |  |  |  |  | 26.3 | 207.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 233 | The Adventurers of Modern Art - Ep 2 |  |  |  |  |  | 153.0 |  |  | 80.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 232 | Tokyo Fiancee |  |  |  | 97.8 | 0.2 | 1.8 |  | 38.2 | 93.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 230 | Olivia |  |  |  | 0.5 |  | 99.8 | 14.0 | 4.2 | 111.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 229 | Le Navire Night |  |  | 36.0 | 0.5 | 0.3 | 3.2 |  | 11.0 | 178.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 229 | Fidelio |  |  | 7.7 | 188.5 |  | 11.5 |  |  | 21.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 229 | Jinpa |  |  |  |  |  | 172.5 |  |  | 56.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 228 | White Sun |  |  |  |  |  |  |  |  | 228.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 228 | Keynes vs Hayek: A Fake Debate? |  |  |  | 2.8 |  | 53.5 |  | 54.0 | 117.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 226 | Cafe | 0.3 |  |  |  | 0.3 |  |  | 28.7 | 196.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 223 | Razzia |  |  |  | 7.8 |  | 174.5 |  | 25.7 | 15.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 223 | The Adventurers of Modern Art - Ep 5 |  |  |  |  |  | 222.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 222 | Fengming, a Chinese Memoir |  |  |  |  |  | 40.5 |  |  | 181.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 221 | The Ugliest Car |  |  | 46.3 | 29.5 |  | 139.7 |  | 5.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 218 | Sebastiane |  |  |  | 0.2 | 7.0 | 20.8 |  | 76.3 | 114.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 216 | Ida |  |  |  | 3.7 |  | 1.3 |  | 82.3 | 128.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 216 | El Sicario, Room 164 |  |  |  | 21.5 | 0.2 | 80.3 |  |  | 113.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 215 | Tharlo |  |  |  |  |  |  |  |  | 215.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 212 | The Hitler Chronicles - Blueprint for Dictators - Part 4 |  |  |  |  |  | 53.3 |  | 52.5 | 106.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 209 | Angels Wear White |  |  | 104.0 | 0.2 | 0.3 |  |  |  | 104.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 209 | A Home Called Nebraska |  |  |  |  |  | 69.3 |  |  | 139.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 205 | Vampire Clay | 50.0 |  |  | 8.7 | 12.2 | 120.2 | 11.3 |  | 3.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 205 | Sophie Scholl: The Final Days |  | 14.3 | 1.7 |  | 1.2 | 0.2 | 2.0 | 111.2 | 74.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 204 | The Juche Idea | 68.0 |  |  | 0.3 |  |  |  |  | 135.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 203 | The Battle of Chile (Part 3) |  |  | 36.5 |  |  | 79.5 |  | 8.5 | 78.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 202 | The Earth’s Forgotten |  |  |  |  | 0.7 | 59.3 |  | 31.3 | 110.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 200 | In Search of Memory |  |  | 10.8 | 0.5 |  |  |  |  | 188.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 199 | Ethnic Notions |  |  |  | 15.0 |  |  |  |  | 184.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 199 | Le Crabe-Tambour |  |  |  | 0.2 |  | 26.0 |  | 118.8 | 54.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 199 | The Adventurers of Modern Art - Ep 3 |  |  |  |  |  | 151.7 |  |  | 47.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 196 | Marlina the Murderer in Four Acts |  |  |  |  |  | 80.0 |  |  | 115.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 195 | One Day Pina Asked... |  |  | 34.5 |  |  |  |  |  | 160.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 193 | Egg and Stone |  |  | 79.5 | 0.2 |  | 5.2 |  |  | 108.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 191 | On This Side of the World |  |  | 96.5 | 1.2 |  | 92.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 190 | Dead Souls - Part I |  |  |  | 0.2 | 166.0 | 23.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 187 | Tokyo Idols |  |  | 2.8 | 89.0 |  | 1.2 |  |  | 93.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 186 | Down by Love |  |  | 16.5 | 90.7 |  | 11.7 |  |  | 67.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 186 | The Mystery of Chaco Canyon | 19.7 |  | 55.2 |  |  |  |  |  | 111.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 184 | The Chef's Wife |  |  |  |  |  |  |  |  | 184.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 184 | Camille Claudel |  |  | 6.2 | 0.8 |  | 2.2 |  | 173.8 | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 183 | Dark Eden |  |  |  | 36.8 |  | 146.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 183 | The Adventurers of Modern Art - Ep 4 |  |  |  |  |  | 183.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 183 | The Trials of Henry Kissinger |  |  |  |  |  | 79.7 |  |  | 102.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 181 | The 317th Platoon |  |  | 15.7 |  |  | 70.2 |  | 94.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 178 | The Woodmans | 10.2 |  | 42.8 | 0.8 |  | 0.7 |  | 33.7 | 90.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 177 | Citizens of the World |  |  |  |  |  |  |  |  | 177.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 177 | Tongues Untied |  |  | 3.2 |  | 2.7 | 7.0 |  |  | 164.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 175 | Dead Souls - Part III |  |  |  |  | 174.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 174 | Special Treatment |  |  |  |  | 61.0 | 2.8 |  | 19.2 | 91.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 174 | Advise & Dissent: Where the Supreme Court and Politics Collide |  |  |  |  |  | 88.0 |  |  | 86.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 173 | In Her Name |  |  | 4.8 |  | 0.2 | 84.2 |  | 83.3 | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 172 | Pendular |  |  | 49.2 | 1.8 | 0.8 | 20.0 |  | 32.2 | 67.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 171 | Sacred Water |  |  | 2.0 |  | 10.0 | 93.5 |  | 17.8 | 48.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 171 | Interkosmos | 22.7 |  | 0.2 | 1.7 | 2.2 | 70.7 |  |  | 73.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 169 | Sir! No Sir! |  |  |  |  |  | 86.2 |  | 82.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 167 | The Outsider |  |  |  |  | 0.2 |  |  |  | 167.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 166 | Disco and Atomic War | 34.8 |  |  | 0.8 |  | 84.3 |  |  | 46.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 166 | Around India with a Movie Camera |  |  |  | 19.7 |  | 145.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 163 | Donna Haraway: Story Telling for Earthly Survival |  |  |  |  |  |  | 0.8 | 67.3 | 95.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 162 | The Book of the Dead |  |  |  |  | 70.2 |  |  |  | 91.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 161 | Level Five |  |  | 4.2 | 154.7 |  |  |  | 0.8 | 1.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 161 | The Bomb | 53.5 | 2.8 |  | 13.7 | 0.7 |  |  | 59.7 | 30.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 161 | Bridgend |  |  |  | 0.3 |  | 55.7 |  |  | 104.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 161 | The Corporate Coup d'État |  |  | 90.2 |  |  | 21.8 |  |  | 48.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 160 | The Adventurers of Modern Art - Ep 6 |  |  |  | 0.3 |  | 157.5 |  |  | 2.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 160 | Paths of the Soul |  |  | 0.5 |  |  |  |  | 38.5 | 121.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 160 | Kings Point |  |  |  |  | 1.0 | 31.0 |  | 30.8 | 96.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 158 | Cheshire, Ohio |  |  |  |  | 3.5 | 75.3 |  |  | 79.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 158 | Far from Vietnam |  |  |  | 51.3 |  | 101.5 |  |  | 4.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 157 | Fresh Kill |  |  | 99.2 | 1.7 |  | 39.7 |  |  | 16.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 156 | The Ister |  |  | 18.2 |  | 110.8 |  |  | 15.8 | 11.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 154 | "I Do Not Care if We Go Down in History as Barbarians" |  |  |  |  | 0.5 |  |  | 32.5 | 121.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 154 | Feed: A Comedy About Running for President |  |  |  |  |  | 78.8 |  |  | 75.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 151 | Chasing Portraits |  |  |  |  |  |  |  | 77.3 | 74.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 150 | Moi, Un Noir |  |  |  | 73.5 |  | 3.7 | 71.8 |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 149 | Symbiotic Earth |  |  |  |  |  |  |  |  | 148.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 148 | Complaints of a Dutiful Daughter |  |  |  | 50.8 |  | 11.7 |  | 44.2 | 41.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 145 | Private Dicks: Men Exposed |  |  |  | 3.7 |  | 98.7 |  | 42.8 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 145 | The Naked Screen |  |  |  | 0.2 |  | 25.7 | 114.5 | 1.0 | 3.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 144 | Black Sun | 0.3 |  |  |  |  |  |  | 89.5 | 54.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 143 | The New Rijksmusuem |  |  | 141.0 |  |  | 2.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 143 | Bontoc Eulogy |  |  |  |  |  |  |  |  | 142.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 139 | Mesrine: Public Enemy #1 |  |  |  | 0.2 |  |  |  |  | 139.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 138 | Lumumba |  |  |  |  | 0.3 | 19.3 |  |  | 118.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 137 | The Two Faces of a Bamileke Woman | 0.2 |  | 76.5 | 0.5 | 9.7 |  |  | 49.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 136 | South |  |  |  | 41.0 |  | 82.2 |  |  | 12.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 135 | Old Dog |  |  |  |  | 0.2 | 40.8 | 88.7 | 5.3 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 135 | Demons | 18.0 |  |  | 93.0 | 23.