Nancy Cooperstein Charney Who's Next? examines how the lives of Muslim-Americans have been affected in the aftermath of the September 11th terrorist attacks. In one way or another, all of them have been targeted by federal agencies, hate groups, and even former friends solely on the basis of their religious beliefs. This Hanukkah, the film encourages us all to choose knowledge over ignorance, take action to prevent hate speech, and to welcome strangers into our lives so that the challenges of marginalized co
According to the Smithsonian National Museum of African-American History and Culture, Madeline Anderson (b. 1927) was the first African-American woman to have directed a documentary film. Hard as it is to believe—as the history of cinema goes back over 120 years—it was only in 1960 when Anderson directed her first film Integration Report 1.
Filmmaker Jethro Waters has a background in cinematography and an ear for music. He tackles the biopic of master photographer Burk Uzzle without ever making you feel like you’re doing homework. There is energy in his work and a true respect for his subject. Though it’s hard to witness how little America has progressed in terms of racial justice since Uzzle began working seven decades ago, the film vibrates with hope that good things might yet still come. We sat down over Zoom to discuss his film “F11 and Be There” and some of the influences that contributed to its creation.
An Open Letter from OVID Director and Icarus Films President Jonathan Miller, on the Launch of OVID.tv: metafilm
In September, 2019 I wrote to everyone on the Icarus Films email list about how I saw the media landscape, particularly for independent films, documentaries and global cinema, and why – in that context – we launched OVID.tv. Not to belabor the obvious but a lot has changed since then.
Popular This Week on OVID: Patricio Guzmán, Claire Denis, Raúl Ruiz, Abderrahmane Sissako, and Marshall Curry
Five of our most popular titles for the last week in November, from Oscilloscope, Grasshopper Film, Music Box Films, and Icarus Films. Enjoy!
In 1988, nearly a decade after leaving the US for France, renegade filmmaker Robert Kramer returns. “Back,” he emphasizes. Not “home.” To try to understand the contemporary United States, he decides to travel the entire length of Route 1, from the Canadian border to Key West, filming all the way for five months. ROUTE ONE/USA was shot more than 30 years ago, but it feels remarkably contemporary in its portrayal of many of the racial, social, and economic challenges America continues to face.
One of the founding principles of OVID is a commitment to openness and transparency. For any number of reasons we believe that it is high-time for the film and media industries to open the books and share with both our members (subscribers, customers, viewers) and our filmmaking, producing, and distribution partners, the real numbers and metrics and dollars and cents of the business. We’d be happy to enter into a discussion with our colleagues, distributors, and other VOD and SVOD services about this idea and why information such as that shown here is generally so closely held.
OVID is pleased to premiere and present exclusively in the United States, the restored version of the French New Wave’s classic omnibus film, Six in Paris (Paris vu par…). And taking advantage of a capability in our platform, OVID is able to present Six in Paris in both its original feature-length version, and as the six separate short films […]
Madeline Anderson discusses working with Shirley Clarke on The Cool World (1963).