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 135 | La Trinchera Luminosa del Presidente Gonzalo |  |  |  | 0.2 |  | 65.5 |  |  | 69.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 134 | Reason (Part 1) |  |  |  |  |  |  |  |  | 133.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 131 | An Encounter with Simone Weil |  |  |  |  |  | 74.2 |  | 54.0 | 3.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 130 | The Tree |  |  |  | 0.5 |  | 9.0 |  | 9.2 | 111.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 130 | Our Daily Bread |  |  |  |  | 0.2 | 6.8 |  | 122.0 | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 129 | Bestiaire |  |  |  |  | 35.5 | 93.3 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 129 | Too Late to Die Young |  |  |  |  | 8.7 | 111.2 |  |  | 8.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 128 | Ice |  |  |  |  |  | 128.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 127 | The Annotated Field Guide of Ulysses S. Grant |  |  |  |  |  | 61.2 |  |  | 65.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 126 | Marx Reloaded |  | 53.3 |  |  | 20.8 |  |  |  | 52.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 126 | Before the Flood I |  |  |  |  |  |  |  |  | 126.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 126 | Polina |  |  | 20.5 | 0.5 |  |  |  |  | 105.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 126 | Propaganda: The Manufacture of Consent |  |  |  | 18.8 |  | 52.5 |  |  | 54.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 125 | Tomcat |  |  |  |  |  | 8.5 |  | 116.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 125 | Time Indefinite |  |  |  |  | 125.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 125 | Chavela |  | 84.0 |  |  |  | 22.2 |  |  | 18.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 124 | Reason (Part 2) |  |  |  |  |  |  |  |  | 123.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 123 | System Error | 0.2 |  | 96.7 |  |  |  |  | 26.3 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 123 | Dawson City: Frozen Time |  |  | 0.3 |  | 1.0 | 122.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 123 | Flower in Otomi |  |  | 77.7 |  | 0.2 | 0.7 | 8.0 | 36.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 122 | Le Joli Mai | 0.2 |  |  | 0.5 |  |  |  |  | 121.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 121 | About Executing Eichmann |  |  |  |  |  |  |  |  | 120.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 120 | El Poeta |  |  |  |  |  | 67.0 |  |  | 53.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 120 | Tribal Justice |  |  | 55.0 |  |  |  |  |  | 64.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 119 | Route One/USA (part 1) |  |  |  |  |  | 32.7 |  |  | 86.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 119 | A Look at Madness / Captive Feast | 1.0 |  |  |  |  |  |  |  | 118.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 119 | The Widowed Witch |  |  |  |  |  |  |  |  | 118.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 117 | Mademoiselle Paradis | 4.8 |  |  | 7.5 |  | 0.3 | 7.3 | 97.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 115 | Confounding Father  - Episode 1 |  |  |  | 24.7 | 9.0 | 8.8 |  |  | 72.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 113 | Foucault Against Himself |  |  | 1.0 | 0.2 |  | 58.2 |  | 53.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 112 | The Offended |  |  |  |  |  |  |  |  | 112.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 112 | Next Time I'll Aim for the Heart |  |  | 109.5 |  |  |  |  |  | 2.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 112 | Northern Light |  |  | 111.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 111 | Free Lunch Society |  |  |  |  |  |  |  | 91.0 | 20.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 111 | The Society of the Spectacle (French w/ Eng. subtitles) |  |  | 20.0 |  |  |  |  |  | 91.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 110 | Conviction |  |  |  |  | 0.8 | 109.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 110 | Mesrine: Killer Instinct |  |  |  |  |  |  |  |  | 110.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 110 | Post Mortem | 0.3 |  |  | 0.7 | 99.0 | 5.0 | 2.3 | 0.2 | 2.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 109 | The Forgotten Space | 0.2 |  |  |  |  | 109.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 109 | Dedalus |  |  |  | 4.3 |  | 99.0 |  |  | 5.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 107 | Marius Petipa: The French Master of Russian Ballet |  |  | 55.2 |  |  |  |  | 52.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 107 | Extra Terrestres |  |  |  |  |  |  |  |  | 106.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 107 | An Eye for Beauty |  |  |  |  |  | 103.0 |  |  | 3.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 106 | Lost Rivers |  |  |  |  |  | 35.7 |  |  | 70.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 106 | Sociology is a Martial Art |  |  |  |  |  |  |  | 105.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 106 | Last Grave at Dimbaza |  |  |  |  |  |  |  |  | 105.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 105 | The Search |  |  |  |  |  |  |  |  | 105.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 104 | Number One Fan (Elle l'Adore) |  |  |  | 1.3 |  |  |  |  | 102.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 103 | From The Other Side |  |  |  |  |  |  |  |  | 103.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 103 | Araby |  |  |  |  |  | 12.0 |  |  | 91.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 103 | Circle of Poison |  | 32.5 |  |  |  |  |  |  | 70.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 103 | Made Over in America |  |  |  |  |  | 102.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 102 | The Country Doctor |  |  |  | 2.8 |  |  |  |  | 99.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 102 | Marie Curie: The Courage of Knowledge |  |  |  | 4.2 |  | 97.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 101 | Potiche |  |  |  | 0.3 |  |  |  |  | 101.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 101 | The Exquisite Short Films of Kihachiro Kawamoto |  |  |  | 0.5 |  |  |  | 1.5 | 99.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 101 | A Family Submerged |  |  | 2.7 | 0.3 |  |  |  |  | 97.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 101 | City of the Sun |  |  |  |  |  | 100.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 100 | Quiet City |  |  |  |  |  | 77.8 |  | 22.0 | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 99 | Confounding Father - Episode 2 |  |  |  | 9.7 |  | 29.2 |  |  | 60.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 99 | Come Undone |  |  |  | 0.2 |  | 97.5 |  | 0.2 | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 99 | Rabbit a la Berlin |  |  |  | 0.3 | 0.5 | 19.0 |  | 40.2 | 38.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 98 | 5 Broken Cameras | 5.3 |  |  |  |  | 2.2 |  | 90.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 98 | Sol LeWitt |  |  |  |  |  | 25.7 |  |  | 72.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 98 | Madam Phung's Last Journey |  | 85.0 |  |  |  | 0.2 |  |  | 12.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 97 | A Chef's Voyage |  |  |  |  |  |  |  | 97.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 97 | Dateline - Saigon |  |  |  | 0.8 |  |  |  |  | 96.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 97 | I Don't Belong Anywhere: The Cinema of Chantal Akerman |  |  |  |  |  | 67.2 |  |  | 29.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 97 | Stefan Zweig |  |  |  |  |  |  |  |  | 96.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 97 | Wendy and Lucy |  |  |  |  | 0.2 | 8.7 |  |  | 87.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 96 | The Nine Muses |  |  |  | 96.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 96 | Thursday Till Sunday |  |  |  |  |  | 95.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 96 | The Girl with a Bracelet |  |  |  |  |  |  |  |  | 95.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 95 | Female Directors |  |  | 6.0 | 0.2 |  | 0.3 |  |  | 89.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 95 | David Holzman's Diary |  |  | 18.3 | 0.3 |  |  |  |  | 76.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 95 | Black is... Black Ain't |  |  |  | 0.5 |  | 6.5 |  |  | 88.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 94 | El Incendio |  |  |  |  |  | 94.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 94 | A Kid (Le Fils de Jean) |  |  |  |  |  |  |  |  | 94.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 92 | Three Summers |  |  |  |  |  | 89.3 |  |  | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 92 | The Nightmare |  |  |  | 91.5 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 92 | Company Town |  |  |  |  |  |  |  | 90.8 | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 92 | Milking the Rhino |  |  |  |  | 74.5 |  |  |  | 17.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 91 | A Snowmobile For George |  |  |  |  |  |  | 91.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 91 | Adriana's Pact |  |  |  |  |  | 91.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 91 | A Film Unfinished |  |  |  | 0.2 |  |  |  | 90.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 91 | Red Persimmons |  | 90.3 |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 91 | As a Young Girl of Thirteen... |  |  |  | 0.3 | 0.3 | 89.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 91 | The Seasons in Quincy: Four Portraits of John Berger |  |  |  |  |  | 26.0 |  |  | 64.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 90 | Winter Brothers |  |  |  |  |  |  |  | 90.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 90 | The Red Soul |  | 90.0 |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 90 | Le Week-End |  |  |  | 0.2 |  | 0.3 |  |  | 89.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 90 | Van Gogh |  |  | 18.8 |  | 0.2 | 43.2 |  | 20.0 | 7.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 89 | Better This World |  |  |  |  |  |  |  |  | 89.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 89 | Seats At The Table |  |  |  | 87.0 |  |  |  |  | 2.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 89 | The Written Face |  |  | 1.0 | 0.3 | 87.0 |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 88 | The Journey of Monalisa |  |  |  |  |  |  |  |  | 88.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 88 | Afternoon of a Faun |  |  |  |  |  | 0.7 |  |  | 87.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 88 | I Never Climbed the Provincia |  |  | 87.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 88 | Color Adjustment |  |  |  |  |  | 87.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 88 | Open Bethlehem | 0.8 |  |  |  |  |  |  |  | 86.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 87 | Summer Pasture |  |  |  |  |  |  |  | 83.8 | 3.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 87 | From The East |  |  |  | 13.3 |  | 1.0 |  | 0.5 | 72.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 87 | Catching Sight of Thelma and Louise |  | 86.3 |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 87 | 900 Days |  |  | 75.7 |  |  | 11.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 86 | Planetary |  |  |  |  |  |  | 3.7 |  | 82.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 85 | Black Is the Color: A History of African American Art |  |  |  |  |  | 52.0 |  | 33.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 85 | Waiting for the Carnival |  |  |  |  |  | 85.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 85 | Almayer's Folly |  |  |  |  |  |  |  |  | 85.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 84 | After Stonewall |  |  |  |  |  |  |  |  | 84.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 84 | Hopefuls |  |  |  |  |  | 84.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 84 | Eames: The Architect & The Painter |  |  |  |  |  |  |  |  | 84.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 83 | McLibel |  |  |  |  |  |  |  |  | 83.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 83 | The Pearl Button |  |  |  |  | 82.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 83 | Xmas Without China |  |  |  |  |  | 65.2 |  | 17.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 83 | TVTV: Video Revolutionaries |  |  |  |  |  | 82.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 83 | The Hole |  |  |  | 3.0 | 0.5 | 6.7 | 0.3 |  | 72.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 83 | The Iron Ministry |  |  |  | 82.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 82 | Big Joy |  |  |  |  |  |  |  | 82.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 82 | The Marquis of Wavrin |  |  |  | 0.2 |  |  |  | 81.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 82 | A Boatload of Wild Irishmen |  |  |  |  |  |  |  |  | 81.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 81 | Afghanistan 1979: The War That Changed the World | 9.2 |  |  |  |  | 71.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 80 | Hissein Habre, A Chadian Tragedy |  |  |  |  |  |  |  |  | 79.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 79 | The Tiniest Place |  |  |  |  |  |  |  | 55.3 | 24.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 79 | Double Life, a Short History of Sex in the USSR |  |  | 3.5 | 63.7 | 0.2 | 0.3 |  | 10.5 | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 79 | City Dreamers |  |  |  |  | 1.0 |  |  |  | 77.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 78 | Naples '44 |  |  |  |  |  |  |  | 2.5 | 75.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 78 | Small Wonders |  |  |  |  |  |  |  | 78.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 78 | Chez Jolie Coiffure |  |  |  |  |  | 7.7 |  | 70.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 78 | In the Last Days of the City |  |  |  |  |  |  |  |  | 77.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 77 | Egg Cream |  |  |  |  |  |  |  | 61.7 | 15.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 77 | In the Name of God |  |  |  |  |  | 76.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 77 | Bugs |  |  |  |  |  | 72.0 |  | 3.7 | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 76 | With André Gide |  |  |  |  |  | 76.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 76 | Karayuki-San, The Making of a Prostitute |  |  |  | 0.3 |  | 75.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 76 | The Kill Team |  |  |  |  |  | 75.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 75 | Your Day is My Night |  |  |  |  |  |  |  | 12.0 | 63.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 75 | Seven Songs for Malcolm X |  |  |  |  |  |  |  | 21.2 | 53.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 74 | Green Fire |  |  |  |  |  | 74.2 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 73 | To Chris Marker, An Unsent Letter |  |  |  |  |  |  |  | 72.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 72 | The Hermitage Dwellers |  |  |  |  |  |  |  | 72.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 72 | The Gold Spinners |  |  |  |  |  | 71.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 70 | Between Two Worlds |  |  |  |  |  |  |  |  | 70.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 69 | Do Communists Have Better Sex? |  |  |  | 0.3 |  | 2.3 |  | 10.2 | 56.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 69 | Beatrix Farrand's American Landscapes |  |  |  |  |  |  |  |  | 68.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 69 | A Silent Transformation |  | 68.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 69 | Border South |  |  |  |  |  |  |  |  | 68.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 68 | Six in Paris (Paris vu par) |  | 39.2 |  | 14.3 |  | 14.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 68 | 90° South | 0.2 |  |  |  |  |  |  |  | 68.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 68 | Russian Ballet: Swan Lake |  |  | 67.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 68 | Penguin Counters |  |  |  |  |  | 67.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 67 | Rocky Road to Dublin |  |  |  |  |  | 67.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 67 | The Owl's Legacy: Symposium, or Accepted Ideas |  |  |  |  |  | 26.5 |  | 13.7 | 27.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 67 | Disturbing the Peace |  |  |  |  |  |  |  |  | 66.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 67 | Away from Meaning (Lejos del sentido) |  |  |  |  |  |  |  |  | 66.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 67 | Mar |  |  |  | 0.8 |  | 61.3 |  |  | 4.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 66 | The Invisible Witness |  |  |  |  | 0.2 | 2.0 |  | 64.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 66 | Planeat |  |  |  |  |  |  |  |  | 66.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 65 | Directing Actors by Jean Renoir |  |  |  |  |  | 43.7 |  | 21.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 65 | Tokyo Waka |  |  |  | 0.2 | 0.3 |  |  |  | 64.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 65 | 100 Years of Japanese Cinema |  |  |  |  | 45.0 |  |  |  | 19.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 65 | Who Made You |  |  |  | 0.2 |  |  | 1.3 |  | 63.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 64 | The Midwife |  |  | 58.2 | 1.3 |  |  |  |  | 4.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 63 | Family Life |  |  |  | 63.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 63 | The Punishment |  |  |  |  |  |  |  |  | 62.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 63 | Tiny: A Story About Living Small |  |  |  |  |  | 62.3 |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 62 | What Our Fathers Did: A Nazi Legacy |  |  |  |  | 34.0 | 14.8 |  |  | 13.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 62 | After the Spill |  |  |  |  |  |  |  |  | 61.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 62 | I Am Somebody |  |  |  |  |  |  |  |  | 61.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 61 | The Owl's Legacy: Democracy, or City of Dreams |  |  |  |  |  | 61.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 61 | In Exile: A Family Film |  |  |  |  |  | 61.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 61 | Painted Landscapes of the Times |  |  | 24.7 |  |  | 30.2 |  |  | 5.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 61 | Edith+Eddie |  |  |  | 29.0 |  |  |  | 30.0 | 1.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 61 | The Island |  |  |  |  |  | 60.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 60 | An Ecology of Mind |  |  |  |  | 0.2 |  |  |  | 60.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 60 | The Activists |  |  |  |  |  |  |  |  | 60.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 60 | Ursula von Rydingsvard: Into Her Own |  |  |  |  |  | 57.2 |  | 3.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 60 | Confounding Father - Episode 3 |  |  |  |  |  | 30.3 |  |  | 29.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 60 | Creepy |  |  |  | 51.7 | 7.2 |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 60 | East of Salinas |  |  |  |  |  |  |  |  | 59.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 60 | Sex in the Comix |  |  |  |  | 0.2 | 5.2 |  |  | 54.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 59 | Glenn Gould: Off the Record |  |  |  |  |  | 59.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 59 | And There Was Israel |  |  |  |  |  |  |  |  | 59.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 59 | Sound of Torture |  | 58.5 |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 58 | Trespassing Bergman |  |  | 2.0 | 0.2 | 0.5 |  |  |  | 54.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 58 | Kelly Loves Tony |  |  | 57.3 |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 57 | Fold Crumple Crush: The Art of El Anatsui |  |  |  |  |  | 0.8 |  | 56.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 57 | The Last Tycoons - Episode 1 |  |  |  |  |  |  |  |  | 57.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 57 | The Owl's Legacy: Misogyny, or the Snares of Desire |  |  | 26.0 |  |  | 26.9 |  |  | 4.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 57 | An Injury To One |  |  |  |  |  |  |  |  | 56.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 57 | Redefining Prosperity |  |  |  |  |  |  |  |  | 56.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 57 | Pilgrims and Tourists |  |  | 56.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 57 | Churchill's Island |  |  |  |  | 0.5 | 3.7 |  | 24.2 | 28.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 56 | The Return of the Cuyahoga |  |  |  |  |  | 56.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 56 | To Tell the Truth: The Strategy of Truth |  |  |  |  |  | 56.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 56 | Islands of Sanctuary |  |  |  |  |  | 55.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 56 | Confounding Father - Episode 4 |  |  |  |  |  | 28.5 |  |  | 27.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 55 | The Last Tycoons - Episode 4 |  |  |  |  |  |  |  |  | 55.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 55 | One Day in the Life of Andrei Arsenevich |  |  |  | 0.2 |  |  |  |  | 54.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 55 | Finally Got the News |  |  |  |  |  |  |  |  | 54.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 55 | The Drunkard's Lament |  |  |  |  |  | 47.3 |  |  | 7.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 54 | Minute Bodies: The Intimate World Of F. Percy Smith |  |  |  | 53.3 |  |  |  |  | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 54 | A Baptism of Fire |  |  |  |  |  |  |  |  | 54.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 54 | The Universal Clock |  |  |  |  |  | 21.0 |  | 33.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 54 | The Last Tycoons - Episode 3 |  |  |  |  |  |  |  |  | 53.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | The Last Tycoons - Episode 2 |  |  |  |  |  |  |  |  | 53.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | The Owl's Legacy: Music, or Inner Space |  |  | 26.0 |  |  | 27.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | Suzanna Andler Trailer |  | 2.7 |  | 3.2 | 6.3 | 15.2 |  | 8.7 | 17.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | Abendland |  |  |  |  |  |  |  |  | 52.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | All the World's Memory |  |  |  |  |  | 31.2 |  |  | 21.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | Great Expectations |  |  |  |  |  | 52.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | The Academy of Muses |  |  |  |  |  | 0.7 |  | 52.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | How to Build an Igloo |  |  |  |  |  | 21.0 |  | 10.5 | 21.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | The Owl's Legacy: Nostalgia, or The Impossible Return |  |  |  |  |  | 52.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 53 | The Owl's Legacy: Cosmogony, or the Ways of the World |  |  | 26.2 |  |  | 26.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | Invocation - Maya Deren |  |  |  |  |  |  |  |  | 52.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | Agent Orange |  |  | 45.8 |  |  |  |  |  | 6.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | How Putin Came to Power |  |  |  |  |  |  |  |  | 52.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | Mondovino: Crossing the Rubicon |  |  |  |  |  |  |  |  | 52.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | The Owl's Legacy: Mathematics, or the Empire Counts Back |  |  | 12.3 |  | 12.8 | 26.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | Presumed Guilty |  |  |  |  | 51.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | No Time To Waste |  |  |  |  |  | 51.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | Art and Oligarchs |  |  |  |  |  |  |  |  | 51.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 52 | Do You Remember Vietnam? |  | 50.0 |  | 0.2 |  |  |  |  | 1.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 51 | American Socialist: Eugene Debs |  |  |  |  |  | 35.3 |  |  | 15.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 51 | Farmsteaders |  |  |  |  |  |  |  |  | 51.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 51 | The Owl's Legacy: Mythology, or Lies Like Truth |  |  | 8.5 |  | 16.3 | 26.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 51 | The Last Angel of History |  |  |  | 1.2 |  | 45.3 |  |  | 4.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 51 | Mondovino: Where's Astérix? |  |  |  |  |  |  |  |  | 50.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 51 | Blind |  |  |  |  |  | 6.5 |  | 10.3 | 33.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 51 | Thinking Existenz - Ep 02 - Laurie Anderson | 0.2 |  |  |  |  |  |  | 31.2 | 19.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 50 | Sleeping Souls |  |  |  |  |  |  |  |  | 50.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 50 | Futures Market | 39.2 |  |  |  |  | 10.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 50 | 2 X 50 Years of French Cinema |  |  |  |  | 0.2 |  |  |  | 49.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 48 | American Arab |  |  |  |  |  |  |  |  | 48.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 48 | Power to Heal |  |  |  |  |  |  |  |  | 47.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 48 | Thinking Existenz - Ep 09 - Lula da Silva |  |  |  |  |  |  |  |  | 47.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 47 | Guanape Sur |  |  |  |  | 0.2 | 23.8 |  |  | 23.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 47 | Facing Fear |  |  |  |  |  | 23.5 |  | 23.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 46 | Let the Fire Burn |  |  | 45.3 | 0.2 | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 46 | Space Dogs |  |  |  |  |  | 24.0 |  |  | 22.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 45 | The Deer |  |  |  |  | 0.2 | 45.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 45 | Diplomacy |  |  |  | 3.2 | 0.7 |  |  | 41.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 45 | The Owl's Legacy: Olympics, or Imaginary Greece |  |  |  |  |  | 25.0 |  |  | 19.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 45 | Six in Paris: Montparnasse et Levallois |  |  | 15.0 |  |  | 1.3 | 11.5 |  | 16.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 45 | 1914: A War of Images | 40.8 |  |  |  |  |  |  |  | 3.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 45 | Investigation of a Flame |  |  |  | 0.3 |  |  |  |  | 44.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 44 | This is Cristina Trailer |  | 3.3 | 2.3 | 0.2 | 1.5 | 10.5 |  | 12.5 | 13.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 43 | Bikes vs Cars | 43.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 43 | Hotel Terminus - Part III |  |  |  |  |  |  |  | 43.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 43 | Harvard Beats Yale 29-29 |  | 28.3 |  | 0.2 |  |  | 0.3 | 14.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 42 | Chaval |  |  | 15.3 |  |  | 17.3 |  |  | 9.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 42 | Three Sisters |  |  |  |  |  |  |  | 42.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 42 | Our Blood is Wine |  |  | 7.5 | 0.2 |  | 1.0 |  |  | 33.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 42 | koré |  |  | 23.3 |  |  | 16.5 |  |  | 2.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 41 | 30 Second Democracy |  |  |  |  |  |  |  |  | 41.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 40 | Coming to Light |  |  |  |  |  |  |  |  | 40.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 40 | Backyard |  |  |  |  |  |  |  | 40.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 40 | Gray Matters: Architect & Designer Eileen Gray |  |  |  |  |  |  |  | 40.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 40 | Sagrada: The Mystery of Creation |  |  |  | 39.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 38 | Non, Je Ne Regrette Rien |  |  | 38.0 | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 38 | The Great Flood | 2.7 |  |  | 24.0 |  | 2.2 |  | 9.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 38 | Beijing Besieged by Waste |  |  |  |  |  |  |  |  | 38.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 38 | The Idol |  |  | 35.0 |  |  |  | 2.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 37 | Multiracial Identity |  |  |  |  |  |  |  |  | 37.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 37 | Ama |  |  |  |  |  | 5.0 | 2.0 |  | 30.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 37 | The Intolerable Burden |  |  |  | 36.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 36 | God |  |  |  |  |  |  |  | 0.5 | 35.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 35 | Ta'ang |  |  |  |  |  |  |  |  | 35.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 35 | Silentium |  |  |  |  |  |  |  | 35.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 35 | Best of Fest 1 - 4 |  |  |  |  |  | 23.0 |  | 12.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 35 | The Heretics | 0.2 |  |  |  |  | 34.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 34 | The Pinochet Case |  |  |  | 0.5 |  |  |  |  | 33.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 34 | 100 Children Waiting for a Train |  |  |  |  |  |  |  |  | 34.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 34 | Momma Don't Allow |  |  |  |  |  |  |  |  | 33.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 34 | Jamilia |  |  |  |  |  |  |  |  | 33.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 34 | Bidder 70 |  |  |  |  | 33.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 33 | The Watermelon Woman |  |  |  | 27.2 |  |  | 2.7 |  | 3.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 33 | Codigo Color, Memorias |  |  |  |  |  |  |  |  | 32.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 33 | A Tribute to Malcolm X |  |  |  |  |  |  |  |  | 32.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 32 | Which Way Is East: Notebooks from Vietnam |  |  |  |  |  |  |  |  | 32.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 32 | Man in the Well |  |  |  |  | 15.8 | 16.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 32 | Mammy Water |  |  |  |  |  | 19.2 |  |  | 12.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 31 | Jai Bhim Comrade |  |  |  | 0.3 |  |  |  |  | 30.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 31 | The True Cost |  |  |  |  |  | 31.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 31 | We the Workers |  |  |  |  |  |  |  |  | 30.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | Glenn Gould: On the Record |  |  |  |  |  | 30.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | Live Nude Girls Unite |  |  |  | 1.2 |  | 21.7 | 5.5 |  | 1.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | Frida Kahlo & Tina Modotti |  |  |  |  |  | 30.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | Tierralismo |  |  |  |  |  |  |  |  | 30.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | The Clearstream Affair |  |  |  |  |  |  |  |  | 29.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | Six O Clock News |  |  |  |  | 29.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | The Law | 8.5 | 13.8 |  |  |  | 7.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | Ballerina |  |  | 29.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 30 | The Owl's Legacy: Philosophy, or the Triumph of the Owl |  |  | 25.7 |  | 3.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 29 | The Ritchie Boys |  |  |  |  |  |  |  |  | 28.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 28 | 10th Parallel |  |  |  |  |  |  |  |  | 28.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 28 | Encounters with Your Inner Trotsky Child |  |  |  | 7.2 |  |  |  |  | 20.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 28 | Killing Time/Fannie's Film |  |  | 1.7 |  | 0.2 |  |  |  | 26.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 27 | The Absent House |  |  |  |  | 7.8 |  |  |  | 19.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 27 | The Unreturned Soldiers In Thailand |  |  |  |  |  |  |  | 27.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 27 | The Owl's Legacy: Tragedy, or the Illusion of Death |  |  | 26.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 27 | Trees in Trouble |  |  |  |  |  | 26.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 27 | The Making of 'Rocky Road to Dublin' |  |  |  |  |  | 26.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 27 | This is the Way I Like It |  |  |  |  |  |  |  |  | 26.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 27 | The Whalers |  |  |  |  |  |  |  |  | 26.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 26 | The Bridesmaid |  |  |  | 4.0 | 0.7 | 0.7 |  | 0.2 | 20.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 26 | The Trouble with Bread |  |  |  |  |  |  |  |  | 26.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 26 | Tahrir: Liberation Square |  |  |  |  |  |  |  |  | 26.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 26 | Evolution of Organic |  |  |  |  |  | 26.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 26 | Mrs. B., A North Korean Woman |  |  |  | 0.8 |  | 25.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 26 | Marina Abramovic in Brazil: The Space in Between | 14.0 |  |  |  |  |  |  |  | 11.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 26 | Aferim! |  |  |  |  |  | 0.5 |  | 25.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 26 | In the Intense Now |  |  | 7.3 |  |  |  |  |  | 18.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 25 | The Owl's Legacy: Logomachy, or the Dialect of the Tribe |  |  |  |  |  | 25.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 25 | Libby, Montana |  |  |  |  |  |  |  |  | 25.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 25 | Integration Report 1 |  |  |  |  |  | 3.8 |  |  | 21.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 24 | How He Fell in Love |  |  | 16.7 | 7.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 24 | The Children of 209 Saint-Maur Street | 0.2 |  |  | 0.2 | 20.2 |  |  |  | 3.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 24 | One Bright Shining Moment |  |  |  |  |  |  |  | 23.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 24 | The Enemy Within |  |  |  |  |  |  |  |  | 23.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 24 | As Good As You |  |  |  | 18.2 |  |  |  |  | 5.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 24 | The Sequel |  |  |  |  |  |  |  |  | 23.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 23 | John Berger or The Art of Looking |  |  |  |  |  | 23.0 |  | 0.2 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 23 | Milestones |  |  | 22.8 |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 23 | Restless Creature: Wendy Whelan |  |  |  | 22.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 23 | Salvador Allende |  |  |  |  |  |  |  | 12.5 | 10.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 23 | Marcel Ophuls and Jean-Luc Godard |  |  | 22.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 22 | To Tell the Truth: Working for Change |  |  |  |  |  |  |  | 7.2 | 15.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 22 | Zinoviev's Tube |  |  |  |  |  |  |  |  | 22.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 22 | When a Tree Falls (Amama) |  |  |  | 21.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 22 | Germans & Jews |  |  |  |  |  |  |  | 21.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 22 | Outstanding Award Winner Henrique Pina: Body-Buildings |  |  |  |  |  |  |  | 21.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 22 | 56 UP |  |  |  |  | 21.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 22 | City of Gold |  |  |  |  |  | 21.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 22 | Pray the Devil Back to Hell |  |  |  |  |  |  |  |  | 21.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 21 | Los Sures |  |  | 21.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 21 | The Mountain |  |  |  |  |  | 20.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 20 | Chums from Across the Void |  |  |  |  |  | 3.7 |  |  | 16.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 20 | Beyond Boobs |  |  | 7.3 | 4.3 | 4.2 | 1.3 | 2.5 |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 20 | Louise By the Shore |  |  |  |  | 19.2 | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 20 | Chris Marker's Bestiary: Cat Listening to Music |  |  | 2.5 |  |  | 3.0 |  | 3.2 | 11.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 19 | Kati With an I |  |  |  | 10.8 |  | 2.2 | 6.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 19 | You Will Be My Ally |  |  |  | 19.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 19 | Doors of the Past |  |  |  | 0.2 |  | 4.2 |  |  | 14.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 19 | The Poets |  |  |  | 19.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 19 | Elsewhere Part I |  |  |  |  | 5.8 |  |  |  | 13.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 19 | Xu Bing: Phoenix |  |  |  |  |  | 17.5 |  |  | 1.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 19 | Secundaria |  |  | 18.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 19 | Starfish Aorta Colossus |  |  |  |  |  | 9.5 |  |  | 9.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 18 | The Spectre of Hope |  |  |  |  |  |  |  | 18.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 18 | Inside Her Sex |  |  | 13.3 |  |  |  |  |  | 5.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 18 | Riddles of the Sphinx |  |  | 11.3 |  |  |  |  |  | 7.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 18 | Six in Paris: Gare du Nord |  |  |  |  |  |  |  |  | 17.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 18 | Re-Awakenings |  |  |  |  |  | 17.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 18 | Our Time |  |  |  | 10.3 | 0.2 | 1.5 |  |  | 5.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | Night Cries: A Rural Tragedy |  |  |  |  |  | 17.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | Nice Colored Girls |  |  |  |  |  | 17.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | Brave New West |  |  |  |  |  |  |  |  | 17.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | In the Mirror of Maya Deren |  |  |  |  |  |  |  |  | 17.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | The Revisionaries |  |  | 15.5 | 0.2 | 0.7 | 0.7 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | Thinking Existenz - Ep 01 - Eduardo Galeano |  |  |  |  |  | 0.2 |  |  | 17.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | Below |  |  |  |  |  | 16.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | The Case of the Grinning Cat |  |  |  |  |  | 13.5 |  |  | 3.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 17 | Release |  |  |  |  |  | 16.3 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | Carmen and Geoffrey |  |  |  |  |  |  |  |  | 16.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | Jeannette: The Childhood of Joan of Arc |  |  |  |  |  |  |  |  | 16.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | Maison Close Trailer | 0.7 |  | 0.7 | 1.3 |  | 5.0 |  | 7.3 | 1.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | Tribute to Alfred Lepetit |  |  |  |  | 16.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | La Petite Lili |  |  | 4.7 |  | 0.8 | 7.3 |  |  | 3.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | The New Americans - Episode 7 |  |  |  |  |  | 15.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | Tell No One |  |  |  | 13.3 | 0.7 |  | 1.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | Six in Paris: Rue Saint Denis |  |  |  | 15.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 16 | Mitote / Mexican Ritual |  |  |  |  | 15.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 15 | A Quiet Passion |  |  |  | 15.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 15 | Marlina the Murderer in Four Acts: Interview with Mouly Surya |  |  |  |  |  |  |  |  | 15.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 15 | Documentary - All It Gives |  |  |  |  |  |  |  | 15.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 15 | I am from Chile |  |  |  | 14.8 |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 14 | Time of the Locust |  |  |  | 2.2 |  |  |  | 12.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 14 | Paul Gauguin |  |  |  |  |  |  |  |  | 14.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 14 | Decision 80 |  |  |  |  |  | 4.0 |  |  | 10.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 14 | Santiago, Italia |  |  |  |  |  |  |  | 14.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 14 | Dance Party USA |  |  |  | 0.2 |  | 0.7 | 0.2 | 1.8 | 11.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 14 | So Pretty |  |  |  | 0.7 |  | 1.7 | 3.0 | 0.8 | 7.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 14 | How to Lose Your Virginity |  |  | 5.0 |  |  | 0.5 | 4.3 |  | 3.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 14 | Goya: The Secret of the Shadows |  |  |  |  |  | 13.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | Chris Marker's Bestiary: An Owl is an Owl is an Owl |  |  |  |  |  | 3.3 |  | 3.5 | 6.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | super-max |  |  |  |  |  |  |  |  | 13.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | The Film of Her |  |  |  |  |  | 13.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | Muybridge's Strings |  |  |  |  |  | 12.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | Late Summer |  |  |  |  |  |  |  |  | 12.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | Andrés Reads and Writes |  |  |  | 0.8 |  |  |  |  | 12.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | Cheat Neutral |  |  |  |  | 12.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | No Fish Where to Go |  |  |  |  |  | 12.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 13 | Marx for Beginners |  |  |  |  |  | 12.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 12 | Affirmations |  |  |  |  |  |  |  |  | 12.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 12 | Documentary - Chen |  |  |  |  |  |  |  | 12.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 12 | Edward Said: The Last Interview |  |  |  |  | 0.3 |  |  |  | 11.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 12 | Miss Hill: Making Dance Matter |  |  | 11.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | Zone of Silence |  |  |  |  |  |  |  |  | 11.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | Great Man and Cinema | 3.7 |  |  |  |  |  |  |  | 7.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | Coda |  |  |  |  |  | 11.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | New Inspiration - Pas De Quoi |  |  |  |  |  |  |  | 10.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | Through the Looking Glass |  |  |  |  |  |  |  |  | 10.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | This is the Way I Like It 2 |  |  |  |  |  | 0.5 |  |  | 10.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | Party Girl |  |  | 3.8 |  |  | 5.5 |  |  | 1.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | The Great Malaise |  |  | 5.3 |  |  | 5.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | She's Lost Control |  |  |  |  |  |  |  |  | 10.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | States of Unbelonging |  |  |  |  |  |  |  |  | 10.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | Wuthering Heights |  |  |  | 10.3 |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | L'AMOUR! - Swivel |  |  |  |  |  | 6.7 |  | 4.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | Monsieur & Madame Adelman |  |  |  | 1.8 |  | 0.2 |  | 0.2 | 8.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 11 | FALN |  |  |  |  |  |  |  |  | 10.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Fate of a Salesman |  |  |  | 10.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | The Making of Dark Star |  |  |  |  |  | 10.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Ilya and Emilia Kabakov: Enter Here |  |  |  |  |  |  |  |  | 10.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Kochuu |  |  |  |  |  |  |  |  | 10.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | The Goumbé of the Young Revelers |  |  |  | 0.3 |  |  |  | 10.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Impromptu |  |  |  |  |  |  |  | 10.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Best of Fest 1 - Beast |  |  |  |  |  |  |  | 10.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Reflection |  |  |  |  |  | 10.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Beyond My Grandfather Allende |  |  |  |  |  |  |  | 10.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Lost Course | 0.3 |  |  | 0.2 |  | 6.8 |  |  | 2.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Chris Marker's Bestiary: Bullfight in Okinawa |  |  |  |  |  |  |  | 4.3 | 5.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | By the Time It Gets Dark | 0.2 |  |  | 3.2 | 2.7 |  |  |  | 3.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Metamorphoses |  |  |  |  |  | 9.0 |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Tú y Yo |  |  |  |  |  |  |  |  | 9.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Vito |  |  |  |  |  |  |  | 9.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Dreams from the Outback |  |  |  |  |  |  |  | 9.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 10 | Sex, Lies and Tabloids! |  |  | 4.3 |  |  | 5.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | Chris Marker's Bestiary: Zoo Piece |  |  |  |  |  |  |  | 3.8 | 5.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | The Owl's Legacy Trailer |  | 1.3 |  |  |  | 3.3 |  |  | 4.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | I Like Girls |  |  |  |  |  | 9.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | Best of Fest 1 - Traces |  |  |  |  |  |  |  | 9.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | The Silence of Mark Rothko |  |  |  | 0.5 |  |  |  | 0.3 | 8.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | Six in Paris: The Mute |  |  | 0.2 | 0.5 |  |  |  |  | 8.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | I Don't Feel Anything Anymore |  |  |  |  |  |  |  |  | 8.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | Dreams That Money Can Buy |  |  |  |  |  | 2.8 |  | 6.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | Chris Marker's Bestiary: Slon Tango |  |  |  |  |  |  |  | 4.5 | 4.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | Malick Sidibé |  |  |  |  |  | 8.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | Blue |  |  |  |  |  | 1.2 |  |  | 7.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 9 | Frantz |  |  |  |  | 0.7 | 7.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | Imaginary Feasts | 8.2 |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | The End of Pinky |  |  |  |  |  | 8.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | Picasso and Sima, Antibes 1946 |  |  |  |  |  | 8.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | The Lost Village |  |  |  |  |  |  |  | 8.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | The Human Pyramid |  |  | 8.0 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | Bettie Page Reveals All |  |  |  | 7.8 |  | 0.2 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | wüstenspringmaus |  |  |  |  |  | 5.5 |  |  | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | The Assistant |  |  | 7.7 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | Patch Town |  |  | 7.7 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | Dick Cheney in a Cold, Dark Cell |  |  |  |  |  | 5.3 |  |  | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 8 | Behind-the-Scenes of JINPA |  |  |  |  |  | 3.8 |  |  | 3.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | Beyond Zero: 1914-1918 |  |  | 7.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | Damages |  |  |  |  | 0.5 |  |  |  | 6.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | Jutra |  |  |  |  | 7.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | The Toxic Reigns of Resentment |  |  |  |  |  | 7.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | The Apology |  |  |  |  |  | 0.2 |  |  | 6.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | What If Babel Was Just a Myth? |  |  |  | 0.7 |  | 6.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | My Little Underground |  |  |  |  |  | 6.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | Cuban Food Stories |  |  |  |  |  |  |  | 6.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | The Invisible Frame |  |  |  | 6.5 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | Guernica |  |  |  |  |  |  |  |  | 6.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | Balakrishna |  |  |  |  | 6.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | The Last Happy Day |  |  |  |  |  |  |  |  | 6.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | Karmen Gei |  |  |  |  |  |  |  |  | 6.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 7 | La Arrancada |  |  |  | 5.7 |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | Dries |  |  |  |  |  |  |  |  | 6.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | O Amor Natural |  |  |  | 0.3 | 0.2 | 0.2 |  |  | 5.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | Video Game |  |  |  |  |  | 6.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | A German Youth |  |  | 2.5 | 0.8 |  | 2.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | Buddy |  |  |  |  | 6.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | Best of Fest 2 - ID |  |  |  |  |  |  |  | 6.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | Mama Colonel |  |  |  |  |  |  |  |  | 6.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | A Time to Rise |  |  |  |  |  | 0.7 |  |  | 5.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | The Waldheim Waltz |  |  |  |  |  | 5.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | The Rest I Make Up |  |  | 1.3 |  |  | 0.3 |  |  | 4.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | Generation War Trailer |  |  |  |  |  | 3.5 |  | 2.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | Marlina the Murderer in Four Acts: Behind the Scenes |  |  |  |  |  |  |  |  | 5.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | The Mountain of SGaana |  |  |  |  | 5.2 | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | Dreams of Ice |  |  |  |  |  |  |  |  | 5.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | The Basketball Game |  |  |  |  |  | 5.3 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 6 | The Retrieval Trailer |  |  |  |  | 3.0 | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Tatsumi |  |  |  |  |  |  |  | 5.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Eastern Boys |  |  |  |  |  | 2.2 |  |  | 2.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Christmas with Chávez | 1.2 |  |  |  |  | 2.0 |  |  | 1.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | The Raw and the Cooked: A Culinary Journey Through Taiwan |  |  |  | 5.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | 'Til Madness Do Us Part |  |  |  |  |  |  |  | 4.8 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | France (Les Habitants) |  |  |  |  |  |  |  |  | 4.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Bones of Contention |  |  |  | 4.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Romantico |  |  |  |  | 4.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Drux Flux |  |  |  |  |  | 4.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Nadine |  |  |  |  |  | 4.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Best of Fest 2 - Being |  |  |  |  |  |  |  | 4.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Putin's Witnesses |  |  |  |  |  |  |  | 4.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Forever |  |  |  |  |  |  |  |  | 4.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Best of Fest 2 - Dusk |  |  |  |  |  | 0.5 |  | 4.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | An Elephant Sitting Still Trailer |  |  |  |  |  |  |  | 2.3 | 2.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | The Returned Trailer - Season 1 |  |  |  |  |  | 1.0 |  | 2.0 | 1.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 5 | Seeing is Believing |  |  |  |  |  |  |  |  | 4.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Facing The Storm |  |  |  |  |  | 4.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Early Works of Cheryl Dunye |  |  |  |  |  |  |  |  | 4.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Yo |  |  |  |  | 4.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | To Be of Service |  |  |  |  |  | 4.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Affluenza |  |  |  |  |  |  |  |  | 4.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Ghost Town | 0.2 |  |  |  |  |  |  |  | 3.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Althea |  |  | 4.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Mercedes Sosa: The Voice of Latin America |  |  |  |  |  |  |  | 4.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | The Embassy |  |  |  |  |  |  |  |  | 4.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | La Yuma |  |  |  | 2.8 |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | The World of Gilbert and George |  |  |  |  |  | 3.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Travels in the Congo (Voyage au Congo) |  |  |  |  |  | 3.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Chantal Akerman by Chantal Akerman |  |  |  |  |  |  |  |  | 3.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Ainsi Meurent Les Anges (And So Angels Die) |  |  |  |  |  |  |  |  | 3.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | A New Color: The Art of Being Edythe Boone |  |  |  | 0.2 | 1.0 | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Marlina the Murderer in Four Acts Trailer |  |  |  |  |  | 1.8 |  | 1.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 4 | Don't Give Up Your Voice! |  | 3.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Decasia |  |  | 3.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Now He's Out in Public and Everyone Can See |  |  |  |  |  |  |  | 3.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Towards Mathilde |  |  | 0.5 |  |  |  |  |  | 2.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | In Our Nature |  |  |  |  |  | 3.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Food for Thought - Risotto Meets Saké - Ep. 1 |  |  |  |  |  |  |  | 3.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | New Inspiration - Floor Falls |  |  |  |  |  |  |  | 3.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | The Other Side of Everything |  |  |  | 2.5 | 0.5 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Faith Love Desire - Ep 1 - First Love |  |  |  |  | 1.2 | 1.2 |  | 0.2 | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Anais Goes to War |  |  |  |  |  |  |  |  | 3.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | The Campaign |  |  |  |  |  |  |  |  | 3.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | 12 Days |  |  |  | 0.2 |  |  |  |  | 2.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | 339 Amín Abel Hasbun. Memory of a Crime |  |  |  | 0.3 |  | 0.5 | 1.7 | 0.2 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Vic + Flo Saw a Bear |  |  |  |  | 2.7 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Kate and Anna McGarrigle |  |  |  |  |  | 2.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Success |  |  |  |  |  |  |  |  | 2.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | comunista! |  |  |  |  |  |  |  |  | 2.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | The Retrieval |  |  | 2.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Fishing: In the Sea of Greed |  |  |  |  |  | 2.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Berliner Ballade |  |  |  |  |  | 2.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | L'AMOUR! - Lazarus |  |  |  |  |  |  |  | 2.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Suzy Lake: Playing with Time |  |  |  |  |  |  |  |  | 2.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Tina In Mexico |  |  |  | 0.2 |  | 0.8 | 1.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | King of the Hill |  |  |  | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Marina Abramovic: The Artist is Present |  |  |  |  |  | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | L'AMOUR! - Dignity |  |  |  |  |  |  |  | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | The Candidate |  |  |  |  |  |  |  |  | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 3 | Prisoners of Conscience |  |  |  |  |  |  |  |  | 2.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Electric Signs |  |  | 1.3 |  |  | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Silent Shakespeare |  |  |  |  |  |  | 2.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Every Three Seconds |  |  |  |  |  |  |  |  | 2.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Patsy Mink: Ahead of the Majority |  |  |  |  |  |  |  |  | 2.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | el güero |  |  |  |  |  |  |  |  | 2.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Heimat is a Space in Time |  |  | 2.0 |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | The Land of Owls | 2.0 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | L'AMOUR! - Hors |  |  |  |  |  |  |  | 2.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | The Strange Little Cat |  |  |  |  | 0.7 |  |  |  | 1.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | This is Nollywood |  |  |  | 2.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Anne Clark – I’ll Walk Out Into Tomorrow |  |  |  |  |  |  |  |  | 2.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Some Divine Wind |  |  |  |  |  |  |  | 1.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | The Metal Stork |  |  |  |  |  | 1.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Three Cheers for the Whale |  |  |  |  |  |  |  | 1.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Phoenix Dance |  |  | 1.2 |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | The Queen of Fear |  |  |  | 1.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | The Paranoids |  |  |  |  |  | 1.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Happy People: A Year in the Taiga |  |  |  |  |  | 1.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Housemaids |  |  |  |  |  | 1.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Haida Modern |  |  |  |  | 0.2 | 1.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Gringo Trails |  |  |  | 0.3 |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 2 | Did You Wonder Who Fired the Gun? |  |  |  | 0.5 | 0.7 |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.3 | The Adventurers of Modern Art Clip |  |  |  |  |  |  |  | 1.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.3 | Give the Gift of OVID! |  |  | 1.0 | 0.2 |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.3 | Porch |  |  |  |  |  | 1.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.3 | Brian Hu's Intro |  |  |  |  |  | 1.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.3 | Family Business |  |  |  |  |  |  |  |  | 1.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.3 | Violeta Went to Heaven |  |  |  | 0.3 | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.3 | We Are the Lambeth Boys |  |  |  |  | 0.3 |  |  |  | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.2 | Long Story Short |  |  |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.2 | Tony Manero |  |  |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.2 | Come Hell or High Water |  |  |  |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.2 | In the Shadow of Women |  |  |  |  |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.2 | L'AMOUR! - Avoidance |  |  |  |  |  |  |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.2 | Oyster |  |  |  |  |  |  |  |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.2 | Outcry and Whisper |  |  |  |  |  |  |  |  | 1.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | The City Dark (83 minute version) | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | A Maid for Each | 0.2 |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | Papicha |  |  |  | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | A Quest for Meaning |  |  |  |  |  |  | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | Maysles Documentary Center |  |  |  |  |  |  |  |  | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | Prism |  |  |  |  |  |  |  |  | 1.0 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | Alena |  |  |  |  | 0.8 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | False Confessions |  |  |  |  |  | 0.8 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 1.0 | History of Fear |  |  |  |  | 0.7 | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Elena |  |  |  | 0.2 |  | 0.5 |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | The Owl's Legacy: Amnesty, or History on the March |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Mario Ruspoli, Prince of the Whales | 0.3 |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | A Good Man |  |  |  | 0.3 | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | 40,000 Years of Dreaming |  |  |  |  | 0.3 | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | CMYK | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Rebels on Pointe |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | You Go to My Head |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Boris Without Beatrice |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Charlie's Country |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Quiet Heroes |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | The Names of Love |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Thinking Existenz - Ep 03 - Lucrecia Martel |  |  |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | The Best of Both Worlds |  |  |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Born in Flames |  |  |  |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | Anthem |  |  |  |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.8 | L'AMOUR! - Duet Alanda |  |  |  |  |  |  |  |  | 0.8 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | The Prize of the Pole |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | El Velador |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Backfired |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Cooked |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Faith Love Desire - Ep 2 - Fulfilled Love |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Your Name in Cellulite |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Celling Your Soul |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | A Bread Factory Trailer |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Images You Didn't See |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Return to Cuba |  |  |  |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | The German Neighbor |  |  |  |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Guns and Mothers |  |  |  |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | Spark |  |  |  |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.7 | OVID Summer 2020 Promo |  |  |  |  |  |  |  |  | 0.7 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | They Are We | 0.2 |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Partner with the Enemy - Making it in the Middle East | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Elder Voices | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Prairie Trilogy |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | My Friend from the Park |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Alive! |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Quest |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Downstream to Kinshasa |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | STOP |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Eternity Has No Door of Escape |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | The Song of Ceylon |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | L'AMOUR! - Winter Grew Cold |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | No Light and No Land Anywhere |  |  |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Best of Fest 1 - Earth Odyssey: Asaf Avidan |  |  |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | El Eternauta´s Wife |  |  |  |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Chisholm '72: Unbought & Unbossed |  |  |  |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | The Road Movie |  |  |  |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | A Man Vanishes |  |  |  |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Modern Life |  |  |  |  |  |  |  |  | 0.5 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.5 | Best of Fest 1 - Sedimented Here |  |  |  |  |  | 0.3 |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Disorder | 0.2 |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Last Summer Won't Happen |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | How to Steal a Country |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Alice |  |  |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Guardian |  |  |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Markie in Milwaukee |  |  |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | The Storm Makers |  |  |  |  |  |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Patrimonio |  |  |  | 0.2 | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Like Any Other Kid |  |  |  | 0.2 |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Down There | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Maidentrip |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Flamenco, Flamenco |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Sad Song of Yellow Skin |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Regina |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Bluespace |  |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Ricordi? |  |  |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | Capturing the Flag |  |  |  |  |  |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.3 | We Are The Radical Monarchs |  |  |  |  |  |  |  |  | 0.3 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Mary & Myself | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | The East Wind State Farm | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Love & Diane |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Complicit |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Stray Dog |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Dreaming of a Tree House |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | The Chinese Lives of Uli Sigg |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Mia Madre |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Mozart's Sister |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Seadrift |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Denial |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | H2Omx |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Weather The Storm |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Torture Made in USA |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Rough Aunties |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Girl Model |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Rodents of Unusual Size |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Laberinto de Luz / Lightbyrinth |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Trópico de Cancer / Tropic of Cancer |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Until the Birds Return |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Overload |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | No Home Movie |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | The Sixth Side of the Pentagon |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | What's the Economy for, Anyway? |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Golub: Late Works Are the Catastrophes |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | In Motion: Amiri Baraka |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Ballet Boys |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Suspension |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | The Passionate Pursuits of Angela Bowen |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Guy |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | This Is Our Land |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Jaguar |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Tattoo Uprising |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | War and Peace |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | If The Dancer Dances |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Russian Ballet: The Nutcracker |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
	| 0.2 | Let Them Eat Dirt |  |  |  |  |  |  |  |  | 0.2 |  |  |  |  |  |  |  |  |  |  |  |  |  |  | 
 
Leave a Reply